Search results for " genre"

showing 10 items of 135 documents

Le Collectif 50/50 : du constat à l'action

2021

International audience

[SHS.ANTHRO-SE] Humanities and Social Sciences/Social Anthropology and ethnologylutte contre les discriminationparitéplace des femmesstéréotypes de genreémancipation[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history[SHS.ANTHRO-SE]Humanities and Social Sciences/Social Anthropology and ethnologyIndustrie cinématographiqueComputingMilieux_MISCELLANEOUSdiversité
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Malaise dans l'identification. La mélancolie du genre

2009

[SHS.DROIT]Humanities and Social Sciences/Law[SHS.DROIT] Humanities and Social Sciences/Lawmélancolie du genreJudith Butleridentification[ SHS.DROIT ] Humanities and Social Sciences/Law
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Filiations textuelles, nationales et culturelles : les genres littéraires en contexte postcolonial

2018

[SHS.LITT] Humanities and Social Sciences/LiteratureGenres littérairesLittératures africainesLiterary genresAfrique du Sud[SHS.LITT]Humanities and Social Sciences/LiteraturePostcolonial literatureLittérature postcolonialeAfrican literaturesGothiqueSouth African literatureGothic
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“‘Bosques distantes”: a matéria dos livros e a pastoral modernista“ (“‘Distant woods’: The matter of books and the modernist pastoral“)

2022

This paper is part of a broader project that aims to examine the importance of the materials used in the making of illustrated books from a medial and ecocritical perspective. I focus on a specific case study in which I explore the attitude to nature encapsulated in the use of and reference to wood in British interwar wood-engraved illustrated books. My departure point is the English artist Paul Nash’s Places (Heinemann, 1922), a short collection of prose poems and wood-engravings. An elegy produced at a time when Nash was trying to come to terms with the aftermath of the First World War, Places was published after he made the great war paintings depicting the human losses and the ecocide p…

[SHS.LITT] Humanities and Social Sciences/LiteratureIllustrationPaul NashPastoral as a literary genreModernismEcocriticism[SHS.ART] Humanities and Social Sciences/Art and art historyWood engraving
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Le détective, entre intime et société

2019

International audience

[SHS.LITT] Humanities and Social Sciences/LiteratureLittérature policière[SHS.LITT]Humanities and Social Sciences/LiteratureCrime fictionserialityIntertextualityIntertextualitégenres littérairesliterary genressérialitéComputingMilieux_MISCELLANEOUS
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South (2016) et North (2018) de Frank Owen : diptyque post-apocalyptique américain ou sud-africain ?

2020

National audience; La présente communication se propose d'examiner les représentations d'un avenir post-apocalyptique dans le diptyque South (2016) et North (2018) de Frank Owen et de s'interroger sur une possible hybridation des imaginaires post-apocalyptiques. Bien qu'écrits par un duo d'auteurs sud-africains (Frank Owen étant en réalité le pseudonyme adopté par Diane Awerbuck et Alex Latimer pour écrire ces romans à quatre mains), South et North se déroulent tous deux aux Etats-Unis. Dans le monde post-apocalyptique dépeint dans le diptyque, le pays est divisé en deux et des vents mortels soufflent sur le sud, décimant la population, qui a dû retourner à un mode de vie primitif où domine…

[SHS.LITT] Humanities and Social Sciences/LiteraturedystopieFrank OwenSouth AfricaLiterary genresAfrique du Sud[SHS.LITT]Humanities and Social Sciences/LiteratureEtats-Unislittérature post-apocalyptiquecatastrophismePost-apocalyptic fiction
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"For beyond this trading community lies family life" : filiation et écriture dans Crossing the River

2016

This paper examines the relationship between filiation, affiliation and writing in Crossing the River. First, it examines the diversity of literary genres incorporated, revisited and juxtaposed in a novel often defined by its polyphonic structure. This analysis leads to a study of the ways in which family ties, and particularly the links between parents and children, are staged in the text through a complex pattern of repetitions and inversions. The echoes which connect, and sometimes oppose, the various parts of the novel suggest that repetition and inversion are the tools through which family identity is constructed throughout the novel. The reason behind these textual strategies may also…

[SHS.LITT] Humanities and Social Sciences/Literaturefiliationfamily[SHS.LITT]Humanities and Social Sciences/Literaturechildrenneo-slave narrativespsychoanalysis[ SHS.LITT ] Humanities and Social Sciences/Literatureaffiliationslaveryliterary genres
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Création au féminin Vol. 4 Les humeurs de l'humour

2010

[SHS.LITT] Humanities and Social Sciences/Literaturejedérision[SHS.LITT]Humanities and Social Sciences/Literaturejeucritique genreauto-dérision[ SHS.LITT ] Humanities and Social Sciences/Literature
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Normes et genres dans l'Europe des Lumières

2023

Que signifie être un homme et une femme ? À quelles déterminations et à quelles injonctions de genre la personne est-elle soumise ? Ces questions, au cœur de notre présent, agitent le monde des Lumières. Temps de refondation scientifique, mais aussi de naturalisation des corps et d’interrogation sur les conséquences politiques et sociales d’une hiérarchie entre le masculin et le féminin, le 18e siècle pense les « sexes » autant qu’il problématise leur construction et révèle, au cœur des dominations les plus installées, des stratégies de contournement. C’est à ce faisceau complexe d’appropriations, entre assignations subies et libertés conquises, que s’intéresse ce numéro. Intitulé Normes et…

[SHS.LITT] Humanities and Social Sciences/Literatureémancipation des femmesviolences sexuelles[SHS.PHIL] Humanities and Social Sciences/Philosophynormes de genre[SHS.HIST] Humanities and Social Sciences/Historydifférence des sexes[SHS.GENRE] Humanities and Social Sciences/Gender studies
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The Politics of Utopia: Walter Pater’s “Lacedaemon”

2016

Walter Pater is not usually considered as a politically committed writer, neither is Aestheticism of which he was the gifted theoretician with The Renaissance (1873). Although the political commitments of the Aesthetic movement have been questioned over the last two decades, both by including women aesthetes, and by re-evaluating the movement’s dissemination among the middle classes, discussion of Pater’s political ideas is almost non-existent. His Plato and Platonism (1893) is however not so remote from politics since it discusses Plato’s political philosophy. In particular, “Lacedaemon”, the chapter devoted to Sparta, enables Pater to intervene in the political debate from an original sta…

[SHS.LITT]Humanities and Social Sciences/Literaturemedia_common.quotation_subject“Lacedaemon”Pater Walter[SHS.LITT] Humanities and Social Sciences/LiteraturePolitics« Lacédémone »UtopiaéthiquePlato and PlatonismPolitical philosophylcsh:Social sciences (General)Walter PaterCitizenshipmedia_commonPlatoLiteratureEthicsLiterary genreeducationDystopialcsh:English languagebusiness.industryPhilosophyPolitics06 humanities and the artséducation[ SHS.LITT ] Humanities and Social Sciences/Literature060202 literary studiesethicspolitiqueutopieutopiaPlaton et le platonisme0602 languages and literatureaestheticsAestheticismlcsh:H1-99politicslcsh:PE1-3729PlatonismbusinessesthétiqueE-REA
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