Search results for "Dram"
showing 10 items of 390 documents
Literatura a teatr na przykładzie "Sprawy" Jerzego Jarockiego
2015
La Grecia “tragica” di Alberto Savinio
2014
La riflessione sul tragico ha un ruolo centrale nel pensiero di Alberto Savinio e accompagna l’intero svolgimento del suo percorso intellettuale e artistico. Non solo Savinio torna più volte a esaminare sul piano estetico-filosofico le categorie di «dramma» e di «tragedia» – partendo naturalmente dall’analisi della tragedia greca, e associandovi la lettura di Vico, Leopardi, Schopenhauer, Nietzsche, Spengler e Freud – ma esse divengono anche elementi fondanti di una personale poetica, che nel corso degli anni va continuamente ridisegnando se stessa: dall’arte metafisica, che al tempo di «Valori plastici» si delinea come sola forma artistica capace di far rivivere lo «spirito tragico» propri…
"Co jest pragnienie moje?" : o "Don Juanie" Tadeusza Rittnera
2019
The article attempts to read a new reading of Tadeusz Rittner’s drama Don Juan (1909), updated with the cultural contexts of the 19th century. Therefore, they were cited, inter alia, works of Søren Kierkegaard’s Seducer’s Diary and The Immediate Erotic stages or the Musical Erotic from the volume Either/Or and the psychological novel by Paul Bourget; as well as motives, themes and views characteristic of the turn of the 19th and 20th centuries, both the revelations of Sigmund Freud and Otto Weininger, as well as provocations by Alfred Jarry or irony, grotesque, metatheatricalism inherent in austromodernism. The article is an attempt at a polemic with the categorical judgment of Rittner’s dr…
"Jak gdyby to była prawda..." : podejrzany realizm i podejrzany modernizm Tadeusza Rittnera
2020
This paper is an attempt at redefining selected plays written by Tadeusz Rittner in the modernist and symbolist convention. In the 1950s, they were evaluated by Zbigniew Raszewski as among the playwright’s lesser achievements. I have analysed three texts: the one-act plays Sąsiadka (“The Neighbour”) and Odwiedziny o zmroku (“A Visit at Dusk”) as well as the play Don Juan. There is no doubt that the author did not avoid stylistic exaggeration in his modernist works, but one can also find some distance from the conventions of the Young Poland period as well as the use of the grotesque, theatrical sham, and the poetics of intimate drama in these plays. Rittner’s Viennese character is an alibi …
Monoizrāde kā individuālās narācijas forma Latvijas postpadomju teātrī
2016
. Maģistra darbā „Monoizrāde kā individuālās narācijas forma Latvijas postpadomju teātrī” aplūkots monoizrādes fenomens, kam Latvijas teātra teorētiķi nav pievērsuši plašu uzmanību. Monoizrāde 21.gs. Latvijas teātrī līdz ar stāstu stāstīšanas prakses attīstību, ievērojot stāsta kā personiski izjustas pieredzes individuālo un subjektīvo raksturu, iegūst jaunas kvalitātes, dibinot dialoģiskas attiecības ar auditoriju. Solo priekšnesums veicina uzticības pilnu attiecību veidošanu starp izpildītāju un auditoriju, atklājoties aktiera personībai. Kaut arī monoizrādes dramaturģisko pamatu veido monologs, auditorija tiek iesaistīta skatuviskajās norisēs – gan fiziski, gan garīgi, kur izpildītajos t…
Drāmas elementu izmantošana jaunāko pusaudžu motivācijas veicināšanai angļu valodas gramatikas apgūšanā
2020
Šis diplomdarbs sniedz teorētisku pamatojumu un piedāvā praktiskus padomus drāmas tehnikas izmantošanai angļu valodas stundās pamatskolā. Uzsvars tika likts uz gramatikas kompetences attīstību. Pētījuma mērķis bija noskaidrot, vai ir iespējama drāmas elementu izmantošana pamatskolas angļu valodas stundās un noskaidrot vai tā attīsta izglītojamo gramatikas kompetenci. Prakses laikā tika veikta izpēte, izmantojot gadījuma pētījumu, kā galveno pētījumu metodi. Darbā tika izmantotas tādas datu vākšanas metodes kā novērojumi, anketas un gala testa analīze. Rezultāti pierādīja, ka drāmas paņēmienus var piemērot nodarbībām ar jaunākiem pusaudžiem, kuri studē angļu valodu, arī tika parādīts, ka tā …
Melodrammatici e risorgimentali: "I briganti" visti da Parigi
2022
L'articolo si concentra sull'opera di Saverio Mercadante e Jacopo Crescini "I briganti" (Parigi, Théâtre-Italien, 1836), e indaga, in una prospettiva storiografica culturale e ricostruttiva, i suoi significati melodrammatici e risorgimentali. The article focuses on the opera of Saverio Mercadante and Jacopo Crescini "I briganti" (Paris, Théâtre-Italien, 1836), and investigates, in a cultural and reconstructive historiographical perspective, its melodramatic and risorgimental meanings.
Narratiivinen kerrontatapa ja haastattelut Ei kurjuutta kummempaa tv-ohjelmassa
2002
Uutisdraamaa Radiomäeltä : Voittaja-veistoshanke Etelä-Suomen Sanomissa : uutiskertomuksen draamallinen tulkinta
2005
Towards Natural Engagement in Nonexhibitional Dramatic Role-Plays
2003
Modern language teaching and drama have long had a tenuous relationship. Foreign/second language teaching (F/SLT) and Language for Specific Purposes (LSP) instruction often mistakenly associate drama with learning games and role-play simulations. However, these remedial activities, though useful, offer only limited opportunities for natural speech interaction. This article argues that, as a natural dialogical process of cognitive and affective involvement, nonexhibitional dramatic role-play generates authentic meaning through action and personal commitment.