Search results for "spanish"
showing 10 items of 908 documents
The lost mother tongue : An interview study with Finnish war children
2015
This article presents the third study of an interview investigation concerning 10 Finnish war children who were evacuated during the World War II to Sweden and who did not return to live in Finland after the war. The focus is on how they remembered or did not remember their early experiences of displacement and on how they expressed thoughts about their childhood and their adult life. We found that all of them as adults still bore signs of trauma. The younger the children were at the time of the evacuation, the more difficult or even impossible it was for them to think or fantasize about the past. It was consequently not possible for them to work through their experiences of loneliness, abs…
Le flotte degli Austrias e gli scali italiani: una messa a punto
2019
Since the sixteenth century, the threat of Ottoman armies and Barbary corsairs forced Spain to gradually equip and upgrade a fleet of galleys - organized in teams - which in the "Italian" geopolitical space was headed by the domains that had a maritime projection (Kingdoms of Naples, Sicily, Sardinia) and the "connected" port of Genoa. Furthermore, new territories (the State of the Presidi, the feudal enclave of Finale) were acquired to facilitate navigation within the western Mediterranean borders and the use of Ligurian ports was negotiated with the Republic of Genoa. The maritime war in its various forms was therefore at the base of an elaborate logistic and strategic organization, which…
El sesgo mediocéntrico del "framing" en España: una revisión crítica de la aplicación de la teoría del encuadre en los estudios de comunicación
2016
Artikulu honetan kritikoki aztertuko dira Espainian framing-ari buruzko literaturan gailentzen diren ikuspegi teoriko eta metodologikoak. Azterketaren helburua da azpimarratzea bitartekoa erdigune duen joera bat dagoela; izan ere, ikasketetan aldagai independente gisa landu ohi dira kazetaritza-enkoadraketak, baina ez dira horiek ekoiztean eta negoziatzean dagoen dinamika-eta gatazka-prozesua jorratzen. Joera horren arrazoia da markoak kazetaritza-errutinen emaitza gisa hartzen direla, eta, hori dela eta, ez da kontuan hartzen kazetaritza-marko horien ekoizpenen atzean hainbat eragin politiko, sozial eta ideologiko daudela.; This article provides a critical review of the theoretical and met…
La nación contra el fascismo: PSOE y SFIO, 1933-1936
2020
Este artículo propone un estudio del antifascismo socialista en España. Al respecto, se apuesta por situar la nación como referente cultural y político en el centro del análisis, y aplicar una perspectiva comparada con el caso de Francia. Dicho análisis se plantea para el período inmediatamente anterior a la Guerra Civil en España y toma como principal fuente a la prensa socialista.El artículo se desarrolla en dos grandes bloques, con la Revolución de Octubre de 1934 como hito. A partir de entonces emergió en el seno del PSOE un enfrentamiento por el control de la organización. El artículo se centra en el estudio de la corriente caballerista, considerada el ala izquierdista, a la cual se co…
La imagen y el líder, la aportación cinematográfica al carisma de Franco y José Antonio
2009
La economía carismática española fue singular; no por la impotencia de un aparato de propaganda ni por la (quizá obvia) inconsistencia de los líderes que absorbieron la empresa; lo fue sobre todo por la estructura en la que se insertaba la dualidad de sus protagonistas: Franco y José Antonio. Las dos tentativas de elevarlos al altar de la nación están horadadas por una barrena y el intento tiene la virtud de exhibir las fisuras. Quizá se deba al protagonista, acaso a la estructura misma del poder, tal vez al programa (o a su ambigüedad); no es impensable que obedezca a la irrelevancia (impertinencia, más bien) de los movimientos de masas para un periodo de guerra en fase terminal y, con may…
A história e a providência: cinema e carisma na representação de Franco e José Antonio Primo de Rivera
2012
Anos se passaram e os cerimoniais congelaram sua face repetitiva, codificada, tediosa. A José Antonio lhe corresponden tão somente a aflição ritual do 20 de novembro, solitária data em que a dor, ou sua coreografia, se rememorava. Em 1959, o cenário, porém, ganhou algo a mais: mudou do El Escorial para o Valle de los Caídos. Mais tarde, teve lugar a última farsa, o último furto. Era 20 de novembro de 1975. E o sepultado corpo de Franco extraiu de si a energía suficiente para arrebatar de José Antonio o único ritual que lhe restava desde 1938. A partir de entao, o 20 de novembro seria recordado pela morte do ditador. Recordado ou talvez prontamente sepultado pelo esquecimento.
¿Cómo se replica afirmativamente en español e italiano?
2017
This article is part of a broader project aiming to describe the pragmatic strategies in Spanish and Italian task-oriented dialogues. Specifically it intends to highlight the different communicative dynamics depending on the use of affirmative responses carried out with the Spanish particles hum, sí, vale, ya, bien, exacto, etc. and Italian markers uhm, sì, okay, perfetto, etc. The method of analysis used has allowed to delineate two ‘stylistic’ tendencies that differ on the characterisation of the speaker’s stance about the interaction: Italian speakers present themselves as guides leading the achievement of the task, Spanish speakers moreover present themselves like autonomous individuals…
D’Annunzio e il teatro fuori dal teatro
2017
<p>At the origin of the two stage shows there is the idea of commemoration: September 11, the anniversary of the march on Ronchi, for <em>La Figlia di Iorio</em> to Vittoriale in 1927 and the homage to the Vate who has disappeared for a few months to represent <em>La Nave</em> in Venice in 1938; two different ways of celebrating and ritualising the event/theatre out of the theatre. And while in the first case, in a celebratory context he himself cared for, d’Annunzio became an enthusiastic promoter of a significant updating of the theatrical practice, in 1938 the regime finalised the event to an exaggeration of the duce’s politics in the lagoon marking a substa…
Una suggestione archilochea ne La Città Morta?
2020
This note proposes the hypothesis that in La città morta, Act II, sc. I, d’Annunzio used a fragment of Archilochus, sent to us by Plutarch and Athenaeus.
Il paesaggio della Grecia nei Taccuini
2016
D’Annunzio does not dream, but really sees, leading an impressionistic and syncopated storytelling in which he portrays scenes of true reality. Léon Bakst (author of the theatrical productions of the Martyre de Saint Sébastien, La Pisanelle and Phaedra) similarly proceeds, drawing in some works, Narcisse (1911), L'Après-midi d'un Faune (1912), Daphnis et Chloé (1912), Helene de Sparte (1912), those figurative motifs that the poet notes in his travels, such as the intense green of nature, the austere red rocks, the arid and wild lands.