Search results for "transmediality"

showing 7 items of 7 documents

Dal martire al cacciatore. Traduzioni intersemiotiche dell’eroismo antimafia

2022

Questo contributo muove da un'analisi comparativa tra la biografia di Alfonso Sabella "Cacciatore di mafiosi" (Mondadori, 2008) e le prime due stagioni della fiction Rai "Il Cacciatore" (2018-2020), tratte dal libro. L'obbiettivo è problematizzare questo processo di traduzione intersemiotica alla luce dell'evoluzione dei modelli d'eroismo dei personaggi. Nel saggio, ricolleghiamo questa evoluzione a una riflessione più generale sulla natura transmediale della memoria collettiva, sempre più legata allo spettacolo del passato costruito dai media, che ibridano tra loro generi diversi. Per situare le tendenze contemporanee della memoria dell'eroismo antimafia all'interno di una genealogia pià a…

Mafia and antimafiaMediaMemory StudieGiovanni FalconeSettore SPS/08 - Sociologia Dei Processi Culturali E ComunicativiAlfonso Sabella Il cacciatore di mafiosiGomorraThe hunterTransmedialityFrancesco La LicataRoberto SavianoIntersemiotics TranslationAlfonso Sabella The mafia hunterGomorrahAverageRAIMafia and anti-mafiaIl cacciatoreSettore M-FIL/05 - Filosofia E Teoria Dei Linguaggi
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Fare ricerca al di fuori dell'Accademia. Un documentario storico su Furio jesi.

2015

Since September 2014 I am engaged in a multimedia research project focused on the life and works of Furio Jesi; in this article I will discuss the genesis of my research and methodological consequences arising from my choice of doing research outside of academic institutions. Assuming that the oral history in the Digital Age should not be deprived of the use of video as an investigative historiography tool, I will then try to explain how the work of the documentarian is often intertwined with that of the historian. Hence I will describe how Public History is inevitably linked to a form of private funding different from traditional Academics. In this sense I will describe my research project…

Public History; Oral History; Furio Jesi; Documentary; Digital Humanities; Transmediality.Public HistorySettore M-STO/04 - Storia ContemporaneaOral HistoryDocumentaryFurio JesiDigital HumanitieTransmediality.TransmedialitàPublic History; Storia orale; Furio Jesi; Documentario; Digital Humanities; TransmedialitàStoria oraleDocumentario
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The Third Memory: stati della finzione nell’arte di Pierre Huyghe

2013

This paper focuses on The Third Memory, a re-enactment of Dog Day Afternoon (Lumet, 1975) by French artist Pierre Huyghe. By starting with the theoretical perspective developed by Nicolas Bourriaud in Relational Aesthetics and Postproduction, the essay attempts to show how a relational reading of the re-enactment of Pierre Huyghe may represent a valid investigative tool to analyze the relationship between cinematic narrative structures and everyday life narrative structures, between fiction and reality, in the work of the French artist."and reality, in the work of the French artist.

Settore L-ART/06 - Cinema Fotografia E TelevisioneRelational aesthetics Transmediality Film Theory Pierre Huyghe
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Something Borrowed : Interfigural Characterisation in Anglo-American Fantasy Comics

2016

It is no secret that comics’ formal structure resembles a pastiche: images, words and gaps of different styles and abstraction levels mix to tell a story that is more than their sum. Is it any wonder, then, that modern, myth-driven graphic novels tend to borrow their content elements – such as characters – from several heterogeneous sources as well? Wolfgang G. Müller's little-known but widely applicable theory of interfigurality (1991) shows how literary characters gain depth and resonance by sharing elements with characters in other works. The chapter revises his theory and shows how it could also be used in the analysis of comic book characters. Fantasy comics from Vertigo series like Fa…

character theoryVertigo comicssarjakuvahahmotinterfiguralityintertekstuaalisuusfiktiiviset hahmotcognitive theoryfantasia (tyylit)transmedialitysarjakuvat
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The World Hobbit Project in Finland : Audience responses and transmedial user practices

2016

This article examines audience engagement with The Hobbit fantasy film trilogy as a participatory and transmedial experience. To do so, we use the data collected by The World Hobbit Project in order to investigate the transmedial user practices of the Finnish audience of the trilogy. We will, firstly, look at what kinds of transmedial user practices – and transmedia users – emerge from our data. Secondly, we will ask the following questions: How do transmedia users receive and experience the films? What are the meanings assigned to The Hobbit films and the fantasy texts and user practices related to them, and what do these meanings tell of the broader meanings and uses of fantasy? Doing so,…

fantasiaelokuvatTolkienfantasia (tyylit)transmedial user practicesadaptationtransmedialitykäyttäjäkokemusThe HobbittransmediaComputingMilieux_MISCELLANEOUSaudience experiences
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Intermediaalinen kirjallisuus

2022

Teos on ensimmäinen intermediaalista kirjallisuutta ja kirjallista intermediaalisuutta käsittelevä suomenkielinen kokonaisesitys. Kaikenlaiset mediat, myös kirjalliset, limittyvät teknologioiden moninaistumisen myötä yhä tiiviimmin arkeen ja elämään. Laajimmillaan intermediaalisuus viittaa kaikkiin sellaisiin ilmiöihin, joihin tavalla tai toisella liittyy useampi kuin yksi media. Mediaalisuuden painoarvo merkityksen muodostumisessa, taiteessa, kulttuurissa, vallankäytössä ja politiikassa kasvaa alati. Intermediaalisen kirjallisuuden aiheet liikkuvat H. P. Lovecraftista Puluboihin ja Don DeLillosta The League of Extraordinary Gentlemeniin. Myös kirjallista hiljaisuutta, kinekfrastisia novell…

intermedialitykirjallisuustransmediaalisuusliteraturemediaintermediaalisuusmediaalisuustransmedialitymediatmedialitymultimodaalisuusmultimodality
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Simon Starling, A l’ombre du pin tordu

2018

L’exposition consacrée à l’artiste britannique Simon Starling (1967/) à Sérignan témoigne exemplairement du tournant pris depuis les œuvres des années 1990 et 2000 dont l’une, Shedboatshed, lui a valu le prix Turner en 2005. À vrai dire, l’inflexion de son art vers une interrogation portant non sur l’identité, mais sur la présence était sensible dans une précédente exposition dédoublée entre le Mac/Val et le Parc Saint Léger en 2009. Pratiques de la déconstruction et de la reconstruction, le...

multimédiamultimediatransmédialitélcsh:HM401-1281hybridité[SHS.ART]Humanities and Social Sciences/Art and art historycontemporary artSimon Starlinglcsh:Sociology (General)exhibitionhybridity[SHS.ART] Humanities and Social Sciences/Art and art historytransmedialityComputingMilieux_MISCELLANEOUSexpositionart contemporain
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