Search results for "Chapel"
showing 10 items of 40 documents
Cappelle di palazzo nella Sicilia del Trecento
2018
Nei palazzi e nei castelli dell’aristocrazia siciliana, realizzati ex-novo o rinnovati nel corso del XIV secolo, la presenza di cappelle palatine appare una costante. Inserite tra gli ambienti della stessa residenza o costruite in volumi autonomi ma adiacenti alla prima, esse contribuiscono a definirne il rango, in un ambiguo equilibrio tra sfera pubblica e privata. Infatti, sebbene destinate essenzialmente a una fruizione privata - della quale tuttavia non si conoscono con precisione modalità e frequenza - si tratta al contempo degli ambienti definiti con maggiore cura e con scelte formali che appaiono mirate a perseguire precise strategie di autorappresentazione, che oscillano tra modelli…
La Cappella Reale di Palermo all’incrocio tra fede e potere. Musica, cerimonia e musicisti durante il viceregno spagnolo (secc. XVII-XVIII)
2021
Il contributo intende considerare il rapporto tra musica e potere attraverso una delle più importanti istituzioni del vicereame spagnolo nella penisola italiana, la Cappella Reale di San Pietro, comunemente nota come Cappella Palatina. La partecipazione alle grandi cerimonie di stato di Sei e Settecento, in particolare funerali e autodafé, sottolinea il ruolo dei musicisti della Palatina nel consolidare l’immagine del viceré e dell’identità regia in un contesto geograficamente lontano. Studi recenti hanno peraltro confermato che nelle istituzioni ecclesiastiche erano proprio gli esecutori della Cappella Reale a essere ingaggiati per suonare e cantare. Una più attenta ricostruzione dell’atti…
Rural settlement in the territorium of Ilici: the Roman farm of The Cabezo-Clot de Galvany (Elx, Alicante)
2015
Situado en el territorium de Ilici, en el paraje de El Clot de Galvany (Elx), junto a un humedal de tierras pobres, presentamos una granja romana (ss. I-III d.C.). Su posición periférica respecto al área centuriada ilicitana, los restos materiales aparecidos (molinos, ausencia de estructuras de transformación, aislamiento relativo) y la gran simplicidad estructural y funcional del conjunto remarcan el carácter autosuficiente de este núcleo. El área arqueológica tras la época romana queda deshabitada y sólo volvió a frecuentarse a partir del s. XVII, coincidiendo con el crecimiento demográfico de época moderna, como muestra la construcción de una ermita. Todo ello nos lleva a plantear cuesti…
Le monastère Saint-Pierre d'Osor (île de Cres) : septième campagne d'études archéologiques
2013
The 2012 campaign of the archaeological research project permitted the exhaustive excavations of the immediate surroundings of the southern nave of the abbey church of St Peter in Osor. The richness and the complexity of the discovered structures confirmed the great archaeological potential of this sector. Namely, a funeral zone that is situated south to the church is occupied by two buildings perpendicular to the church which we interpret as a mausoleum (the one on the west) and a chapel with one privileged burial (the one on the east). The great number of built tombs or simples graves confirmed that this sector had funeral function even before the XIth century and the construction of the …
From the Worship of God to the Worship of Beauty? The Reception of Italian Catholic Religious Paintings in the Private Chapels of English Country Hou…
2010
This study discusses the shifting reception of Italian Catholic religious paintings in the private chapels of English country houses. It first investigates how the practice of art collecting and patronage informs the strategies deployed by the English aristocracy to expunge from these pictures all Catholic overtones. It moves on to assess the impact of this ideological reinterpretation on works of art, whose original religious message was thus gradually displaced. The article concludes that these paintings came, effectively, to extol a religiosity of splendour, representative of a desire to glorify both the host's good taste and God's greatness.
SINGING THE SELF: THE AUTOBIOGRAPHY OF THE FIFTEENTH-CENTURY GERMAN SINGER AND COMPOSER JOHANNES VON SOEST
2010
The German singer, composer and writer Johannes von Soest (1448–1506), also referred to as Steinwart or Steinwert, is the author of a vernacular autobiography in verse. One of the very few such documents written by a musician, it gives a highly personal insight into his career, which extended from his training as a chorister in Soest to the ducal chapel in Cleves and afterwards to Bruges (in the company of two unnamed English musicians), Aardenburg (Overijssel), Maastricht, possibly Cologne, Kassel and finally Heidelberg, where he was appointed as Kapellmeister. He subsequently decided to become a physician. The article includes a complete transcription of the text, whose original was destr…
Le monastère Saint-Pierre d'Osor (île de Cres) : sixième campagne d'études archéologiques
2012
In the 2011 campaign the southern and central apses, as well as the southern nave of the abbey church of St Peter, together with its immediate surroundings were excavated. The primary analysis of the eastern part of the Venetian town wall was undertaken as well. The geophysical survey of the western and south-eastern parts of the complex has equally been continued. The initial results allow us to present a phasing of the early Romanesque church, possibly preceded by two earlier churches, as well as to complete the ground plan thanks to the discovery of the former bell-tower, containing a funerary room (maybe a chapel) in its ground level. Furthermore, the monastic topography was clarified b…
Sacred Music Production and Circulation in Sixteenth-Century Palermo: The Inventories of Giovanni Santoro (1550) and Luis Ruiz (1595)
2016
L'importanza degli inventari per lo studio della vita musicale a Palermo è stata riconosciuta soltanto di recente. Nonostante la natura frammentaria dei dati, questi documenti forniscono informazioni di rilievo sulle edizioni musicali, sugli strumenti, sulla cultura materiale che li produceva, nonché sulla circolazione della musica. Considerata la mancanza di testimoni musicali siciliani tra Cinque e Settecento, tale importanza appare ancor più evidente. Difatti, gli inventari palermitani testimoniano la presenza di libri di musica non più esistenti, in particolare musica a stampa, ma anche manoscritti e libri liturgici. L'articolo si sofferma su due inventari del Cinquecento. Il primo è l'…
La capilla de la Virgen de Campanar en Valencia: tradición popular erigida en erudita retórica visual
2018
This chapel forms part of the parochial church of Campanar, which belongs to the municipality of Valencia. The Virgen de Campanar (Virgin of Campanar) is an image executed in alabaster, discovered on the subfloor of the church of this place on February 19th, 1596, by some construction workers who were undertaking some remodeling at that time. From that moment forward it began to be worshipped by the masses as a miraculous image. Among its alleged properties we find the mysterious fact that powder from its plaster had miraculous effects: it was taken dissolved in water to cure the sick or to assure a healthy birth for pregnant women, and it even calmed storms at sea if it was thrown into the…