Search results for "Gott"

showing 10 items of 56 documents

Garantías legales del concepto de privacidad: Entre el derecho al olvido y el nuevo reglamento europeo de protección de datos

2018

The operation of new technologies and the supply of digital goods involves for users to disclose their personal data. The market data is already a reality with the danger that this entails for the privacy of citizens. The new General Data Protection Regulation has created a new legal framework that aims to radically change the current model, giving users greater powers to control their data. A good example of this is the express statement, and for the first time, of the right to be forgotten, which allows citizens to digitally erase their data when other fundamental rights are endangered.

:CIENCIAS JURÍDICAS [UNESCO]2386-4567 22661 Actualidad jurídica iberoamericana 502169 2018 9 6653324 Garantías legales del concepto de privacidad: Entre el derecho al olvido y el nuevo reglamento europeo de protección de datos Sancho LópezprivacidadComputingMilieux_LEGALASPECTSOFCOMPUTINGprivacyBig dataLaw & new technologiesUNESCO::CIENCIAS JURÍDICASMarina The operation of new technologies and the supply of digital goods involves for users to disclose their personal data. The market data is already a reality with the danger that this entails for the privacy of citizens. The new General Data Protection Regulation has created a new legal framework that aims to radically change the current modelright to be forgottenEntre el derecho al olvido y el nuevo reglamento europeo de protección de datos Sancho López [2386-4567 22661 Actualidad jurídica iberoamericana 502169 2018 9 6653324 Garantías legales del concepto de privacidad]Internet.derecho al olvido
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Dzieje organów w kościele parafialnym w Niemczy

2018

Pierwsze wzmianki o organach w kościele parafialnym w Niemczy pochodzą z przełomu XVI i XVII wieku. W latach 1597–1598 niewielki instrument wybudował Abraham Grasse. W 1617 roku ten sam organmistrz postawił nowe organy, liczące sześć głosów w manuale i trzy w pedale. Strawił je pożar w 1633 roku. W 1648 roku do odbudowanego kościoła zakupiono używany pozytyw. W 1725 roku świątynia wzbogaciła się o 20-głosowe organy wybudowane przez Ignatzego Mentzla. Służyły one parafii do 1852 roku, wówczas zamknięto, a następnie rozebrano kościół. Organy znajdujące się w obecnej świątyni pochodzą z 1866 roku i są dziełem Gottfrieda Riemera z Brzegu. Miały pierwotnie 18 głosów i mechaniczną trakturę rejest…

Abraham Grassechurch musicorganySauermuzyka kościelnaNiemczaorgansGottfried RiemerIgnatz MentzelŚwidnickie Studia Teologiczne
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Alfred Gotthold Meyer, Canova (Bielefeld-Leipzig, Velhagen & Klasing 1898), introduzione e traduzione in italiano a cura di Alexander Auf der Heyde, …

2014

Translation, comment and introduction to Alfred Gotthold Meyer's illustrated monograph "Canova" (Bielefeld-Leipzig 1898). This edition includes furthermore indexes and a critical catalogue of all graphic and photographical sources used for the autotypes.

Adolf von HildebrandSettore L-ART/04 - Museologia E Critica Artistica E Del RestauroNeoclassicismAlfred Gotthold MeyerAntonio CanovaWilhelm von BodeSettore L-ART/03 - Storia Dell'Arte ContemporaneaIllustrated art bookSculptureAutotypePopular art literatureFortuna visiva
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Canova divulgato tra «Können» e «Wollen» nell’opera di Alfred Gotthold Meyer

2014

This article is a critical introduction to the Italian translation of Meyer's Canova monograph (1898), it focuses on the editorial process and on the use of photography during this early stage of popular art history. Further consideration is given to Meyer's critical point of view in the context of the German fin-de-siècle art discourse (Burckhardt, Springer, Bode, Wölfflin, Hildebrand).

Adolf von HildebrandSettore L-ART/04 - Museologia E Critica Artistica E Del RestauroPopular art historyNeoclassicismConstantin MeunierAlfred Gotthold MeyerAntonio CanovaWilhelm von BodeSettore L-ART/03 - Storia Dell'Arte ContemporaneaHeinrich WölfflinJacob BurckhardtAnton Springer
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Giovan Battista Filippo Basile e Gottfried Semper. Tangenze e confluenze nella cultura architettonica europea della seconda metà del XIX secolo

2009

Con questo saggio si cerca di dare un contributo di conoscenza su Giovan Battista Filippo Basile, architetto che ha rappresentato la figura centrale e di maggiore risonanza europea prodotta negli anni a cavallo dell’Unità d’Italia dalla cultura architettonica palermitana. Il tentativo di avvicinare l’opera teorica di Giovan Battista Filippo Basile a quella di Gottfried Semper, oltre ad evidenziare la dimensione europea del suo pensiero, consente di sottolineare l'importanza del ruolo svolto dal fondamento razionale e teorico, congiuntamente all’esame critico della società, dei suoi valori e dei suoi costumi nell'azione degli architetti; tale approccio alla disciplina fa apparire ai nostri o…

Architecture Europe Palermo Gottfried Semper Giovan Battista Filippo Basile Theory of ArchitectureSettore ICAR/14 - Composizione Architettonica E Urbanaarchitettura europa Palermo Gottfried Semper Giovan Battista Filippo Basile Teoria dell'architettura
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Über die frühen Werke von Carl Gotthard Graß in der Akademischen Bibliothek der Universität Lettlands, über die Freundschaft, Antiquarismus in der Ge…

