Search results for " Renaissance"

showing 10 items of 135 documents

Many-Body Expanded Full Configuration Interaction. II. Strongly Correlated Regime

2019

In this second part of our series on the recently proposed many-body expanded full configuration interaction (MBE-FCI) method, we introduce the concept of multideterminantal expansion references. Through theoretical arguments and numerical validations, the use of this class of starting points is shown to result in a focussed compression of the MBE decomposition of the FCI energy, thus allowing chemical problems dominated by strong correlation to be addressed by the method. The general applicability and performance enhancements of MBE-FCI are verified for standard stress tests such as the bond dissociations in H$_2$O, N$_2$, C$_2$, and a linear H$_{10}$ chain. Furthermore, the benefits of em…

Chemical Physics (physics.chem-ph)010304 chemical physicsThe RenaissanceFOS: Physical sciences010402 general chemistry01 natural sciencesFull configuration interactionMany body0104 chemical sciencesComputer Science ApplicationsFormalism (philosophy of mathematics)Physics - Chemical Physics0103 physical sciencesStatistical physicsPhysical and Theoretical ChemistryGround state
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ChemInform Abstract: Renaissance of Electrosynthetic Methods for the Construction of Complex Molecules

2014

Current affairs: Efficient N,N dimerization by using an electric current is a recent powerful example of preparative electrosynthesis where conventional reagents fail. The general and practical nature of this method as well as other applications will breathe new life into the electroorganic synthesis of complex molecules.

ChemistryMoleculeThe RenaissanceNanotechnologyGeneral MedicineCurrent (fluid)ElectrosynthesisChemInform
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From Theatre to Theatricality—How to Construct Reality

1995

At the end of the nineteenth century, the dominance of language, so typical of Western culture since the Renaissance, was increasingly challenged. As early as 1876, Nietzsche wrote on Richard Wagner in Thoughts Out of Season:He was the first to recognize an evil which is as widespread as civilization itself among men; language is everywhere diseased, and the burden of this terrible disease weighs heavily upon the whole of man's development. Inasmuch as language has retreated ever more and more from its true province— the expression of strong feelings, which it was once able to convey in all their simplicity—and has always had to strain after the practically impossible achievement of communi…

CivilizationHistoryLiterature and Literary TheoryVisual Arts and Performing ArtsTechnical languagemedia_common.quotation_subjectThe RenaissanceReflexive pronounFeelingAestheticsHumanitySemioticsWestern culturemedia_commonTheatre Research International
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The Symbolical Realm and Historical Framework of the Contrade

2017

The chapter describes the contemporary symbolism of the contrade and its historic development in order to allow the reader to follow the subsequent analysis of the content of the contrade’s websites, in which symbols play a key role. It suggests that the contrade of Siena make significant use of mediaeval and Renaissance signs and symbol s such as particular colours, flags, and instruments. Members of a contrada build a community based on a specific district of Siena, and their lives are heavily focused on what is deemed necessary to the win a horse race called palio .

Community basedSymbolRace (biology)Historymedia_common.quotation_subjectRealmFLAGS registerThe RenaissanceOrder (virtue)media_commonKey (music)Visual arts
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Trame e genealogie dell’ironia ariostesca

2014

AbstractQuesto saggio traccia una genealogia dell’interpretazione ironica del Furioso, risalendo alla molteplicita delle sue sorgenti, e al tempo stesso analizza la trama delle diverse accezioni dell’ironia, prendendo in considerazione il ruolo attivo della ricezione ma senza rinunciare a osservare i meccanismi in gioco direttamente nel testo ariostesco. Si delinea cosi un quadro frastagliato, in cui domina l’asse romantico-idealistico che, tra Hegel e Croce, ha per cosi dire ufficializzato l’interpretazione ironica. Ma emergono anche una serie di varianti e correzioni del paradigma romantico: l’ironia come citazione, instaurata dal postmoderno ma non priva di appigli nella tradizione antic…

Cultural StudiesLinguistics and LanguageHistoryLiterature and Literary TheoryVisual Arts and Performing Arts[SHS.LITT]Humanities and Social Sciences/Literaturelittérature de la Renaissance[ SHS.LITT ] Humanities and Social Sciences/LiteratureLanguage and Linguistics[SHS.LITT] Humanities and Social Sciences/LiteratureRomantismeironieSocrateComputingMilieux_MISCELLANEOUSpoétique
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Book Review: Erotic Cultures of Renaissance Italy

2011

Cultural StudiesLinguistics and LanguageLiterature and Literary Theorymedia_common.quotation_subjectArt historyThe RenaissancePerformance artArtLanguage and Linguisticsmedia_commonForum Italicum: A Journal of Italian Studies
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Humanismo y Germanías: la decoración del palacio condal de Oliva1

2019

En visperas de la conmemoracion de la revuelta o guerra de las Germanias (1519–22) y la de las Comunidades (1520–22) en Espana, contamos con solidos estudios historicos, pero con escaso analisis so...

