0000000000683427
AUTHOR
Valeria Maggiore
Plasticity
Although the expression πλαστική τέχνη has Greek origins, the derivative term Plasticity enters European languages only in the Modern Age and it is strictly linked to the domain of art. Notably, Plasticity is the art of manipulating a ductile substance (like wax) to create a work of art or a three-dimensional preparatory model. Aesthetics was concerned with this concept mostly referring to that definition, the fulcrum of a key text of eighteenth-century reflection, the Plastik of Herder. Today this concept has again become central in the aesthetic field thanks to Catherine Malabou – a student of Derrida and one of the most influential thinkers in contemporary French debate –, in whose refle…
Autobiografie interrotte. Plasticità distruttrice, riconfigurazioni estetiche e identità accidentali
Che relazione esiste tra il corpo di ciascun individuo e la sua identità individuale? La nostra identità rimane immutata nel tempo, permettendoci di narrare un’autobiografia lineare, o possono sopraggiungere eventi accidentali che contribuiscono a modificarla radicalmente, dando vita a una nuova versione di noi stessi, a una nuova storia? In questo articolo ci proponiamo di rispondere a tali domande partendo dalle riflessioni della pensatrice francese Catherine Malabou. Affronteremo il problema della costruzione e della decostruzione dell'identità individuale alla luce dell'ontologia dell'incidente, analizzando il concetto di plasticità negativa e cercando di delineare come un evento accide…
Is aesthetic mind a plastic mind? Reflections on Goethe and Catherine Malabou
What is the relationship between thinking and seeing a form? In his morphological writings Goethe answers this question by saying that seeing is not pure passivity, but a thoughtful look because it invokes the mobility and plasticity of our thinking. For this reason this kind of aesthetic gaze is useful to understand the world of life, equally mobile and plastic. In this article, I will try to find out whether Goethe’s considerations about aesthetic idea and plasticity can find a new-look in the reflections of Catherine Malabou, one of the most influential thinkers in contemporary French debate, in whose works the concept of plastic form is central.