Search results for "performing arts"

showing 10 items of 1020 documents

Grandeur et Décadence des Pink Floyd

2017

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.HIST ] Humanities and Social Sciences/History[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing arts[SHS.HIST] Humanities and Social Sciences/History[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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Wolfgang Mitterer, Symphony of Crazy, pour Das Cabinet des Dr. Caligari

2017

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.HIST ] Humanities and Social Sciences/History[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing arts[SHS.HIST] Humanities and Social Sciences/History[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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Popular o non popular? I tardi anni Sessanta, la controcultura e l’avanguardia nella musica rock. L’esempio di "Ummagumma" dei Pink Floyd"

2017

Numero speciale in collaborazione con la Rivista di Analisi e Teoria Musicale (XXII, 1-2, 2016). A cura di Alessandro Bratus; International audience; In alcuni generi che emergono nella popular music della fine degli anni Sessanta, quali progressive, art o psychedelic rock, la tensione verso la sperimentazione sembra essere la principale preoccupazione dell’ “avanguardia pop”, sia negli Stati Uniti (con figure come Frank Zappa, The Velvet Underground, The Grateful Dead), che nel Regno Unito (AMM, Pink Floyd, The Beatles, Soft Machine). In questi repertori si evidenziano due principali tipologie di approcci, che possono essere definiti “tentazione sinfonica” e “tentazione sperimentale”. L’ob…

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.HIST ] Humanities and Social Sciences/History[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing arts[SHS.HIST] Humanities and Social Sciences/History[SHS.HIST]Humanities and Social Sciences/Historylcsh:ML1-3930lcsh:Literature on musicComputingMilieux_MISCELLANEOUS
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"It's time to wake up your sleepy senses", Marquis de Sade, Dantzig Twist

2017

Journée PIND (Punk is not Dead); International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing arts
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Conditions de possibilité d'une forme perçue

2008

International audience; La forme musicale est considérée par les compositeurs et les musicologues,au moins depuis la fin du XVIIIe siècle, comme un aspect majeur de la compositionmusicale. Certaines conceptions théoriques de la forme, voire sa réalité perceptive,sont remises en cause par les psychologues de la musique. Cependant, d’autresrésultats suggèrent qu’une représentation en mémoire des grandes structuresmusicales est envisageable. Cet article se propose d’examiner, à travers une revue desthéories de la forme et de la littérature en psychologie expérimentale, deux questionsfondamentales sur la perception des formes : sur quelles dimensions musicales et queltype de représentation en m…

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsArgumentationfonctions rhétoriquesformehiérarchies tonales
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Pink Floyd, the Dark Side of The Moon

2018

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsComputingMilieux_MISCELLANEOUS
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Neuf chansons pour une Histoire

2017

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsComputingMilieux_MISCELLANEOUS
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La continuité conceptuelle chez Zappa et la question du statut de l'oeuvre musicale rock

2017

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsComputingMilieux_MISCELLANEOUS
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Tempo et texture dans quelques interprétations de Ionisation de Varèse

2017

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsComputingMilieux_MISCELLANEOUS
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'Udire secondo le Idee'. Daniele Barbaro e la musica degli affetti

2017

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing artsComputingMilieux_MISCELLANEOUS
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