Search results for "subversion"

showing 10 items of 22 documents

And the World Continues to Spin…: Secularism and Demystification in Good Omens

2018

Pratchett’s narratives tend to portray not only multicultural but also multireligious societies. In contrast to earlier writers of fantasy, however, Pratchett writes from a decidedly atheistic point of view, an issue Daniel Scott explores in depth in this chapter. He argues that co-authors Pratchett and Gaiman use Good Omens to perform what, following Rosemary Jackson’s theory of fantasy literature (1989), is a dual subversion; in using biblical prophecy to hold a mirror up to society, they also show the faults and cracks in the mirror itself, sometimes overtly, but mostly by implication. By reducing it to this level of intertextuality, they strip it of its higher or absolute metaphysical v…

Absolute (philosophy)AestheticsMulticulturalismmedia_common.quotation_subjectPhilosophyMetaphysicsNarrativeFantasySecularismSubversionIntertextualitymedia_common
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Aproximaciones al apócrifo en la órbita de Max Aub : del modelo francés a las últimas manifestaciones peninsulares

2009

En este trabajo se realiza una lectura del mapa de manifestaciones apócrifas alrededor de la figura de Max Aub, escritor que construye un universo de superchería literaria desde sus obras iniciales, abarcando y fusionando diferentes géneros. A partir del contraste con algunos de los textos franceses que leyó, y que supusieron una herencia cultural de gran valor, se esbozará un panorama que incluya tanto a los maestros y predecesores en la práctica apócrifa aubiana, André Gide y Valéry Larbaud fundamentalmente, como a sus sucesores más representativos: los narradores leoneses creadores de Sabino Ordás. Entre unos y otros, se rastrearán los casos peninsulares de mayor trascendencia, con el fi…

ApócrifoLiterature and Literary Theorymax aubFrench literature - Italian literature - Spanish literature - Portuguese literatureApocryphea.o. barnaboothapócrifoMax AubSupercheríaFakeCultural inheritanceAndré WaltersupercheríaSabino Ordásfalso literarioA.O. BarnaboothSubversionOrder (virtue)LiteratureFalso literariolcsh:French literature - Italian literature - Spanish literature - Portuguese literatureA. O. Barnaboothbusiness.industryPhilosophyBiographysabino ordás:CIENCIAS DE LAS ARTES Y LAS LETRAS::Teoría análisis y crítica literarias::Análisis literario [UNESCO]Apocryphe ; Max Aub ; Fake ; Sabino Ordás ; André Walter ; A. O. Barnaboothlcsh:PQ1-3999UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRAS::Teoría análisis y crítica literarias::Análisis literarioPQ1-3999businessHumanitiesApócrifo ; Max Aub ; Superchería ; Sabino Ordás ; André Walter ; A.O. Barnabooth ; Falso literarioandré walter
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Sobre la Risa y el Malestar en la Cultura / On Laughter and Discomfort in Civilization

2017

En este trabajo trazaremos las relaciones entre risa y  malestar cultural basándonos en la posición de tres autores: S. Freud, H. Plessner y M. Bakhtin. Nuestra tesis propondrá que la risa posee una doble función: como paliativo del sufrimiento, por un lado,  y como oposición al malestar cultural, por otro. Por último, examinaremos en detalle el aspecto opositor de la risa, planteando el siguiente interrogante: ¿es lo cómico realmente subversivo?  Palabras clave: Risa, Malestar en la Cultura, Placer, Subversión, BakhtinAbstractThis paper aims to present the relations between laughter and cultural discomfort, analysing the works of S. Freud, H. Plessner and M. Bakhtin. We will propose that l…

Civilizationlcsh:Philosophy (General)media_common.quotation_subjectPhilosophylcsh:Speculative philosophyComedyPleasureLaughterPhilosophylcsh:BD10-701Subversionlcsh:B1-5802Humanitiesmedia_commonBajo Palabra
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El acontecimiento de la inversión dialéctica

2020

La metafísica de Žižek es hegeliana, por encima de todo, porque entiende la inversión dialéctica como el núcleo real de la realidad. Por ello, para comprender su pensamiento es necesario aclarar su manera de entender esta inversión, esto es, el encuentro que, según Hegel, tiene lugar entre “sustancia” y “sujeto” y, en general, entre los extremos de las oposiciones que estructuran la realidad. Para Žižek lo propio de la posición hegeliana es localizar este encuentro en la falta de coincidencia de cada opuesto consigo mismo. La íntima inconsistencia de cada posición o identidad, su propia negatividad, constituye lo más originario de ellas y, a la vez, lo que las vincula a su otro en la forma …

DialecticInversion (linguistics)NegationPhilosophyIdentity (philosophy)media_common.quotation_subjectInterpretation (philosophy)Subject (philosophy)IdeologySubversionEpistemologymedia_commonRes Publica. Revista de Historia de las Ideas Políticas
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Taking the Biographical approach seriously – what does it mean for the concept of biographicity?

