6533b857fe1ef96bd12b4153
RESEARCH PRODUCT
La portada de la iglesia de las Escuelas Pías de Gandía. Su proceso constructivo y modulación arquitectónico-musical
Pablo (1) CisnerosDavid Miguel Navarro Catalánsubject
David Miguel The facade of the church of the Pious Schools of Gandia has not attracted the attention of researchers. HoweverjesuitasUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASarchitectureSerlio0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707982 La portada de la iglesia de las Escuelas Pías de Gandía. Su proceso constructivo y modulación arquitectónico-musical Cisneros Álvarezin the architectural-musical theory of Leon Battista Alberti will be necessary. 147 160PabloNavarro Catalánfundamentallyjesuitsarquitecturathat of the theoretical treatises of the Renaissance. From this study it is wanted to value its architecture and that it is considered as an outstanding ingredient to know its period of construction in general and jesuit architecture in particular. For its understandingits conception has a great architectural culture and constitutes an essential work to understand its context:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]AlbertiScopusmusicmúsicaespeciallyits interpretation in the culture of contemporary architecture treaties anddescription
The facade of the church of the Pious Schools of Gandia has not attracted the attention of researchers. However, its conception has a great architectural culture and constitutes an essential work to understand its context, fundamentally, that of the theoretical treatises of the Renaissance. From this study it is wanted to value its architecture and that it is considered as an outstanding ingredient to know its period of construction in general and jesuit architecture in particular. For its understanding, its interpretation in the culture of contemporary architecture treaties and, especially, in the architectural-musical theory of Leon Battista Alberti will be necessary.. La portada de la iglesia de las Escuelas Pías de Gandia no ha llamado la atención de los investigadores, sin embargo, su concepción tiene una gran cultura arquitectónica y constituye una obra esencial para comprender su contexto, fundamentalmente, el de los tratados teóricos del Renacimiento. Desde este estudio se quiere poner en valor su arquitectura y que se considere como un ingrediente destacado para conocer su periodo de construcción en general y la arquitectura jesuita en particular. Para su comprensión, será necesaria su interpretación en la cultura de los tratados de arquitectura contemporáneos y, especialmente, en la teoría arquitectónico-musical de Leon Battista Alberti.
| year | journal | country | edition | language |
|---|---|---|---|---|
| 2020-01-01 |