Search results for "Forming"
showing 10 items of 1719 documents
El mito aéreo en el futurismo italiano:del periodo heroico a la espiritualidad aérea (1909-1944) The aerial myth of Itanian futurism: from the heroic…
2021
La poética de lo aéreo atravesó transversalmente la historia del futurismo italiano. El undécimo punto de su manifiesto y fundación en 1909, hizo referencia al aeroplano como una máquina esencial para comprender que la vida y el arte se debían someter a un mundo en permanente transformación. Lo aéreo y sus implicaciones compusieron proclamas y manifiestos determinando la creación literaria y artística del periodo heroico. En los años treinta, cuando el futurismo planteaba su supervivencia en el complejo contexto social y político italiano, la aeropintura se convirtió en su línea oficial. Un perfil que, desde ese mismo momento, se bifurcó en dos tendencias complementarias: la dedicada a una …
Vicente Llorens, la discontinuidad cultural y la recuperación del arte del exilio
2022
Este artículo rescata la faceta más artística de Vicente Llorens que surgió tras entrar en contacto con los artistas del exilio, también fue coleccionista y visitante de museos. Comenzó con la organización de exposiciones y concluyó con la reconstrucción del discurso artístico de la diáspora republicana. Una de sus principales líneas de trabajo fue la discontinuidad de la cultura española. En su afán por reconstruirla para dar testimonio de quiénes fueron los intelectuales exiliados tras la Guerra Civil, su trabajo se convirtió en el punto de referencia de estudios artísticos posteriores.
2016
Background Contractile myofibroblasts (MFs) accumulate in the joint capsules of patients suffering from posttraumatic joint stiffness. MF activation is controlled by a complex local network of growth factors and cytokines, ending in the increased production of extracellular matrix components followed by soft tissue contracture. Despite the tremendous growth of knowledge in this field, inconsistencies remain in practice and prevention.
Osteoprotegerin expression in liver is induced by IL-13 through TGF-β
2020
1.AbstractBackgroundsOsteoprotegerin (OPG) is a profibrotic mediator produced by myofibroblasts under influence of transforming growth factor β (TGFβ). Its expression in experimental models of liver fibrosis correlates well with disease severity and treatment responses. The regulation of OPG in liver tissue is largely unknown and we therefore set out to elucidate which growth factors/interleukins associated with fibrosis induce OPG and through which pathways.MethodsPrecision-cut liver slices of wild type and STAT6-deficient mice and 3T3 fibroblasts were used to investigate the effects of TGFβ, interleukin (IL) 13 (IL13), IL1β, and platelet-derived growth factor BB (PDGF-BB) on expression of…
Écriture et perception des grandes formes en musique contemporaine et, en particulier, chez Roger Reynolds. « Le cristal et la flamme »
2003
This PhD addresses the issue of musical time and form in the second half of the XXth century with the joint perspective of composition and perception. The first chapter describes composer’s main conceptions of musical time, compositional strategies, functions and formal models, as well as the main musicological theories concerning musical form. The second chapter is devoted to the semiotic square of musical form (definition, typological and syntagmatic approach). The third chapter is dedicated to R. Reynolds’The Angel of Death, a work that allows us to compare writing and perception. The fourth chapter reviews the main studies and theories forged by psychology around this question, and pres…
50 ans de psychologie de la musique
2011
International audience; Il y a cinquante ans paraissait La perception de la musique, ouvrage majeur par lequel Robert Francès instituait une forme novatrice d’approche du fait musical. Son style, sa cohérence scientifique, joints à une assise culturelle et à des intuitions exceptionnelles, lui confèrent une place d’autorité inégalée. Cette oeuvre vaut toujours à Robert Francès un important capital de sympathie et de respect souvent résumé par le titre de « père de la psychologie de la musique française ». L’héritage de La perception de la musiquese doit d’être pensé, débattu et analysé, surtout lorsque cinquante années de recul nous le permettent. C’est là tout le projet de ce recueil. Il r…
Il fascino dell’intuizione femminile: Marie Trautmann (in Jaëll), pianista, pedagoga e ricercatrice
2020
Over the centuries, the differences between genders have led to strong disparities for the assertion of women’s artistic value. In the history of music, in particular, many women musicians did not get the right recognition because of a cultural context that could not enhance their work. This is the case of Marie Trautmann, better known as Marie Jaëll (1846-1925), wife of the Austrian concert pianist Alfred Jaëll (1832-1882). Trautmann is a 19th century woman-musician and an important figure in the history of music still to be discovered, not only for her activity as concert pianist, composer, pedagogue, but mainly for her empirical research work, which aimed at improving the piano technique…
Communicating through ancillary gestures: Exploring effects on coperformers and audiences
2020
Musicians make elaborate movements while performing, often using gestures that might seem extraneous. To explore these movements, we motion-captured and audio-recorded different pairings of clarinetists and pianists performing Brahms’ Clarinet Sonata No. 1 with two manipulations: (a) allowing the performers full vs. no visual feedback, and (b) allowing the performers full vs. partial auditory feedback (i.e., the clarinetist could not hear the pianist). We found that observer ratings of audio–visual point-light renditions discriminated between manipulations and refined this insight through subsequent audio-alone and visual-alone experiments, providing an understanding of each modality’s cont…
Performers' emotions in expressive performance : sound, movement, and perception
2014
El sepulcro del Venerable Domingo Anadón en el convento de Santo Domingo de Valencia (1609), obra genovesa encargo del Conde de Benavente = The Tomb …
2020
El presente texto confirma que el monumento funerario encargado en 1609 por Juan Alfonso Pimentel, conde-duque de Benavente a los genoveses Giuseppe Carlone y Oberto Casella fue para la sepultura del fraile Domingo Anadón en el convento de Santo Domingo de Valencia. Se analizan las vicisitudes de este sepulcro junto al de fray Juan Micó en la capilla de San Luis Beltrán del convento, en el marco de la llegada de piezas genovesas a España en época Moderna.AbstractThis text confirms that the funerary monument commissioned in 1609 by Juan Alfonso Pimentel, count-duke of Benavente to the genoese sculptors Giuseppe Carlone and Oberto Casella was for friar Domingo Anadon in the dominican convent …