Search results for "paint"

showing 10 items of 605 documents

A Unique Collection of Palaeolithic Painted Portable Art: Characterization of Red and Yellow Pigments from the Parpalló Cave (Spain).

2016

In this work we analyze the pigments used in the decoration of red and yellow motifs present in the portable art of the Parpallo Cave (Gandia, Spain), one of the most important Palaeolithic sites in the Spanish Mediterranean region. Energy dispersive X-ray fluorescence spectrometry (EDXRF) and spectrophotometry in the visible region (CIEL*a*b*color coordinates and spectral reflectance curves) were used to perform in situ fast analyses of the red and yellow motifs with portable equipment and to characterize their elemental composition and their colorimetric perception, respectively. According to the elemental composition, the intensity of the fluorescence iron signals in red and yellow motif…

PigmentsGoethiteLuminescencelcsh:MedicineSocial Sciences01 natural sciencesCoating MaterialsSpectrophotometryPaintSpectroscopy Fourier Transform InfraredPortable art0601 history and archaeologylcsh:SciencePaintsHistory AncientElemental compositionMineralsMultidisciplinarygeography.geographical_feature_category060102 archaeologymedicine.diagnostic_testChemistryPhysicsElectromagnetic RadiationCalciteOxides06 humanities and the artsQuartzMineralogyCavesChemistryArchaeologyvisual_artPhysical Sciencesvisual_art.visual_art_mediumColorimetrySequence AnalysisArtResearch Article010506 paleontologyMaterials ScienceFluorescence spectrometryMineralogyColorResearch and Analysis MethodsFluorescenceIron OxidesPigmentCaveSequence Motif AnalysismedicineMolecular Biology TechniquesSequencing TechniquesMolecular BiologyMaterials by Attribute0105 earth and related environmental sciencesgeographylcsh:RChemical CompoundsSpectrometry X-Ray EmissionBiology and Life SciencesPigments BiologicalHematiteSpainEarth Scienceslcsh:QPloS one
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The Painted Silk Panels of Palazzo Barberini at Rome. The Scientific Investigation and Preservation Challenge

2013

Abstract This paper reports the study carried out on the 18th century painted silk panels that cover the walls of the so called Salotto delle sete dipinte in Palazzo Barberini at Rome on the occasion of the conservation work started in 2007. Microscope and spectroscopy investigations were performed in order to study the materials and the realization techniques of the painted silk panels and to evaluate the conservation conditions. Moreover ageing tests were performed in order to evaluate the stability of the consolidant/protective product used for the silk panels.

PigmentsPainted silkInfrared spectrometryChemistry(all)media_common.quotation_subjectArt historyGeneral MedicineArtMicro-Raman spectroscopyMicro raman spectroscopyFibersSILKConsolidant/protectiveChemical Engineering(all)media_commonProcedia Chemistry
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Archaeometrical Studies of Classic Mayan Mural Painting at Peten: La Blanca and Chilonche

2014

[EN] La Blanca and Chilonche are two of the many Mayan settlements located on the lower reaches of the Mopan river (Department of Petén, Guatemala). The archaeological work conducted by La Blanca Project (University of Valencia, Spain) over the last ten years has revealed the rich polychrome of the monumental architecture of these sites, where the remains of ancient mural paintings are of the highest quality. In order to ascertain the materials and techniques used by painters at each site throughout the Classic period, our research team has recently conducted an analytical study with a multi-technique approach based on the combination of several non destructive and micro-destructive instrum…

PigmentsPaintingMaterials sciencebiologyMuralLa Blancabiology.organism_classificationArchitecture.Mineralogical compositionArchaeologyChiloncheMural paintingMayaNon destructivePolychromeCOMPOSICION ARQUITECTONICAValencia
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Identification of plant cells in black pigments of prehistoric Spanish Levantine rock art by means of a multi-analytical approach. A new method for s…

2017

We present a new multi-analytical approach to the characterization of black pigments in Spanish Levantine rock art. This new protocol seeks to identify the raw materials that were used, as well as reconstruct the different technical gestures and decision-making processes involved in the obtaining of these black pigments. For the first of these goals, the pictorial mat- ter of the black figurative motifs documented at the Les Dogues rock art shelter (Ares del Maestre, Castello ́ n, Spain) was characterized through the combination of physicochemical and archeobotanical analyses. During the first stage of our research protocol, in situ and non- destructive analyses were carried out by means of…

Pigments[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and PrehistoryRaw MaterialsMaterials Sciencelcsh:MedicineSocial SciencesPlant ScienceResearch and Analysis MethodsSpectrum Analysis RamanPlant TissuesPlant CellsPaintHumansPaleobotanyAnimal Anatomylcsh:ScienceColoring AgentsComputingMilieux_MISCELLANEOUSMaterials by AttributeFlowering PlantsChemical CharacterizationHistory AncientIsotope AnalysisArt prehistòricSocial IdentificationPlant Anatomylcsh:ROrganismsBiology and Life SciencesPaleontologySpectrometry X-Ray Emission[CHIM.MATE]Chemical Sciences/Material chemistryPigments BiologicalPlantsRadioactive Carbon DatingArchaeologySpainArchaeological DatingPhysical SciencesEarth SciencesMicroscopy Electron Scanninglcsh:QPaintingsPaleobiologyZoologyResearch ArticlePLoS ONE
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Nuevos datos documentales sobre Paolo Da San Leocadio

