Search results for "procession"

showing 10 items of 26 documents

La procesión del Corpus en Sevilla: influencias sociales y políticas en la evolución del cortejo

2007

This paper deals about the changes happened in the procession of the Corpus Christi in Seville. We have news of that from 1363, and along the following centuries, but the most interesting is the way the procession is represented by two series of drawings one from 1747, and the other from 1866. This two series allow us to see the differences between them, that were due mainly to the politic, social, and religious changes. Se trata en este artículo sobre los cambios ocurridos en la procesión del Corpus Christi en Sevilla. La primera noticia es de 1363, y a partir de esta fecha se conocen bastantes acontecimientos en los siglos siguientes, pero lo más interesante es la manera en que se represe…

Corpus ChristiUNESCO::HISTORIA::Historia por especialidades::Historia del arteprocesiónesculturasprocessionsocial changeEucharistic feastPinturabrotherhoodsFiestas religiosasRepresentación iconográficaComposicion pictóricaEvolución históricaDibujocambio socialhermandadesFiesta eucarísticaProcesionesSeries pictóricas:HISTORIA::Historia por especialidades::Historia del arte [UNESCO]sculpture
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Musical Mourning Rituals in Sicily. By Sergio Bonanzinga. Translated by Giacomo Valentini.

2017

This article surveys various vocal and instrumental performances (chants, laments, calls, sounds of church bells and drums, band music) connected to the ritual celebration and commemoration of the dead that are still characterized in Sicily by a manifest syncretism between Christian Church rules and folk customs and beliefs. These “sounds of mourning” are examined in terms of both their musical aspects and their social and symbolic functions, with special attention given to the changing dynamics between the present day and the recent past. The focus also extends to include celebrations in which “fictitious funerals” are performed, such as those for Christ during the Easter procession and fo…

LiteratureChristian ChurchProcessionSyncretismbusiness.industryDynamics (music)media_common.quotation_subjectArt historyMusicalArtbusinessmedia_commonEthnomusicology Translations
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«Questa è la città di Augusto». Archi e processioni a Leptis Magna

2020

A recent study on the Trajan's arch at Leptis Magna mentions a second arch of Tiberius, along a street which runs parallel to the main cardo, where the more famous “twin” of this arch is located. The study also mentions a structure, an arch as well, posed at the same place where the tetrapyle of Trajan was erected. These three arches mark the three vertices of a quadrilateral of streets involving the main places of the public consent through the Imperial House. It is not a case that this predecessor of the Trajan's arch lies on the crossway among the main cardo and a way with goes to the street that separes the Theatre, the fourth vertex of the quadrilateral, from the porticus post scaenam.…

honorary arch imperial cult Leptis Magna Augustus processionSettore L-ANT/07 - Archeologia Classica
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Aportaciones documentales sobre cruces de orfebrería valencianas. Siglos XIV y XV

2020

The article intends to make a contribution of new documentary references, from the notarial funds of the Valencian archives, in which news about parish crosses and Lignum Crucis from the silversmith center of Valencia during the fourteenth and fifteenth centuries are collected. The importance of these typologies lies in being the main elements of Christian worship, so it was an essential piece in each parish that allowed the provision in them of models of varied typology and functionality; for that reason they are conserved from altar crosses, cross-shaped reliquaries ?known as Lignum Crucis or Veracruz ?to processional crosses, larger and representative of the parish community to which it …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASPere Capellades0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707977 Aportaciones documentales sobre cruces de orfebrería valencianas. Siglos XIV y XV Candela Garrigósfor that reason they are conserved from altar crossesin which news about parish crosses and Lignum Crucis from the silversmith center of Valencia during the fourteenth and fifteenth centuries are collected. The importance of these typologies lies in being the main elements of Christian worshiplarger and representative of the parish community to which it belongs. The result of this research has been the knowledge of works by important silversmiths such as Pere Bernesfrom the notarial funds of the Valencian archivesso it was an essential piece in each parish that allowed the provision in them of models of varied typology and functionalitycross-shaped reliquaries ?known as Lignum Crucis or Veracruz ?to processional crossesReyes The article intends to make a contribution of new documentary references:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Francesc CetinaBertomeu Coscolláamong others. 63 78
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Rule of the One: Avicenna, Bahmanyār, and al-Rāzī on the Argument from the Mubāḥathāt

