Processus de transformation et consolidation identitaires dans les sociétés européennes et américaines aux XXe et XXIe siècles

2020

International audience

Defining Conspiracy: Judicial, Academic and Popular Understandings

2017

International audience

The Artistic Commitment of Kenyon Cox: An American Neoclassical Artist

2016

At the end of the nineteenth century, the United States had undergone deep transformations. The second Industrial Revolution had created huge amounts of new wealth and power. This led to an alteration of the urban social fabric and to a repositioning of the country on the international scene.Since the 1870s, the American Renaissance had been a vehicle for the diffusion of new values and new concepts. As a broad neoclassical movement in the arts, it was committed to a rewriting of the country’s national past.At the time, Kenyon Cox (1856-1919) distinguished himself as one of the major artists of the movement, but also as one of its most influential critics and theorists. Cox developed theori…

Sociétés face à la terreur (de 1960 à nos jours), Discours, Mémoire, Identité

2017

International audience

Joan of Arc and Nineteenth Century Conservatism: The Link between Female Activism and Antimodernism

2019

International audience

Painting the Unites States' Civil war: Or Creating a Brotherly War

2015

This article seeks to illustrate Benedict Anderson’s theory of the “Reassurance of Fratricide” and “the act of remembering/forgetting” through depictions of the Civil War in US fine arts. This is mostly done through the Smithsonian art data base and the paintings referenced under the label Civil War, spanning from the 1860s to the 1890s. This paper first analyzes how these paintings were used to depict the Confederate soldier’s otherness as typically American and thus helped with the post-war reintegration of the Confederacy. This study then examines how in certain paintings the war was brought inside the realm of domesticity and family, which reinforced the idea of a fratricide and a famil…

Painting the United States’ Civil War: Or creating a Brotherly War

2015

This article seeks to illustrate Benedict Anderson’s theory of the “Reassurance of Fratricide” and “the act of remembering/forgetting” through depictions of the Civil War in US fine arts. This is mostly done through the Smithsonian art data base and the paintings referenced under the label Civil War, spanning from the 1860s to the 1890s. This paper first analyzes how these paintings were used to depict the Confederate soldier’s otherness as typically American and thus helped with the post-war reintegration of the Confederacy. This study then examines how in certain paintings the war was brought inside the realm of domesticity and family, which reinforced the idea of a fratricide and a famil…

Avant-propos

2017