0000000000623188
AUTHOR
R. Cibrián
Calidad de salas para música clásica
Finding a parameter which allows establishing if a concert room is good for orchestral classical music performances or not is one of the main interests in room acoustics. However, rooms are usually characterized by average values of some acoustic parameters. From the optimal values mostly recognized, specialists can consider a room adequate or not for a certain use. In recent works, we have obtain we have obtained a model for classifying a room for classical music performances, from the reverberation time (T30), the lateral energy factor coefficient (LFC) and the listener envelopment (LEV). From this model, we can determine the quality maps for these rooms. In this paper, we show the qualit…
Mismatches between objective parameters and measured perception assessment in room acoustics: a holistic approach
Psychoacoustic research in the field of concert halls has revealed that many aspects concerning listening perception have yet to be totally understood. On the one hand, the objective room acoustics of performance spaces are reflected in parameters, some standardized and some not, but these are related to a limited number of perceptual attributes of human response. In general, these objective parameters cannot accurately describe the acoustic details due to their inherent simplification. Under these premises, impulse responses (576 receivers) are measured in 16 concert halls, according to standard procedures, and the perception and satisfaction of the occupants of the rooms are evaluated by …
Subjective Assessment of Concert Halls: a Common Vocabulary for Music Lovers and Acousticians
In recent years we have interviewed members of the audience after musical performances and asked them to evaluate the acoustics of the concert halls. A group of music lovers (with a high level of musical training and experience) and acousticians (with a wide knowledge of the physical characteristics of sound transmission) also attended each performance and answered the same questions as the general public. This group thereby served as a control group when evaluating surveys of the general public. In this paper, the results obtained when analyzing these control group surveys are presented. This analysis shows that a common vocabulary exists between music lovers and acousticians when rating a…
Room acoustical parameters: A factor analysis approach
Abstract In this study, we determined the most representative acoustical parameters for halls intended for verbal or music audition. Our study was carried out in nine halls of different shapes and designed for different uses. We measured the impulse response at a great number of points (many more than the minimum required by the ISO 3382 norm). From a physical viewpoint, all halls are enclosed three-dimensional areas. Our work hypothesis is that objective (measurable) acoustical parameters, or a combination of such parameters, must provide the acoustical information specific to each hall and must make it possible to grade each hall. Factor analysis was used to obtain these grading parameter…