Search results for "spectator"

showing 8 items of 28 documents

Spectacles and artist-creators : representation of women through fashion on CD-ROM Ambitious bitch by Marita Liulia

2002

feminismpowernaisetdesirefemininityfeminismirepresentationfashionspectator-userthreatLiulia MaritaCD-romotherness
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Exclusive measurement of quasi-free η-photoproduction from deuterium

2003

Quasi-free photoproduction of eta-mesons from the deuteron has been measured at the tagged photon facility of the Mainz microtron MAMI with the photon spectrometer TAPS for incident photon energies from the production threshold at 630 MeV up to 820 MeV. In a fully exclusive measurement eta-mesons and recoil nucleons were detected in coincidence. At incident photon energies above the production threshold on the free nucleon, where final state interaction effects are negligible, an almost constant ratio of sigma(n)/sigma(p)=0.66+/-0.10 was found. At lower incident photon energies the ratio rises due to re-scattering effects. The average ratio agrees with the value extracted from a comparison …

interaction [photon p]0.63-0.82 GeVNuclear and High Energy Physicstagged beam [photon]Photoninteraction [photon n]ProtonNuclear Theoryeffect [nucleon resonance]FOS: Physical sciences7. Clean energy01 natural sciencesResonance (particle physics)energy dependenceexperimental results [spectrometer]Nuclear physicsMainz Linacphoton deuteron --> eta n pRecoil0103 physical sciencesddc:530recoil [nucleon]NeutronNuclear Experiment (nucl-ex)ratio [channel cross section]spectator [model]Nuclear Experiment010306 general physicsNuclear ExperimentMicrotronQCPhysicsphotoproduction [eta]010308 nuclear & particles physicsmultiple scatteringphoton deuteron --> eta anythingangular dependenceDeuteriuminteraction [photon deuteron]High Energy Physics::ExperimentAtomic physicsNucleonThe European Physical Journal A
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Positioning the Supply of Live Performance: Innovative Managerial Practices Relating to the Interaction of Spectator, Performance and Venue

2006

Because of the abundance of offerings, the question of positioning with regard to live performances is becoming increasingly crucial for managers in the cultural sector. The authors address this issue by proposing original means of differentiation that managers can use in order to reinforce the identity of their offerings. The authors point to the need for analysis of the relationship between the public and the spectacle (central focus of positioning), highlighting the various facets that structure this positioning. They then examine the interaction between the public and the cultural venue (peripheral focus of positioning). Such a framework of consumption experiences offers promising solut…

interaction spectator/artist/venuevaleur de consommationlieuinteraction spectateur-artiste-lieu du spectaclecultural experimentexpérience culturelle[ SHS.ECO ] Humanities and Social Sciences/Economies and financesvenue[SHS.ECO] Humanities and Social Sciences/Economics and Finance[SHS.ECO]Humanities and Social Sciences/Economics and FinancePositionnementPositioningconsumption value
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“KKona where’s your sense of patriotism?” : Positioning Nationality in the Spectatorship of Competitive Overwatch Play

2022

AbstractThis chapter analyzes the discursive construction of nationality and ethnicity in the context of the Overwatch World Cup 2019 and especially among the discussions of the world cup’s spectators on the live-streaming platform Twitch. Drawing on the positioning theory and the concept of banal nationalism, our study demonstrates how esports fans are active negotiators and co-creators of the esports discourse. The analysis illustrates what kind of role nationality and ethnicity take in this environment, in other words what they come to mean for those participating in the discourses defining them.

nationalismimeemitspectatorshipelektroninen urheiludiskurssianalyysiyleisöpositioningnationalismkansallinen identiteettiverkkojutteludiscourse analysisstereotypiatWorld Cupetnisyys
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Współczesny folkloryzm

2018

Carnival stands not only for the festive time set by the religious calendar, but also for all games and shows which are part of the urban pop culture. Theoretical reflection on carnivalisation, i.e. a specific model of participation in culture, was initiated by Mikhail Bakhtin. The process of progressive carnivalisation of the urban space is associated with the development of spectator folklorism on the one hand and desementisation of the folk rituals on the other, i.e. with the expansion of festive events, which create common festive activity. The author brings up examples of carnivalisation of the public space in Polish towns from the Middle Ages until the contemporary times when the said…

postfolklorecommunity of funspectator folklorismcarnivalisationEtnologické rozpravy / Ethnological Disputes
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Karnawalizacja przestrzeni miejskiej

2017

Carnival stands not only for the festive time set by the religious calendar, but also for all games and shows which are part of the urban pop culture. Theoretical reflection on carnivalisation, i.e. a specific model of participation in culture, was initiated by Mikhail Bakhtin. The process of progressive carnivalisation of the urban space is associated with the development of spectator folklorism on the one hand and desementisation of the folk rituals on the other, i.e. with the expansion of festive events, which create common festive activity. The author brings up examples of carnivalisation of the public space in Polish towns from the Middle Ages until the contemporary times when the said…

postfolklorecommunity of funspectator folklorismcarnivalisationEtnologické rozpravy / Ethnological Disputes
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"Ritorno al futuro": cinema e tempo libero nella riflessione sociologica, inseguendo il piacere della visione

2012

spettatorespectatorshipmodernitàindustria culturaletempo liberocinemacinema fantasticoSettore SPS/07 - Sociologia Generale
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Mehr als Musik: Die sieben Dimensionen des Eurovision Song Contests

2008

"Der Eurovision Song Contest (ESC) ist der weltweit größte internationale Wettbewerb für populäre Musik und das erfolgreichste Fernsehunterhaltungsprogramm in Europa. Obwohl der ESC ursprünglich das Ziel verfolgte, die Entstehung neuer Lieder zu fördern, handelte es sich doch stets um ein von den Fernsehanstalten inszeniertes Medienereignis, das erst nachrangig musikökonomischen Zwecken dient. Für das Publikum ist der ESC auf Grund seiner Periodizität, seiner spezifischen Programmstruktur und nicht zuletzt des Zugehörigkeitsgefühls der Zuschauer, das auf Schemata nationaler und kultureller Identifikation beruht, zu einem hochgradig ritualisierten Medienereignis geworden. Seine Bedeutung geh…

television productionrepresentationnationale IdentitätMusikFernsehproduktionspectatordocumentationddc:070Sociology & anthropologyKulturempirisch-qualitativqualitative empiricalsozialer WandelMusiksoziologieKulturkampfBroadcasting TelecommunicationMedieninterkultureller Vergleichnational identityDokumentationmusicRundfunk TelekommunikationFernsehenPopmusikNews media journalism publishingCultural Sociology Sociology of Art Sociology of LiteratureRepräsentationsociology of musicintercultural comparisonempirischmediasocial changetelevisioncultureFernsehsendungEuropeinternationaler Wettbewerbtelevision broadcastinternational competitionSoziologie AnthropologieWettbewerbPublizistische Medien JournalismusVerlagswesenZuschauerddc:301EuropaempiricalcompetitionKultursoziologie Kunstsoziologie Literatursoziologiepop music
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