Search results for " spectacle"

showing 10 items of 20 documents

Fastes de cour au XVIIe siècle : costumes de Bellange et de Berain

2015

International audience

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing arts[SHS.ART] Humanities and Social Sciences/Art and art history[SHS.ART]Humanities and Social Sciences/Art and art history[ SHS.ART ] Humanities and Social Sciences/Art and art historyComputingMilieux_MISCELLANEOUSCostume de spectacle -- France -- 17e siècle
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Qui produit la politique culturelle en matière de spectacles ? L’exemple de l’Ile de France ? (Avec Catherine Dutheil-Pessin)

2014

article publié dans un cahier intitulé "Les Spectacles en Ile de France 2011/2012" et. publié par l'agence culturelle d'Ile de France Arcadi; Ce papier présente une des résultats de l'étude intitulée "la fabrique de la programmation culturelle" (financée par la région des Pays de la Loire, la ville de Nantes et le DEPS/Ministère de la Culture. À partir de données quantitatives, notamment d'une étude menée par l'agence culturelle d'Ile de France Arcadi, nous montrons qu'il est essentiel de prendre en compte l'apport des "petits" prograrmmateurs/trices de spectacles dans l'évaluation et la définition des politiques culturelles.

[SHS.MUSIQ] Humanities and Social Sciences/Musicology and performing arts[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing arts[SHS.SOCIO]Humanities and Social Sciences/Sociologyarts du spectacle[ SHS.MUSIQ ] Humanities and Social Sciences/Musicology and performing arts[SHS.SOCIO] Humanities and Social Sciences/Sociologypolitique culturelle[ SHS.SOCIO ] Humanities and Social Sciences/Sociology
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La fabrique de la programmation culturelle 2011-2013 (avec Catherine Dutheil-Pessin)

2015

Cette enquête de terrain s’intéresse à la façon dont des programmateurs(-trices), travaillant dans des dispositifs publics, se forment puis, dans le cadre de leurs fonctions, sélectionnent des spectacles et des équipes artistiques. L'enquête documente les modalités -cognitives, techniques, collectives, politiques- par lesquelles les spectacles en viennent à représenter "l’excellence artistique" et la politique culturelle publique et s'intéresse à cette expertise spécifique.Un livre est à paraître en 2015

[SHS.SOCIO] Humanities and Social Sciences/Sociologysociologie de l'expertisearts et spectacles
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Mathieu Grégoire "Les intermittents du spectacle. Enjeux d'un siècle de luttes"

2016

International audience; Recension de l'ouvrage de Mathieu Grégoire "Les intermittents du spectacle. Enjeux d'un siècle de luttes" La Dispute, Paris 2013. 182 pages

[SHS.SOCIO]Humanities and Social Sciences/Sociology[SHS.SOCIO] Humanities and Social Sciences/Sociologypolitique culturelle[ SHS.SOCIO ] Humanities and Social Sciences/SociologyIntermittents du Spectacle
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Les feux du rock : une tentative de généalogie

2013

International audience; Depuis son apparition au milieu des années cinquante, le rock et ses successeurs hip hop et techno sont associés tant métaphoriquement que soniquement à l'électricité. Plutôt que de détailler ce monde d'artifices électriques, pratiqué et aimé par plusieurs générations et abondamment documenté, je voudrais m'intéresser dans cet article à leur généalogie. La thèse qui sera défendue ici étant que l'on peut établir un lien entre l'usage de l'électricité par le rock et la Révolution Scientifique et en particulier sa déclinaison instrumentale.

[SHS.SOCIO]Humanities and Social Sciences/Sociologyarts du spectaclehistoire des sciences et des techniques[SHS.SOCIO] Humanities and Social Sciences/Sociology[ SHS.SOCIO ] Humanities and Social Sciences/SociologyMusiques populaires
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Conceptualizing and Measuring the Perceived Value of an Arts Venue as Applied to Live Performance

2008

International audience; This paper mobilizes the concept of value to investigate the influence of physical surroundings on artistic experiences. First the literature on value is reviewed to ascertain just how useful the concept is for understanding the physical environment. The use of the concept supplements other research perspectives on the issue of physical surroundings (sensorial marketing, appropriation). There follows a presentation of the various stages in constructing a scale of perceived value applied to live performances. The paper concludes with a discussion of results (contributions, management implications, research limits, and avenues for further inquiry).

arts experiencevaleur de consommationscale of measurementéchelle de mesureexpérience culturelle[SHS.GESTION]Humanities and Social Sciences/Business administration[ SHS.GESTION ] Humanities and Social Sciences/Business administrationperformance venue[SHS.GESTION] Humanities and Social Sciences/Business administrationmeasurement scalelieu de spectacleartistic experienceconsumption value
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Sport and Quality of Life

