Selecting one of two regular sound sequences : Perceptual and motor effects of tempo

This study assessed the influence of tempo on selecting a sound sequence. In Exp. 1, synchronization with one of the two regular subsequences in a complex sequence was measured. 30 participants indicated a preference for the fastest subsequence when subsequences were in a slow tempo range (≥ 500 msec. IOI), and with the slower subsequence when they were in the fast tempo range (≤ 300 msec. IOI). These results were replicated using a perceptual task (Exp. 2 and 3) in which the 30 listeners had to detect a temporal irregularity in one of the two subsequences. Detection was better when the temporal irregularity was in the fastest subsequence than in the slowest one when the complex sequence w…

Auditory temporal processing in schizophrenia: high level rather than low level deficits?

INTRODUCTION: Patients with schizophrenia demonstrate a wide range of information processing deficits. Most recent studies argue in favour of high level deficits, including attention and context processing, whereas fewer studies have demonstrated deficits at earlier stages of processing, such as perceptual discrimination and organisation. This is the first study to investigate both high and low level processing, within a single paradigm, in the case of auditory temporal processing in schizophrenia. METHODS: Patients with schizophrenia were compared to controls on a series of tasks involving three auditory temporal processes varying from low to higher level: (1) segregation of a complex sequ…

L'attention auditive (hommage à J-F Camus).

L'organisation perceptive des scènes visuelles. In Baudouin J.Y., & Tiberghien, G. (Eds). Psychologie Cognitive (pp.131-132). Paris : Bréal.

L'attention auditive : mais qu'entend-on par là ?

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The "ticktock" of our internal clock: direct brain evidence of subjective accents in isochronous sequences.

The phenomenon commonly known as subjective accenting refers to the fact that identical sound events within purely isochronous sequences are perceived as unequal. Although subjective accenting has been extensively explored using behavioral methods, no physiological evidence has ever been provided for it. In the present study, we tested the notion that these perceived irregularities are related to the dynamic deployment of attention. We disrupted listeners' expectancies in different positions of auditory equitone sequences and measured their responses through brain event-related potentials (ERPs). Significant differences in a late parietal (P3-like) ERP component were found between the resp…

Got rhythm… for better and for worse. Cross-modal effects of auditory rhythm on visual word recognition

The present research aimed to investigate whether, as previously observed with pictures, background auditory rhythm would also influence visual word recognition. In a lexical decision task, participants were presented with bisyllabic visual words, segmented into two successive groups of letters, while an irrelevant strongly metric auditory sequence was played in a loop. The first group of letters could either be congruent with the syllabic division of the word (e.g. val in val/se) or not (e.g. va in va/lse). In agreement with the Dynamic Attending Theory (DAT), our results confirmed that the presentation of the correct first syllable on-beat (i.e. in synchrony with a peak of covert attentio…

La perception visuelle. In Baudouin, J.Y., & Tiberghien, G., (Eds). Psychologie Cognitive (pp.121-124). Paris : Bréal.

Auditory attentional entrainment modulates the holistic perception of faces

Relaxing effects of music and odors on physiological recovery after highly demanding executive tasks

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Rhythm with and within the brain.

Perceptual awareness of illusory faces in the human brain

How is Visual Recognition Entrained by Auditory Background Rhythms?

AbstractRecent studies have reported that the oscillations of auditory attention entrained by a background rhythmic sequence can influence performance in visual recognition tasks. We have designed an experimental paradigm in which a visual item (either a bisyllabic word or a familiar face) is displayed on screen in two consecutive parts while a musical rhythm is played in the background. Depending on the timing conditions, the first or the second part of the item could be presented either in-synchrony or out-of-synchrony with the beats of the auditory rhythm. In a first series of experiments, participants performed a lexical decision task on bisyllabic 5-letter strings. Results show that wh…

Comprendre la perception du rythme ou comment Cerveau et Musique s'entraînent mutuellement.

Age differences in olfactory affective responses: evidence for a positivity effect and an emotional dedifferentiation

International audience; Studies on aging and hedonic judgment of odors have never been addressed within the empirical frameworks of age-related changes in emotion which state that advancing age is associated with a reduced negativity bias and a less pronounced differentiation between hedonic valence and emotional intensity judgments. Our aim was to examine and extend these age-related effects into the field of odors. Thirty-eight younger adults and 40 older adults were asked to evaluate the hedonic valence, emotional intensity, and familiarity of 50 odors controlled for their pleasantness. Compared to younger adults, older adults rated unpleasant odorants as less unpleasant and showed an in…

Evidence of beat perception via purely tactile stimulation

Humans can easily tap in synchrony with an auditory beat but not with an equivalent visual rhythmic sequence, suggesting that the sensation of meter (i.e. of an underlying regular pulse) may be inherently auditory. We assessed whether the perception of meter could also be felt with tactile sensory inputs. We found that, when participants were presented with identical rhythmic sequences filled with either short tones or hand stimulations, they could more efficiently tap in synchrony with strongly rather than weakly metric sequences. These observations suggest that non-musician adults can extract the metric structure of purely tactile rhythms and use it to tap regularly with the beat induced …

Brain lateralization of metrical accenting in musicians.

The perception of meter, or the alternation of strong and weak beats, was assessed in musically trained listeners through magnetoencephalography. Metrical accents were examined with no temporal disruption of the serial grouping of tones. Results showed an effect of metrical processing among identical standard tones in the left hemisphere, with larger responses on strong than on weak beats. Moreover, processing of occasional increases in intensity (phenomenal accents) varied as a function of metrical position in the left hemisphere, but not in the right. Our findings support the view of a relatively early, left-hemispheric effect of metrical processing in musicians.

Perceiving rhythm where none exists : Event-Related Potential (ERP) correlates of subjective accenting

Previous research suggests that our past experience of rhythmic structure in music results in a tendency for Western listeners to subjectively accent equitonal isochronous sequences. We have shown in an earlier study that the occurrence of a slightly softer tone in the 8th to 11th position of such a sequence evokes a P300 event-related potential (ERP) response of different amplitudes depending on whether the tone occurs in putatively subjectively accented or unaccented sequence positions (Brochard et al., 2003). One current theory of rhythm processing postulates that subjective accenting is the result of predictive modulations of perceptual processes by the attention system. If this is the …

L’état émotionnel affecte-t-il les performances à une tâche de chronométrie mentale ?

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Effect of musical expertise on visuospatial abilities: evidence from reaction times and mental imagery.

Abstract Recently, the relationship between music and nonmusical cognitive abilities has been highly debated. It has been documented that formal music training would improve verbal, mathematical or visuospatial performance in children. In the experiments described here, we tested if visual perception and imagery abilities were enhanced in adult musicians compared with nonmusicians. In our main experiment, we measured reaction times of subjects who had to detect on which side of a horizontal or a vertical line a target dot was flashed. In the “imagery” condition the reference line disappeared before the target dot was presented. In order to accomplish the task, subjects had to keep a mental …

Feeling of control of an action after supra and subliminal haptic distortions

Here we question the mechanisms underlying the emergence of the feeling of control that can be modulated even when the feeling of being the author of one’s own action is intact. With a haptic robot, participants made series of vertical pointing actions on a virtual surface, which was sometimes postponed by a small temporal delay (15 or 65 ms). Subjects then evaluated their subjective feeling of control. Results showed that after temporal distortions, the hand-trajectories were adapted effectively but that the feeling of control decreased significantly. This was observed even in the case of subliminal distortions for which subjects did not consciously detect the presence of a distortion. Our…