Search results for " muse"

showing 10 items of 1266 documents

Intersecciones críticas. Experiencias y estrategias desde la museología y el feminismo gitano, bajo el prisma del covid-19 = Critical Intersections. …

2020

La pandemia de 2020 enfrentó las áreas que tratan la memoria desde los márgenes con la necesidad de transformar sus experiencias en estrategias con potencial de futuro. El artículo busca reflejar la intersección entre dos campos de acción cultural comprometida: el de algunos museos valencianos y el de las asociaciones de mujeres gitanas, vistas también desde el ámbito local. El objeto de nuestro análisis son dos vertientes de la actuación cultural emancipadora: las experiencias, fenómenos a menudo caóticos y coyunturales, y las estrategias razonadas, que unen prácticas del conocimiento crítico hasta ahora no contiguas. El estado de alarma definió estas ramas estratégicas como inclusión digi…

HistoryVisual Arts and Performing ArtsCoronavirus disease 2019 (COVID-19)lcsh:Fine ArtsMuseologyinclusión digitalValencianFeminismpost-pandemic alternativesalternativas postpandémicas = critical museologySociologylcsh:History of the artsroma feminismDigital inclusionlcsh:NX1-820digital inclusionlcsh:Arts in generalSocial justicefeminismo romanílanguage.human_languagemuseología críticalanguageintersectionality of gender and minority cultureinterseccionalidad entre género y cultura minoritarialcsh:Nlcsh:NX440-632HumanitiesEspacio, Tiempo y Forma. Serie VII, Historia del Arte
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Avènement des sports nautiques à Chalon-sur-Saône (1877-1960)

2002

RESUME En France, l’evolution vers le sport, au sens moderne du terme, s’effectue a travers un long processus qui prend ses racines dans les annees 1870 et s’acheve au milieu du XXeme siecle. A partir de 1877, differentes societes d’activites nautiques sont fondees a Chalon-sur-Saone et mettent en place la pratique de la natation, des joutes et des regates. Des points communs, des relations d’interdependance mais aussi des contrastes importants dans leurs caracteristiques, permettent de les assimiler a un systeme local d’associations. L’etude du developpement de ce systeme, confronte a la modernisation de la societe et du monde des activites physiques, illustre la diversite des modalites d’…

History[SHS.MUSEO] Humanities and Social Sciences/Cultural heritage and museologyPhysiologyPhysiology (medical)RowingPhysical Therapy Sports Therapy and Rehabilitation[SHS] Humanities and Social SciencesJoustModern sportSwimming1877-1960Science & Motricité
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L'Assemblea Nazionale ICOM sbarca a Palermo per due giornate all'insegna di “Musei, Territorio, Archeologia”

2011

ICOM Musei Territorio Archeologia
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Impact de la proximité identitaire « publics-musée d'art » sur la fréquentation des lieux culturels : le cas des musées d’art

2017

The value that individuals attach to a cultural object can be explained, among other things, by their identity project of belonging to a group. This thesis proposes new strategic orientations for museums that increase museum attendance, change the relationship of the art museum with the public and attract other individuals.This research allowed the conceptualization of the proximity of the "public-art museum" identity, the confirmation of its dimensions and antecedents, and finally the analysis of the relationship between the "public-art museum" identity proximity and the art museum attendance. Moreover, the development of a "public-art museum" identity proximity scale, offers to broaden th…

Identité socialePublicsMusée d’artSocial identityArt museumIdentification organisationnelleProximité identitaire[SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museologyAttendance behavior[SHS.MUSEO] Humanities and Social Sciences/Cultural heritage and museologyIdentity proximity[SHS.GESTION]Humanities and Social Sciences/Business administration[ SHS.MUSEO ] Humanities and Social Sciences/Cultural heritage and museology[ SHS.GESTION ] Humanities and Social Sciences/Business administration[SHS.GESTION] Humanities and Social Sciences/Business administrationOrganizational identificationComportement de fréquentation
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Proximité identitaire « publics musée d’art » et fréquentation du lieu culturel

2018

The value that individuals attach to a cultural object can be explained, among other things, by their individual identity project or belonging to a group. We will try to consider new strategic orientations for art museum professionals that can achieve several objectives regarding the museum visitors (or non-visitors): increase their attendance, change the relationship of the art museum with the public and attract other individuals.This work allows the conceptualization of the "public-art museum" identity proximity, the confirmation of its dimensions, and finally, the analysis of the relationship between the "public-art museum" identity proximity and the attendance the behaviour of the cultu…

Identité socialePublics[SHS.MUSEO] Humanities and Social Sciences/Cultural heritage and museologyIdentity proximityMusée d’art[SHS.GESTION]Humanities and Social Sciences/Business administrationSocial identityArt museum[SHS.MUSEO]Humanities and Social Sciences/Cultural heritage and museologyAttendance behaviourProximité identitaireComportement de fréquentation[SHS.GESTION] Humanities and Social Sciences/Business administration
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La dimensione tecnologica del museo: forme, tecniche, "identità mutanti" tra storia e contemporaneità