2022

Negli ultimi trent’anni lo sport ha assunto un significato molto rilevante nella vita delle persone e, seppure con notevoli differenze, sia nei paesi a sviluppo economico avanzato, sia in quelli in via di sviluppo. A livello individuale, esso ha costituito un’area di investimento identitario quando ha assunto la forma di sport spettacolo del quale fruire, alimentando la pratica del tifo e il fandom o costituendo il modello di uno stile di vita vincente; ma anche quando ha assunto la forma di pratica del tempo libero attraverso la quale tenersi in forma, facendo crescere, in questo caso, la diffusione di una cultura della salute e del benessere. Si tratta di due modalità di approcciare al co…

but also when he took the form of free time practice through which to keep fit making grow in this case the diffusion of a culture of health and well-being. These are two ways of approaching the consumption of sports by spectators and actorIn the last thirty years sport has taken on a very significant meaning in people's lives and albeit with considerable differences both in advanced economic development countries and in developing countries. On an individual level it constituted an area of identity investment when it assumed the shape of “sport spectacle” to be enjoyed fueling the practice of cheering and fandom or constituting the model of a winning lifestyleand the two ways of use can be strongly related to the perception and assessment of the quality of life. The “semantic universes” which however connote sport and “free time sports” have often appeared polarized. Commercial sport and sports professionalism are intertwined with the institutions of economics politics and culture which above all stress its “spectacularity” in order to capture first and foremost the audience. But also the sport of leisure time is intertwined with the actions of the institutions of economics politics and culture with the difference that these stress above all its “healthy value” aimed at the “healthy and rational” investment of time in an activity which improves the quality of life in the short medium and long period. This polarization between the consumption of sport entertainment - commercial sport - and the consumption of sport as a leisure activity - sport for all - has become increasingly interconnected precisely because of the increased collective identity demand via sport. In other words we have witnessed the spread of shape of sports entertainment that recall the importance of sports for psychophysical well-being for integration and social participation for the reduction of social inequalities ethnic and cultural differences and in which the importance assumed was weakened in the show from agonism from competition from the physical confrontation between two contenders or two teams. A sport in which we act with competitors as well as against competitors. And on the other hand we have gradually witnessed the spectacularization of sports in our free time to the point that the sharing of the results obtained through the declination of a competitive spirit that presents itself as directed no longer against other contenders but against its own performance limits it has become the way in which each person makes part of his or her own life spectacular the one he often considers most authentic. The aim of this work is to describe how the intertwining between the commercial/professional dimension of the sports show and the playful/recreational dimension of sports practice are fueled by a demand and an offer of social identity that characterizes these two “semantic universes”.Settore SPS/07 - Sociologia Generale
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Positioning the Supply of Live Performance: Innovative Managerial Practices Relating to the Interaction of Spectator, Performance and Venue

2006

Because of the abundance of offerings, the question of positioning with regard to live performances is becoming increasingly crucial for managers in the cultural sector. The authors address this issue by proposing original means of differentiation that managers can use in order to reinforce the identity of their offerings. The authors point to the need for analysis of the relationship between the public and the spectacle (central focus of positioning), highlighting the various facets that structure this positioning. They then examine the interaction between the public and the cultural venue (peripheral focus of positioning). Such a framework of consumption experiences offers promising solut…

interaction spectator/artist/venuevaleur de consommationlieuinteraction spectateur-artiste-lieu du spectaclecultural experimentexpérience culturelle[ SHS.ECO ] Humanities and Social Sciences/Economies and financesvenue[SHS.ECO] Humanities and Social Sciences/Economics and Finance[SHS.ECO]Humanities and Social Sciences/Economics and FinancePositionnementPositioningconsumption value
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Terrorism as Spectacle. Media Logic and Terror in Italy from Brigate Rosse to Emotional Reporting

2015

L'articolo analizza le strategie comunicative del terrorismo contemporaneo, focalizzando l'attenzione sulla relazione tra il terrore e la logica dei media audiovisivi The article analyzes the communication strategies of contemporary terrorism, focusing attention on the relationship between terror and the logic of audiovisual media

media terror spectacleSettore SPS/08 - Sociologia Dei Processi Culturali E Comunicativimedia terrore spettacolo
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Positioning the supply of live performances. Innovative managerial practices relating to the interaction of audience, performance and venue

2006

Because of an abundant offer of shows, the question of the cultural products positioning becomes increasingly crucial for the professionals of this sector. This article proposes to answer this strategic question by identifying original ways of differentiation in order to reinforce the identity of their offer. First of all, we insist on the need for analyzing the relation between the public and the spectacle (central road of positioning). We wish to highlight the various facets that structure this positioning. Then, we examine the interaction between the public and the cultural place (peripheral road of positioning). This tangible framework of consumption experiment can offer promising solut…

positionnementcultural experimentartistinteraction audienceenvironnement physiqueconsumption valuevaleur de consommationinteraction spectateurpositioningexpérience culturelle[SHS.GESTION]Humanities and Social Sciences/Business administrationvenue[SHS.GESTION] Humanities and Social Sciences/Business administration[ SHS.GESTION ] Humanities and Social Sciences/Business administrationartistelieu de spectacle
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