2013

Se presenta un documento que aclara la identidad de la que pudo o debió ser la segunda esposa del italiano Paolo da San Leocadio (Reggio Emilia 1447-Valencia 1520), precoz introductor en 1472 de la pintura del Renacimiento en España. Se trata del contrato matrimonial entre Jaume Llopis, cambista de Valencia, y el pintor, quienes acuerdan el enlace entre dicho pintor e Isabel Llopis, hermana de Jaume, que ofreció una importante dote. A document is presented here which clarifies the identity of who could have been or must have been the second wife of the Italian Paolo da San Leocadio (Reggio Emilia 1447-Valencia 1520), one of the first people to introduce Renaissance paintings to Spain in 147…

Pintura RenaixementRenaissance artPintura del RenaixementUNESCO::HISTORIA::Historia por especialidades::Historia del arteArte del RenacimientoPaolo da San LeocadioArtículoRenaissance paintingArt del Renaixement:HISTORIA::Historia por especialidades::Historia del arte [UNESCO]
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Un contrato inédito de Juan de Juanes. El retablo de la Cofradía de la Sangre de Cristo de Valencia (1539)

2012

This article is based on an unpublished contract signed in 1539 by Vicente and Juan Macip for an altarpiece for the Valencian Brotherhood of the Blood of Christ. The agreement stipulates that Juan, later known as Juan de Juanes, had to paint the scenes. Thus the document reinforces the hypothesis that Juan Macip was the most important painter in the Macip workshop during the 1530’s. It also fills a documental void in between the completion of the Silversmith’s Guild altarpiece (1534-1539) and the contract for the Fuente la Higuera altarpiece (1548). This study also verifies the popularity of the iconography of the seven sheddings of the Blood of Christ and processions of disciplinants.<b…

Pintura renacentistaPaintingVicente MacipVisual Arts and Performing Artslcsh:NX1-820Blood of Christ Brotherhoodmedia_common.quotation_subjectArts in generalCofradía de la SangreRetablosArtlcsh:Arts in generalNX1-820Valencianlanguage.human_languageAltarpieceJuan de JuaneslanguageRenaissance paintingAltarpieceValenciaIconographyHumanitiesmedia_commonArchivo Español de Arte
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Un contrato de los Hernandos para la capilla de les Febres de la Seo de Xàtiva en 1511

2006

The contract dated 1511 signed by Fernando Llanos and Fernando Yáñez de la Almedina, Castillian painters known as “the Hernandos,” for the termination of an altarpiece in the chapel of the “Virgen de les Febres” is presented here. This chapel was founded in 1497 in the collegiate church of Jàtiva (Valencia) by Francisco de Borja, Bishop of Teano and Cardinal of Cosenza. Based on this document, a series of hypotheses are put forth concerning the trajectory and works of “the Hernandos” following their execution of the doors of the main altarpiece of the Cathedral of Valencia.<br><br>Se presenta el contrato firmado en 1511 por Fernando Llanos y Fernando Yañez de la Almedina, pintor…

Pintura renacentistaVisual Arts and Performing ArtsCollegiate church of Jàtiva (Valencia)media_common.quotation_subjectArts in generalNX1-820Fernando Yáñez de la AlmedinaCollegiate churchAltarpieceFrancisco de BorjaHernandosChapelretablomedia_commoncomputer.programming_languagePaintinglcsh:NX1-820The Hernandos16th centuryArtlcsh:Arts in generalsiglo XVIRenaissance paintingAltarpieceFernando LlanoscomputerHumanitiescolegiata de Xàtiva (Valencia)Archivo Español de Arte
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Microsoft Paint datorprogrammas izmantošana sešgadīgu bērnu pozitīva pašvērtējuma veidošanai

2021

Kvalifikācijas darba autore: Alise Miezīte Kvalifikācijas darba nosaukums: Microsoft Paint datorprogrammas izmantošana sešgadīgu bērnu pozitīva pašvērtējuma veidošanā Kvalifikācijas darba mērķis: izpētīt sešgadīgu bērnu pozitīva pašvērtējuma veidošanos vizuālās mākslas nodarbībās pirmsskolā, izmantojot Microsoft Paint datorprogrammu. Tika izvirzīti sekojoši uzdevumi: 1.Analizēt teorētiskās atziņas par sešgadīga bērna pozitīva pašvērtējuma veidošanos, zīmēšanas nozīmi pirmsskolas vecuma bērniem, analizēt dažādu autoru uzskatus par skolotāju un izglītojamo savstarpējo attiecību nozīmi pozitīva pašvērtējuma sekmēšanai, izpētīt vecāku audzināšanas stila ietekmi uz audzēkņu mācīšanās sasniegumie…

Pirmsskolas pedagoģijadigitālās tehnoloģijasmotivācijazīmējumspašvērtējumsMS Paint datorprogramma
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Aurora che fuga le tenebre (1799 circa)

2015

La scheda si occupa di un bozzetto pittorico opera del pittore Giuseppe Velasco The sheet deals with a pictorial sketch by the painter Giuseppe Velasco

Pittura Settecentoeighteen century paintings
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Non-linear Local Polynomial Regression Multiresolution Methods Using $$\ell ^1$$-norm Minimization with Application to Signal Processing

2015

Harten’s Multiresolution has been developed and used for different applications such as fast algorithms for solving linear equations or compression, denoising and inpainting signals. These schemes are based on two principal operators: decimation and prediction. The goal of this paper is to construct an accurate prediction operator that approximates the real values of the signal by a polynomial and estimates the error using \(\ell ^1\)-norm in each point. The result is a non-linear multiresolution method. The order of the operator is calculated. The stability of the schemes is ensured by using a special error control technique. Some numerical tests are performed comparing the new method with…

Polynomial regressionDecimationMathematical optimizationSignal processingPolynomialOperator (computer programming)Computer scienceCompression (functional analysis)InpaintingData_CODINGANDINFORMATIONTHEORYAlgorithmLinear equation
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