0000000000739711

AUTHOR

Nicolas Krauter

Cinema Data Mining

While the physiological response of humans to emotional events or stimuli is well-investigated for many modalities (like EEG, skin resistance, ...), surprisingly little is known about the exhalation of so-called Volatile Organic Compounds (VOCs) at quite low concentrations in response to such stimuli. VOCs are molecules of relatively small mass that quickly evaporate or sublimate and can be detected in the air that surrounds us. The paper introduces a new field of application for data mining, where trace gas responses of people reacting on-line to films shown in cinemas (or movie theaters) are related to the semantic content of the films themselves. To do so, we measured the VOCs from a mov…

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Persistent software transactional memory in Haskell

Emerging persistent memory in commodity hardware allows byte-granular accesses to persistent state at memory speeds. However, to prevent inconsistent state in persistent memory due to unexpected system failures, different write-semantics are required compared to volatile memory. Transaction-based library solutions for persistent memory facilitate the atomic modification of persistent data in languages where memory is explicitly managed by the programmer, such as C/C++. For languages that provide extended capabilities like automatic memory management, a more native integration into the language is needed to maintain the high level of memory abstraction. It is shown in this paper how persiste…

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Cinema audiences reproducibly vary the chemical composition of air during films, by broadcasting scene specific emissions on breath

AbstractHuman beings continuously emit chemicals into the air by breath and through the skin. In order to determine whether these emissions vary predictably in response to audiovisual stimuli, we have continuously monitored carbon dioxide and over one hundred volatile organic compounds in a cinema. It was found that many airborne chemicals in cinema air varied distinctively and reproducibly with time for a particular film, even in different screenings to different audiences. Application of scene labels and advanced data mining methods revealed that specific film events, namely “suspense” or “comedy” caused audiences to change their emission of specific chemicals. These event-type synchronou…

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