6533b857fe1ef96bd12b4f5a
RESEARCH PRODUCT
Naturalistic music and dance: Cortical phase synchrony in musicians and dancers
Hanna PoikonenMari TervaniemiPetri Toiviainensubject
MaleCentral Nervous Systemkognitiomusic perceptionDancePhysiologytanssiEmotionsSocial Scienceslcsh:Medicinemusculoskeletal systemContemporary danceNervous Systemtuki- ja liikuntaelimetBAND0302 clinical medicinehavainnointiMedicine and Health SciencesPsychologymusic cognitionBRAINlcsh:SciencekiihtyvyysCerebral CortexClinical NeurophysiologyBrain MappingMultidisciplinaryMusic psychologyPhysics05 social sciencesClassical MechanicsSENSORIMOTOR SYNCHRONIZATIONMusic and movementFUNCTIONAL-ROLEElectrophysiologySilenceBioassays and Physiological AnalysisBrain ElectrophysiologyPhysical Sciencesta6131FemaleSensory PerceptionAnatomyPsychologyelectroencephalographyResearch ArticleCognitive psychologyAdult515 PsychologyImaging TechniqueskeskushermostomusiikkiNeurophysiologybioakustiikkaMIRROR-NEURON SYSTEMNeuroimagingContext (language use)Research and Analysis Methodsta3112050105 experimental psychologybioacousticsYoung Adult03 medical and health sciencesTHETA-SYNCHRONIZATIONtunteetOSCILLATIONSHumans0501 psychology and cognitive sciencesActive listeningDancingPERCEPTIONDESYNCHRONIZATIONElectrophysiological Techniqueslcsh:RCognitive PsychologyBiology and Life SciencesAcousticsaccelerationliikeMusic educationBrain WavesElectrophysiological PhenomenaALPHAaivokuoriAcoustic StimulationCognitive Science516 Educational scienceslcsh:QClinical MedicineMusic030217 neurology & neurosurgeryNeurosciencedescription
Expertise in music has been investigated for decades and the results have been applied not only in composition, performance and music education, but also in understanding brain plasticity in a larger context. Several studies have revealed a strong connection between auditory and motor processes and listening to and performing music, and music imagination. Recently, as a logical next step in music and movement, the cognitive and affective neuro-sciences have been directed towards expertise in dance. To understand the versatile and overlapping processes during artistic stimuli, such as music and dance, it is necessary to study them with continuous naturalistic stimuli. Thus, we used long excerpts from the contemporary dance piece Carmen presented with and without music to professional dancers, musicians, and laymen in an EEG laboratory. We were interested in the cortical phase synchrony within each participant group over several frequency bands during uni- and multimodal processing. Dancers had strengthened theta and gamma synchrony during music relative to silence and silent dance, whereas the presence of music decreased systematically the alpha and beta synchrony in musicians. Laymen were the only group of participants with significant results related to dance. Future studies are required to understand whether these results are related to some other factor (such as familiarity to the stimuli), or if our results reveal a new point of view to dance observation and expertise. Peer reviewed
year | journal | country | edition | language |
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2018-04-19 | PLOS ONE |