Search results for "shakespeare"
showing 10 items of 89 documents
A Devil's Labyrinth : a rereading of Hamlet
2010
Tämä tutkimus käsittelee William Shakespearen näytelmää Hamlet, kiinnittäen huomiota haamun alkuperään sekä Shakespearen näkemykseen koston oikeutuksesta perustuen Prosserin (1971) tutkimukseen esittäen, ettei Haamu ole todellisuudessa Hamletin isä vaan demoninen henki. Näytelmän keskiössä ei tämän tulkinnan mukaan ole perinteisesti ymmärretty teema pojasta, jonka täytyy kostaa isänsä kuolema, vaan se, että hän uskoo demonista henkeä ja näin saattaa toiminnallaan tuhoon koko Tanskan kuningaskunnan. Tragedia ei siis perustu koston oikeutukseen ja Hamletin päättämättömyyteen ja kykenemättömyyteen kostaa, vaan siihen, että hän kostaa siitäkin huolimatta, ettei se ole sallittua. Sen sijaan, ett…
The boundaries of citation and allusion: Shakespeare in Davide ferrario's Tutta colpa di giuda (2008), Alfredo Peyretti's Moana (2009), and Connie Ma…
2018
The paper focuses on the following samples of media material: Davide Ferrario’s Tutta colpa di Giuda (2008), a film set in an Italian prison that references Hamlet; Alfredo Peyretti’s Moana (2009), which is about the life of Italian porn star Moana Pozzi, and incorporates lines from A Midsummer Night’s Dream; a 2001 episode of Crime Scene Investigation entitled “Caged” that makes citations from Othello interact with an investigation into what looks like a murder; and Connie Macatuno’s Rome and Juliet (2006), a Filipino experimental film that turns Shakespeare’s tragic love story into a lesbian romance. The paper argues that “Shakespeare” is a fragmentary but significant presence in each of …
Shakespeare e i romantici
2008
Shakespeare a part: Scenes of Translation in Jean-Luc Godard's Bande a part and the Nouvelle Vague
2018
The article explores the "otherness" of Shakespeare in some films of the nouvelle vague of the early sixties, and argues that this otherness is bound up with processes of cultural translation involving different kinds of movements (i.e., across cultures, languages as well as media boundaries
Episodios caballerescos del Espejo de príncipes y cavalleros en La tempestad de Shakespeare: posibles transferencias
2013
El artículo pretende profundizar en el tema de las posibles influencias que Espejo de príncipes y caballeros, un popular libro de caballerías, traducido al inglés, pudo haber ejercido en el dramaturgo William Shakespeare en el proceso creativo de La tempestad. Se estudian en especial los paralelos entre los episodios marítimos, los personajes de Artidón y Calibán, los sabios y magos (Artemidoro, Polisteo y Próspero), la maga Artimaga y la bruja Artimaga y la bruja Sycorax.
Traumatic Redemption Chronotope as Theoretical Model to Study Serial Shakespeares
2019
T
 
 
 
 
 his article proposes a methodology to study Shakespearean intertexts in contemporary complex TV series. While the presence of Shakespeare’s inter-texts in contemporary complex TV seems ubiquitous, a sustained and theoretically focused academic study of the impact of Shakespeare in these works has not been produced. Reviewers and social media users’ comments have proposed readings of the series pointing at the importance of the series’ redemptive qualities. Taking Hannah Wolfe Eisner’s “Into the Middle of Things: Traumatic Redemption and the Politics of Form” as basis, I am presenting a theoretical model to study serial Shakespeares, with which I am referr…
Il peccato dello straniero. Riflessi mitici nell'Othello di Shakespeare
2008
There's A Ghost In Every Mirror: The Identity of the Ghost In Hamlet
2009
Tutkielmassani käsittelen William Shakespearean näytelmän Hamlet keskeisen hahmon, Haamun, identiteettiä katolisessa ja protestanttisessa teologiassa eriävän kiirastuliopin kautta avautuvana ristiriitana. Tulkitsen Haamun hahmoa perinteistä skeptisemmästä näkökulmasta, jonka pohjalta pyrin löytämään tekstistä viitteitä siihen, että Haamun identiteetti ei missään vaiheessa ole suoraan johdettavissa siihen perinteiseen tulkintaan, jonka mukaan se olisi Hamletin isä. Pyrin valottamaan jo 1500-luvun lopulla Englannissa vaikuttaneen protestanttisen maailmankuvan valossa teoksen kuvauksia Haamun alkuperästä sekä analysoimaan, millä tavalla sen kanssa tekemisissä olevat henkilöhahmot siihen reago…
Shakespeare in the Extreme: Addiction, Ghosts and (Re)Mediation in Alexander Fodor’s Hamlet
2011
This article is an analysis of Fodor's filmic version of Hamlet as simultaneously reverent and irreverent toward the canonical status of the Bard. It shows how Hamlet is being recycled by being brought into contact with contemporary citational environments, from pop music to drug culture.
“The drops which fell from Shakespear’s Pen”: Hamlet in Contemporary Fiction
2012
Questions of gender, ethnicity and sexuality have all been raised by novelists intent on rewriting Shakespeare from the position of what have been seen as cultural margins. While discussions of such rewritings are ongoing, few concerted efforts have been made to trace a pattern in the treatment of Shakespearean allusion and adaptation at the hands of British and American writers of the literary mainstream. The present essay sets out to investigate the way in which three such writers —Ian McEwan, Graham Swift, and John Updike— employ allusion to/adaptations of Hamlet in their novels and what their respective stances reveal about their understanding of their role as canonical writers.