0000000000627355

AUTHOR

Yury Esin

showing 6 related works from this author

Documenting carved stones by 3D modelling – Example of Mongolian deer stones

2018

Rock art studies are facing major technical challenges for extensive documentation. Nowadays, recording is essentially obtained from time-consuming tracing and rubbing, techniques that also require a high level of expertise. Recent advances in 3D modelling of natural objects and computational treatment of the modelled surfaces may provide an alternative, and reduce the current documentation bottleneck. The aim of this study is to examine the extent to which such treatments can be applied. The case study presented here concerns the famous deer stones erected by ancient Mongolian nomad populations. The 3D acquisition workflow is based on structure-from-motion, a versatile photogrammetric tech…

ArcheologyEngineering drawing[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and PrehistoryComputer scienceMaterials Science (miscellaneous)Late Bronze AgeConservationDocumentationTracing01 natural sciencesBottleneckDocumentation0601 history and archaeologyRock artSpectroscopyRecording methods060102 archaeology010401 analytical chemistryVisibility (geometry)06 humanities and the artscomputer.file_formatMongolia15. Life on landPositive openness0104 chemical sciencesPhotogrammetryWorkflowArchaeologyChemistry (miscellaneous)Photogrammetry[SHS.ENVIR]Humanities and Social Sciences/Environmental studiesRock artRaster graphicsGeneral Economics Econometrics and Financecomputer
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Machine learning for rapid mapping of archaeological structures made of dry stones – Example of burial monuments from the Khirgisuur culture, Mongoli…

2020

11 pages; International audience; The present study proposes a workflow to extract from orthomosaics the enormous amount of dry stones used by past societies to construct funeral complexes in the Mongolian steppes. Several different machine learning algorithms for binary pixel classification (i.e. stone vs non-stone) were evaluated. Input features were extracted from high-resolution orthomosaics and digital elevation models (both derived from aerial imaging). Comparative analysis used two colour spaces (RGB and HSV), texture features (contrast, homogeneity and entropy raster maps), and the topographic position index, combined with nine supervised learning algorithms (nearest centroid, naive…

Archeology010504 meteorology & atmospheric sciences[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and PrehistoryComputer scienceMaterials Science (miscellaneous)Topographic position index[SDV]Life Sciences [q-bio]ConservationMachine learningcomputer.software_genre01 natural sciences[SHS]Humanities and Social SciencesNaive Bayes classifierVector graphicsPixel classification[SCCO]Cognitive sciencePixel classification Grey level co-occurrence matrix RGB colour space Texture Topographic position index Photogrammetry Burial complex planigraphy Mongolia Bronze age Iron age0601 history and archaeologyTextureSpectroscopyRGB colour space0105 earth and related environmental sciencesBronze age060102 archaeologyArtificial neural networkbusiness.industryIron ageCentroidGrey level co-occurrence matrix06 humanities and the artscomputer.file_formatMongoliaArchaeologyRandom forestSupport vector machinePhotogrammetryChemistry (miscellaneous)Photogrammetry[SDE]Environmental SciencesBurial complex planigraphyArtificial intelligenceRaster graphicsbusinessGeneral Economics Econometrics and Financecomputer
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Application de la photogrammétrie à la documentation de l’art rupestre, des chantiers de fouilles et du bâti

2017

During his archaeological missions the Museum of Prehistoric Anthropology tested the 3D modelling of several typesof objects. His team chose the ‘Structure-from-Motion’ (SfM) method which works according the basic principle of stereoscopicphotogrammetry, namely that 3D structure can be resolved from two or more overlapping, offset images. Most of other methodscapable of surveying, at high resolution, often complex objects and landforms are very expensive and have a difficult portability.Using only a consumer-grade digital camera and a scale on the ground, the user moves through the environment, acquiringphotographs of the area of interest from as many locations and perspectives as possible.…

art rupestreBronze age[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and PrehistoryPierres à cerfs[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and PrehistoryIron ageengraving artMongoliaphotogrammetryMongolieâge du FerSiberiadeer stoneArchaeologyArchéologieâge du Bronze[ SHS.ARCHEO ] Humanities and Social Sciences/Archaeology and PrehistoryMont BegostelesphotogrammétrieSibérie
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Contextualization of archaeological information using augmented photospheres, viewed with head-mounted displays.

2019

Photospheres, or 360&deg

[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and PrehistoryComputer scienceGeography Planning and Developmentlcsh:TJ807-830lcsh:Renewable energy sourcesprojectionManagement Monitoring Policy and LawSpace (commercial competition)Virtual reality01 natural sciences050105 experimental psychologyComputer graphicsDocumentationProcrustesregistration11. Sustainability0501 psychology and cognitive sciencesthin-plate splinelcsh:Environmental sciencesvisualizationlcsh:GE1-350ContextualizationRenewable Energy Sustainability and the Environmentlcsh:Environmental effects of industries and plants010401 analytical chemistry05 social sciencesarchaeologycultural heritageArchaeology0104 chemical sciencesVisualizationCultural heritagelcsh:TD194-195computer graphicsvirtual realityscientific mediation
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Images of camels on a mammoth tusk from West Siberia

2020

International audience; This study introduces the engravings on a mammoth tusk from the lower reaches of the Tom River in WestSiberia. The tusk was found in 1988 during construction works and was later transferred to the Tomsk StateUniversity, but it remained almost unknown to specialists until now. Radiocarbon dating by AMS reported theage of the tusk as 13,100–13,005 Сal BP (95% confidence level). The surface of the tusk is engraved with imagesof two-humped camels arranged in two pairs. In addition, arrows and wounds within the contours of the animalscan be seen. The comparative analysis of the stylistic features of the camel figures shows that they correspond tothe age of the tusk itself, …

010506 paleontologyArcheology[SHS.ARCHEO]Humanities and Social Sciences/Archaeology and PrehistorySteppe[SDV]Life Sciences [q-bio]Population01 natural scienceslaw.invention[SHS]Humanities and Social SciencesWest Siberia[SCCO]Cognitive sciencelawPaleolithic artTusk0601 history and archaeologyRadiocarbon datingeducationWestern siberia0105 earth and related environmental sciencesMammotheducation.field_of_studygeography.geographical_feature_category060102 archaeologybiologyTwo-humped camel06 humanities and the artsMammoth tuskLate Upper Paleolithic[SHS.ANTHRO-SE]Humanities and Social Sciences/Social Anthropology and ethnologybiology.organism_classificationArchaeologyGeographyvisual_art[SDE]Environmental SciencesUpper Paleolithicvisual_art.visual_art_medium
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Applications de la photogrammétrie à la documentation de l'art rupestre, des chantiers de fouilles et du bâti

2016

[SHS.ANTHRO-SE] Humanities and Social Sciences/Social Anthropology and ethnology[SHS.ARCHEO] Humanities and Social Sciences/Archaeology and Prehistory[SHS.MUSEO] Humanities and Social Sciences/Cultural heritage and museology[SHS] Humanities and Social Sciences
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