2018

The article starts from the dialectic relationship between “the biographicity of the social” and “the sociality of the biographical” – a relationship especially underlined in the works of Bettina Dausien (e.g. 2006). Starting from here, we have not only to look at “what” is reconstructed here, but also “how” this reconstruction is presented . By this, the complex powerful social processes of “addressing” and “being addressed” come into the center of interest (Rose/Ricken, 2018:). Addressing and the way people let themselves “being addressed” (Althusser) – if and how they let themselves being addressed – this question opens up for processes of subjectivation, as has been conceptualized by Ju…

DialecticSimultaneityUNESCO::SOCIOLOGÍAAgency (philosophy)Subject (philosophy)Frame (artificial intelligence)General MedicineSociology:SOCIOLOGÍA [UNESCO]SubversionSpace (commercial competition)SocialityEpistemologyRASE: Revista de la Asociación de Sociología de la Educación
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Resisting Bodies: Power Crisis / Meaning Crisis in the Zombie Film from 1932 to Today

2011

Critics have repeatedly focused on the political subtexts of the living dead films of George A. Romero, revealing, notably, how they reflect specific social concerns. In order to determine what makes the zombie movie and the figure of the zombie so productive of political readings, this article examines, first, the classic zombie movies influenced by voodoo lore, then Romero’s initial living dead trilogy (1968-1985), and finally some of the most successful films released in the 2000s. Resorting to a post-structuralist framework including Althusser’s notions of state apparatuses, Foucault’s distinction between subjection and subjectification, and Butler’s analyses of subversive resignificati…

Georges A. Romero[SHS.LITT]Humanities and Social Sciences/Literaturezombie moviesDawn of the DeadDay of the DeadresignificationJudith ButlersubversionmeaningNight of the Living Deadcontingency[ SHS.LITT ] Humanities and Social Sciences/LiteratureMichel FoucaultLouis Althussersubjection[SHS.LITT] Humanities and Social Sciences/LiteraturepowerresistanceIdeological State ApparatusessubjectificationI Walked with a ZombieVictor HalperinWhite ZombieJacques Tourneurpolitics
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Doña Marina, otra vez. Las contradicciones de la propuesta de Inés M. Stranger en Malinche

2019

La obra Malinche, de Inés M. Stranger, configura una propuesta de reescritura de la Malinche como figura mítica incorporada al imaginario cultural hispanoamericano, que perdura hasta la actualidad. Es común el empleo de esta figura en diversos autores contemporáneos que abordan cuestiones relativas a las identidades nacionales latinoamericanas en sus textos. Algunas autoras han utilizado, además, este personaje para elaborar una reescritura del mito con perspectiva crítica, en relación al modo en que este califica a un modelo de mujer indígena con toda una serie de significados negativos. La obra de Inés M. Stranger a la que se dedica el presente trabajo tiene unos presupuestos similares. E…

HistoryLatin AmericansTraiciónReescrituraCharacter (symbol)MythologyIndigenousMitoCulpaLiteraturaNarrativeSubversionGeneral Agricultural and Biological SciencesVozHumanitiesThe ImaginaryPrivilege (social inequality)
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Folktales and Other References in Toriyama's Dragon Ball

2014

The aim of this article is to show the relationship between Japanese folktales and Japanese anime as a genre, especially how the intertextuality with traditional tales and myth subvert its conventional use. To meet this goal, the author examines Toriyama’s successful Dragon Ball series, which has enjoyed continued popularity right from its first publication in the 1980s. The article analyses the parallelism between Dragon Ball and a classic Chinese novel, Journey to the West, its main source. However, there are many other references present in Dragon Ball that are connected to religion and folktales. The author illustrates this relationship with examples taken from the anime that correspond…

LiteratureCinematografia i televisióVisual Arts and Performing ArtsFolklorebusiness.industrymedia_common.quotation_subjectCultura popularMythologyArtPopularityContesBall (bearing)NarrativeSubversionbusinessIntertextualityAnimeFolkloremedia_common
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« Making Sense of Wilfred Owen’s Keatsian Heritage: “Exposure” and “Ode to a Nightingale” »

2020

Readers of Wilfred Owen usually agree that the war poet’s early admiration for John Keats faded after he enlisted in the army; his poetry then turned against Keats’s. The opening paraphrase of Owen’s poem “Exposure” is thus often read as a rejection and a subversion of the Romantic poet’s “Ode to a Nightingale.” This essay will argue that Owen’s poem can be seen as a radical reversal of Keats’s ode. While “Exposure” is indeed more violent and political than “Ode to a Nightingale,” it does not depart from Keats’s conception of human suffering and of nature. Instead, the war poem builds on Keats’s fleeting description of suffering humanity in “Ode to a Nightingale” and extends it. It also ech…

LiteratureLiterature and Literary TheoryAdmirationPoetry[SHS.LITT]Humanities and Social Sciences/Literaturebusiness.industrymedia_common.quotation_subjectOdeJohn Keats Wilfred Owen odes romantisme poésie de guerreArtRomance[SHS.LITT] Humanities and Social Sciences/LiteraturePoliticsSpanish Civil WarJohn Keats Wilfred Owen odes Romanticism War PoetryHumanitySubversionbusinessmedia_common
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Book Review: General Politics: Hollywood and the CIA: Cinema, Defence, and Subversion

2014

Media managementHollywoodSociology and Political Sciencebusiness.industrymedia_common.quotation_subjectMedia studiesArt historyFront lineArtNegotiationMovie theaterPolitical Science and International RelationsSubversionbusinessmedia_commonPolitical Studies Review
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