2005

Nella cultura contemporanea il tema della conservazione dell’eredità storica, della rappresentazione e della trasmissibilità dell’arte è argomento ampiamente dibattuto. La forza culturale del museo, detentore dell’eredità, può essere interpretata secondo diverse traiettorie di forme. La memoria intende esprimersi sulle origini e sul significato della "macchina museale" attraverso l’analisi critica dell’oggetto, sia esso contenitore, palco di rappresentazione o scena interattiva. Sonda i processi di comunicazione relativamente alla forma architettonica, alla funzione ed alla fruizione del prodotto espositivo. Tenendo conto delle diverse scuole di pensiero sulla spettacolarizzazione dell’arte…

In present days the storical heritage the transmission of art and its performance is very important argument of debate. Its representation is the building museum in many different forms. The building museum of art is the most important place for exsposition of masterpieces instead the museum of architecture exhibits the works through projects and patterns. Today museum reconstructs the human perception of space using new technologies. The same thing happens for the museum of science and technique where the visitor gets involved in scientific representation. Therefore museum can be a place of study and scientific research. It can be either memory of past times or place of contemporaneity. This study expresses origin and meaning of building museum through the critical analysis of architectonic forms technological aims and the proper use of the exspositive space.Settore ICAR/12 - Tecnologia Dell'Architettura
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Document Word Clouds: Visualising Web Documents as Tag Clouds to Aid Users in Relevance Decisions

2009

Περιέχει το πλήρες κείμενο Information Retrieval systems spend a great effort on determining the significant terms in a document. When, instead, a user is looking at a document he cannot benefit from such information. He has to read the text to understand which words are important. In this paper we take a look at the idea of enhancing the perception of web documents with visualisation techniques borrowed from the tag clouds of Web 2.0. Highlighting the important words in a document by using a larger font size allows to get a quick impression of the relevant concepts in a text. As this process does not depend on a user query it can also be used for explorative search. A user study showed, th…

Information retrievalProcess (engineering)Computer sciencemedia_common.quotation_subjectDocument clusteringUser requirements documentWorld Wide WebPerceptionRelevance (information retrieval)Tag cloudtf–idfΤεχνικές υπηρεσίες σε βιβλιοθήκες αρχεία και μουσείαTechnical services in libraries archives and museumsWord (computer architecture)media_common
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Il mare colore del sangue

2018

In their artwork "Calendoola: SURUS", visual artists Simone Trabucchi and Simone Bertuzzi AKA Invernomuto, in their characteristically visionary language combine sensory experiences and political urgency, offering a reflection on a potentially dystopian society incapable of coming to terms with its own history of colonial, imperial, neocolonial, and global domination. In their 2018 installation at the MAXXI Musuem in Rome, men bleed, turtles lie on their backs, and elephants look on, wise and inexorable. Meanwhile the sea is burning and has turned blood-red. It is the blood of the sons who cross it from opposite sides of the Mediterranean, some succeeding, others succumbing to its abysses. …

InvernomutoCalendoola: Surucolonialismvisual artrepresentationthe Black MediterraneanneocolonialismMAXXI Museum.migration
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Involucri Edilizi Sostenibili. Impiego di materiali tecnologicamente avanzati per l’ottimizzazione energetica e l’incremento prestazionale degli elem…

2013

La ricerca della migliore esposizione dell’edificio, grazie alla quale minimizzare l’apporto solare sulle facciate; l’impiego di specifici elementi captanti; la scelta dei materiali più idonei -per caratteristiche e prestazioni- al contenimento dei consumi energetici, sono solo alcuni degli aspetti. che entrano in gioco nel progetto di un involucro edilizio e, più in generale, di una architettura sostenibile. L’involucro edilizio, tra tutti gli elementi (tecnici) che conformano l’edificio, è quello che maggiormente interagisce con le “condizioni al contorno” (siano esse climatiche, urbane, sociali, economiche, ecc); da queste, infatti, trae spesso ispirazione per la sua stessa messa in form…

Involucro edilizio materiali innovativi involucro "a doppia pelle" riqualificazione energetica MuseoSettore ICAR/10 - Architettura Tecnica
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Una Storia dell’arte italiana a più mani? Dibattiti e forme di dissertazione storico-artistica sul «Kunstblatt» (Rumohr, Förster, Gaye e qualche anti…

2006

This article focuses on the German art review «Kunst-Blatt» and its leading role in early Nineteenth-Century historiography of Italian art. Particular attention is drawn to the contributions of three eminent German scholars of this period: Ludwig Schorn (1793-1842), Ernst Förster (1800-1885) and Johannes Gaye (1804-1840).

Johannes GayeHistoriography of ArtSettore L-ART/04 - Museologia E Critica Artistica E Del RestauroArt journalismArt HistoryGerman RomanticismLudwig SchornErnst Förster
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