2020

Avicenna is a strong proponent of what some of the later ones call qāʻidat al-wāḥid or ‘rule of the one’ (RO). The gist of RO states: from the one only one directly proceeds. In the secondary literature, discussion of this Avicennian rule is usually limited to a particular application of it i.e., the issue of emanation. As result, it’s not really clear what RO means, nor why Avicenna endorsed it. In this paper, I try and remedy this situation by doing two things – one on the taṣawwur front, the other on the tasdīq. First, explain just what the terms of RO amount to – that is, its subject and predicate. In doing this, I distinguish between a narrow and a broad understanding of RO, and the sh…

rāzīlcsh:IslamavicennaApplied MathematicsPhilosophyṬūsīrule of the oneBahmanyārcausal processionEpistemologyself-evidentMubāḥathātRāzīṭūsīefficient causalitytanbīhArgumentfilosofiaAvicennaqāʻida al-wāhidbahmanyārmubāḥathātlcsh:BP1-253Rule of the oneNazariyat İslam Felsefe ve Bilim Tarihi Araştırmaları Dergisi (Journal for the History of Islamic Philosophy and Sciences)
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A New Species ofTelenomusHaliday (Hymenoptera: Scelionidae) Associated with Egg Batches of the Pine Processionary Moth,Thaumetopoea pityocampa(Dennis…

2009

Telenomus thaumetopoeae Buhl sp. n. is described from northeastern València (Peninsular Spain) taking as starting point females parasitizing the egg-batches of the Pine Processionary Moth, Thaumetopoea pityocampa (Dennis et Schiffermüller, 1775). Its morphological affinities with the most closely related species and parasitism data are offered.

biologyThaumetopoea pityocampaParasitismNotodontidaeHymenopterabiology.organism_classificationLepidoptera genitaliaArbres Malalties i plaguesInsect ScienceBotanyBotànicaTaxonomy (biology)Pine processionary mothEcology Evolution Behavior and SystematicsScelionidaeEntomological News
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Il tarantismo in Sicilia

2017

Il testo prende in esame il complesso di materiali editi e inediti (fonti storiche e archivistiche, documenti musicali, testimonianze etnografiche) che attestano la presenza del tarantismo in Sicilia dalla metà del Seicento alla fine dell’Ottocento. Il caso siciliano viene quindi inquadrato nell’ambito dell’ampia letteratura che ruota intorno al fenomeno, a partire dal classico studio di Ernesto De Martino fino al dibattito sull’interpretazione del fenomeno fra i poli dell’esorcismo e della possessione, dovuto soprattutto all’etnomusicologo francese Gilber Rouget. L’analisi viene quindi estesa alla tradizione dei guaritori dei morsi di serpenti (i ciaràuli), che con il tarantismo condividon…

Settore L-ART/08 - EtnomusicologiaThe text examines published and unpublished materials – such as historical and ethnographic sources archive records and musical documents – which testify the presence of tarantism in Sicily from mid-17th century to the end of the 19th. The Sicilian case is then considered in a wider context of contributions on the theme starting from the ‘classic’ De Martino’work up to the debate on the interpretation of the phenomenon between the poles of exorcism and possession chiefly rased by French ethnomusicologist Gilbert Rouget. The analyses is therefore expanded to the tradition of snakes bites healers (the ciaràuli) which shares with tarantism the spider symbolism and to certain kinds of religious processions characterised by frantic ‘dances’ which suggest elements of functional continuity with tarantism musical-choreutic therapy.
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Studentu dziesmu un deju festivāls “Gaudeamus” dalībnieku atmiņās

2021

Izstādi “Studentu dziesmu un deju festivāls “Gaudeamus” dalībnieku atmiņās” veido bijušo un esošo Latvijas Universitātes pašdarbības kolektīvu dalībnieku fotogrāfijas no dažādiem svētkiem un ar svētkiem saistītām aktivitātēm – mēģinājumiem, svētku gājieniem un koncertiem. Tāpat izstādē iespējams iepazīties ar bijušā Deju folkloras kopas “Dandari” dalībnieka Aivara Narvaiša iespaidiem par “Gaudeamus” svētkiem, nelielu izstādē apskatāmo svētku vēsturi un interesantāko informāciju, kā arī festivāla “Gaudeamus” hronoloģiju.

fotogrāfijasstudentsLatvijas UniversitāteconcertsGaudeamus:HUMANITIES and RELIGION::Aesthetic subjects::Art [Research Subject Categories]photosUniversity of Latviamemoriesstudentiatmiņaspašdarbības kolektīvifestive processionsdziesmu un deju svētkimēģinājumiamateur groupssong and dance festivalsvētku gājienikoncertirehearsals
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Essai de réflexion sur la réaction aux inondations en milieu urbain au XVe siècle : du seuil de tolérance catastrophique des sociétés riveraines à la…

2010

International audience

Moyen ÂgeRisquesMoyen age[ SHS.HIST ] Humanities and Social Sciences/HistoryHistoire environnementaleInondationsInondationCatastropheEnvironmental historyMiddle agesFloodHistoireDisaster[SHS.HIST] Humanities and Social Sciences/HistoryProcession[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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Una mazza di argento cesellato con la Madonna delle Vittorie. Argentiere palermitano del 1771, Piazza Armerina, Cattedrale

2009

argento mazza processionale Palermo Piazza ArmerinaSettore L-ART/02 - Storia Dell'Arte Moderna
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