Cultural StudiesLiterature and Literary TheoryVisual Arts and Performing Artsmedia_common.quotation_subjectThe RenaissanceArtHumanitiesmedia_commonHispanic Research Journal
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Rhetoric of academic applications : Perspectives from Quentin Skinner’s Forensic Shakespeare

2019

The tools of classical and Renaissance rhetoric that Quentin Skinner uses in his Forensic Shakespeare (2014) are here applied to a contemporary context. Skinner’s discussion might have a fairly direct value for a genre of writing that most academics today must master, namely the rhetoric of applications. They have been seldom discussed from a rhetorical perspective, although knowledge of rhetoric is highly valuable for applicants, evaluators and those deciding between applications. Skinner’s book contains both advices for applicants and discussions on both the criteria of application and the possibilities of their revisions in case of innovative applications. peerReviewed

Cultural StudiesLiteratureHistorybusiness.industrymedia_common.quotation_subjectkirjallinen ilmaisuThe RenaissanceContext (language use)Skinner QuentinArtLibrary and Information Sciencesretoriikkahakemuksetacademic applicationsresearch fundingtutkimusrahoitusArts and Humanities (miscellaneous)Forensic ShakespeareRhetoricapplication rhetorickirjallinen viestintärhetorical genresgenretutkimusbusinessmedia_common
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« Condamnés à mort » : les mots français de Walter Pater

2013

Cet article traite de l’utilisation des mots, expressions et citations françaises dans The Renaissance de Walter Pater (1873). L’usage érudit des langues étrangères par Pater se rattache à la stylistique décadente, mais sa précision et les effets d’éclaircissement et de masquage de sources ou de thèmes qu’il en tire sont propres à l’auteur. Si les mots expriment l’altérité de toute langue et le processus de traduction qu’implique l’utilisation de la langue selon lui, les mots français de ce texte désignent plus particulièrement l’altérité de la mort. This article focuses on the use of French words, expressions and citations in Walter Pater’s The Renaissance (1873), be they translated or not…

Cultural StudiestraductionLiterature and Literary Theory[SHS.LITT]Humanities and Social Sciences/LiteraturecitationFrenchmedia_common.quotation_subjectquotationtranslation"Style"altérité"Qu'est-ce que le style"[SHS.LITT] Humanities and Social Sciences/LiteratureTextualityAllusiontextualitymedia_commonlanguageallusionPater (Walter)textualitéThe RenaissancefrançaisArtlangue[ SHS.LITT ] Humanities and Social Sciences/LiteratureRenaissance (The)Renaissance (La)lcsh:DA1-995"On Style"lcsh:History of Great BritainHumanitiesotherness
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La portada de la iglesia de las Escuelas Pías de Gandía. Su proceso constructivo y modulación arquitectónico-musical

2020

The facade of the church of the Pious Schools of Gandia has not attracted the attention of researchers. However, its conception has a great architectural culture and constitutes an essential work to understand its context, fundamentally, that of the theoretical treatises of the Renaissance. From this study it is wanted to value its architecture and that it is considered as an outstanding ingredient to know its period of construction in general and jesuit architecture in particular. For its understanding, its interpretation in the culture of contemporary architecture treaties and, especially, in the architectural-musical theory of Leon Battista Alberti will be necessary.. La portada de la ig…

David Miguel The facade of the church of the Pious Schools of Gandia has not attracted the attention of researchers. HoweverjesuitasUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASarchitectureSerlio0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707982 La portada de la iglesia de las Escuelas Pías de Gandía. Su proceso constructivo y modulación arquitectónico-musical Cisneros Álvarezin the architectural-musical theory of Leon Battista Alberti will be necessary. 147 160PabloNavarro Catalánfundamentallyjesuitsarquitecturathat of the theoretical treatises of the Renaissance. From this study it is wanted to value its architecture and that it is considered as an outstanding ingredient to know its period of construction in general and jesuit architecture in particular. For its understandingits conception has a great architectural culture and constitutes an essential work to understand its context:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]AlbertiScopusmusicmúsicaespeciallyits interpretation in the culture of contemporary architecture treaties and
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