Search results for "sonnet"

showing 5 items of 15 documents

Chansonnette Claude

2007

[SHS.DROIT]Humanities and Social Sciences/Law[SHS.DROIT] Humanities and Social Sciences/Law[ SHS.DROIT ] Humanities and Social Sciences/LawChansonnette Claude
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‘Oft turning others' leaves' : la contrainte de l' imitatio dans les sonnets anglais des XVIe et XVIIe siècles

2009

In the sixteenth and the seventeenth centuries, imitation was not usually considered a constraint by poets. Yet Sir Philip Sidney, in his sonnet cycle Astrophil and Stella, seems to advocate a new form of poetic writing based on personal experience and originality, even if he uses the traditional device of impossible love imitated from Petrarchan sonneteers. Stella appears as a new constraint, and her absence and coldness trigger a reflection on the impossibility to write.

[SHS.LITT] Humanities and Social Sciences/LiteraturesonnetAstrophil and Stellacontrainte[SHS.LITT]Humanities and Social Sciences/Literaturesir PhilipSidneyimitation
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Lwowski debiut Tomasza Augusta Olizarowskiego

2020

Tomasz August Olizarowski, born on March 10, 1811 in Wojsławice, in Galicia, still be- longs to the group of the unknown and unjustly forgotten poets and playwrights. One hundred and thirty five years have passed since his death, and so far there has been neither a critical edition of his rich literary output, nor a monograph devoted to him. Most of his texts remain in manuscripts collected at the Polish Library in Paris and at the Library of Kórnik. The latter holds among its collections the first volume of his Psalms, most probably published by the poet in L’viv in 1832, compared by an unknown 1833 reviewer to the works of Jean Paul (Johann Paul Friedrich Richter) and even to J.W. Goethe’…

sonnetdumkypsalmdebiutdebutDark RomanticismOlizarowski Tomasz Augustczarny romantyzmsonetdumka
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W drodze do źródeł bytu. Symbolika czarnomorskiej przestrzeni w "Sonetach Krymskich" Adama Mickiewicza

2018

In 1825, Adam Mickiewicz - who was temporarily staying in Odessa by the tsar's sentence of exile - went on a trip to the Crimea. The Crimean Sonnets, recognized by the researchers of Romanticism as revolutionary and innovative, are a direct account of this trip. One of the essential poetic intentions of this cycle is to visualize the vastness of space experienced by the lyrical "I". Space - It has to be emphasized here - of the Black Sea region. This essay is an attempt to read its ambiguous symbolism. In the light of the research in the field of humanistic geography on the phenomenon of "space" and "place", It is interpreted here as the implication of the freedom of the world, which, along…

sonnetpilgrimMickiewiczmysticismtourist
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il volto della morte: le maschere funerarie della sepoltura dei preti morti di Gangi

2014

riassunto — Le mummie moderne e il signifcato recondito della doppia sepoltura nelle culture mediterranee moderne sono da tempo ampiamente dibattuti. In questo lavoro si discute di una particolare “collezione” di corpi di ecclesiastici, mummifcati ed esposti in un comune montano madonita della Sicilia, Gangi. I corpi, principalmente risalenti al XIX secolo, mummifcati per colatura come nella tradizione del tempo e vestiti degli abiti talari, sono esposti nel piano sottostante della Chiesa Madre, in quella che nella tradizione è detta la “fossa dei parrini” (fossa dei preti). Le mummie, a differenza di altri siti siciliani e mediterranei, sono altresì corredate di sonetto commemorativo e di …

summary — The modern mummies and the inner meaning of the double burial in Mediterranean cultures have long been debated. In this paper we discuss a particular “collection” of ecclesiastical bodies mummifed and displayed in a small mountain town of Sicily Gangi in the Madonie Mountains. The bodies dating back to the nineteenth century mummifed by pouring in the tradition of the time and carefully dressed in robes are exposed in the lower foor of the Chiesa Madre in what the tradition is called “fossa dei parrini” (pit of priests). The mummies unlike other Sicilian and Mediterranean sites are accompanied by commemorative sonnet and death mask made of fnish wax. The primary interest of our study was aimed specifcally at this particular manifestation of the double burial complex which lies in the representation of the face. The work expresses an examination of the concept of death mask in antiquity and leads to the conclusion that the place for its scenic values ritualization should be designed to the ostentation and the consolidation of the image of the Church and of the his power within the small rural society.Settore BIO/08 - Antropologia
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