Search results for "verisimilitude"
showing 3 items of 3 documents
Lo verosímil en la ética de Aristóteles: una aporía en el vocabulario filosófico griego
2007
While the mainstream of modern moral philosophy has always assumed that the characteristic situation in moral judgments should be the certitude, Aristotle’s moral philosophy is dominated by the idea of verisimilitude. As a matter of fact, its main concept, namely «virtue», is doubly permeated by this idea, both in its psychological and epistemological sides: we cannot know with certitude (only with verisimilitude) what is entailed by the adscription of a virtue (e.g. generosity), both generally and in a particular case. Nevertheless, verisimilitude is a good enough ground for action.<br><br>Mientras que la corriente principal de la filosofía moral moderna da por supuesto que la …
"That's Real! That's What You Want!": Producing Fear in George A. Romero's Dawn of the Dead (1978) vs Zack Snyder's remake (2004)
2011
International audience; This article examines traditional oppositions between terror and horror in Dawn of the Dead (1978) and its recent remake (2004), by focusing on one of the major changes made by the producers of the remake: the use of running zombies, which emphasizes the danger the creatures represent to the characters, and enables the film-makers to resort to the kind of cheap startle effects that abound in contemporary slasher and action movies. That the living dead of 1978 were slow-moving allowed for contemplation of their pathetic state and questioned the border between living and dead. The 1978 film underlined how incompatible the living dead were with such techniques that rely…
THE THEORIES AND PRACTICES OF LOPE AND MORATÍN: THE NEW THEATRE AND 'THE NEW PLAY'
2021
En este artículo, por primera vez, se ponen en relación las teorías teatrales de dos dramaturgos españoles que crearon escuela: Lope de Vega y Leandro Fernández de Moratín. Dos siglos separan sus creaciones, pero ambos pretendieron renovar la escena con sus poéticas, ambos pretendieron una «nueva comedia» que rompiera con las tradiciones teatrales inmediatamente anteriores. Las obras dramáticas de uno y otro autor, en realidad se sitúan en polos opuestos en cuanto a su extensión; la de Lope abarca más de cuatrocientos títulos, mientras que Moratín apenas tiene en su haber media decena de piezas. El más fecundo e internacional poeta dramático español y el más comedido de entre los dramaturgo…