2020

Art in Vidzeme in the late 18th centuryestētikas teorijas"pittoreske Reise"Vorromantikmāksla Vidzemē 18. gs. beigāsdilettantism or amateur art"gleznainie ceļojumi"Grass Karls Gothards (1767-1814)Akademische Bibliothek der Universität LettlandsKunst in Livland am Ende des 18. Jahrhundertsantiquarianism"scenic journeys"Krauze Johans Vilhelms (1757-1828)priekšromantisms (sensuālisms Empfindsamkeit)Šillers Fridrihs (1759-1805)Broce Johans Kristofs (1742-1823):HUMANITIES and RELIGION::Aesthetic subjects::Art [Research Subject Categories]Brotze Johann Christoph (1742-1823)ästhetische TheorienDilettantismus oder LiebhaberkunstKrause Johann Wilhelm (757-1828)Graß Carl Gotthard (1767-1814)diletantisms jeb amatiermākslapre-Romanticism (sensualism Empfindsamkeit)antikvārismsSchiller Friedrich (1759-1805)Antiquarismusaestheticism theories
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La voie des idées, de Descartes à Hume

2015

International audience; Lorsque Descartes fait de la connaissance de l'esprit humain la principale tâche de la philosophie, il lui applique l'idée moderne de la science comme connaissance certaine et évidente. Durant les 150 ans qui suivront, aucun penseur ne reniera cette étincelle cartésienne. Dans son sillage mais aussi contre elle, dans le ciel de la philosophie apparaît une constellation de penseurs de premier ordre : Pascal, Hobbes, Spinoza, Malebranche, Leibniz, Locke, Berkeley, Hume. La recherche philosophique accompagnant la "révolution scientifique" commencée avec Galilée s'engage alors dans "la voie des idées". C'est donc sur cette voie que Pierre Guenancia nous entraîne, soulign…

Baruch Spinoza (1632-1677)Idée (philosophie)[SHS.PHIL]Humanities and Social Sciences/PhilosophyBlaise Pascal (1623-1662)Thomas Hobbes (1588-1679)John Locke (1632-1704)René Descartes (1596-1650)Gottfried Wilhelm Leibniz (1646-1716)[SHS.PHIL] Humanities and Social Sciences/Philosophy[ SHS.PHIL ] Humanities and Social Sciences/PhilosophyCritique et interprétationPhilosophie moderneDavid Hume (1711-1776)Nicolas de Malebranche (1638-1715)
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Law, Borders, and Speech Conference: Proceedings and Materials

2017

Tensions between national law and the Internet’s global architecture have existed since the network’s earliest days. They took on new urgency in recent years, with developments like French regulators’ efforts to globally enforce “Right to Be Forgotten” laws. New cases, technologies, and platform responses seem to come along every few months. Expert-level discussion of these issues is dynamic and fast-moving -- but the written literature is only starting to catch up. This volume contributes to that literature by capturing insights from the Stanford Center for Internet and Society’s Law, Borders, and Speech conference. The event honored the twentieth anniversary of David G. Post and David R. …

Civil societyJurisdictionHuman rightsbusiness.industryRight to be forgottenmedia_common.quotation_subjectComputingMilieux_LEGALASPECTSOFCOMPUTINGIntellectual propertyRule of lawLawPolitical scienceThe InternetbusinessLicensemedia_commonSSRN Electronic Journal
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Anthropology of Political, Social and Cultural Memory: Practices in Central and Eastern Europe: Program & Abstracts : International Scientific Confer…

2020

Collective memory of the inhabitants of interwar Warsaw and RigaRussian Civil War (Baltic Sea region)GenealogyUnexplored private commemorative practicesNative language as the basis of national identityForgotten heritageReligious revival in the collective memory of RussiansProfessional unions in the cultural sectorLatvia:HUMANITIES and RELIGION::History and philosophy subjects [Research Subject Categories]Memory of the First World WarDiscursive form of identity of the Russianspeaking youth in LatviaCommunist party of Latvia (1950–1956)Memory - from family album to memorialEmergence of Latvian national identity in the 19th century and early 20th centuryLatvia in the European and US political security system in the early 1920sLatvian archaeologytheatre of memorySilesians during World War IIMuseum of deathLatency of the past in biographical narratives of Latvian RussiansTrauma-pain-memoryNational resistance movement and repressions LatviaRepresentation of family identity and memory Russian cemeteryTheosophical literature in Latvia (1944–1953)Modern technologies in the service of the victimsCardinal Julijans Vaivods - diariesMay 9thNational costume in LatviaGeneral education policy of the Latvian SSR 1956–1964Yuri Samarin’s ideas
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"Per via di levare". Scavare e sottrarre in architettura

2014

Scavare, dal latino excavare (ex-cavare), possiede etimologicamente il significato di “rendere cavo” mediante l’azione del subtrahĕre (sottrarre). Tuttavia il significato del termine all’interno della sua necessaria disambiguazione non può essere inteso limitatamente alla luce dell’etimologia latina. Si dirà allora che la tecnica dello scavo è opposta e complementare alla tecnica dell’accumulazione. È un procedere per sottrazione di volumi, un operare in negativo per asportazione di materiale, erodendo, cavando ed estraendo. Il saggio indaga, attraverso un intenso per quanto lacunoso excursus tra le esperienze della contemporaneità l'emergere del archetipico della dimensione ipogea dell’arc…

CuevaPetraHut CaribbeanSubtractArquitectura subterráneaCarlo AymoninoEduardo ChillidaCaveChoza caribeñaKeywords: Underground architecture rock-cut architecture dig subtract cave cave hut Caribbean Petra Gottfried Semper Eupalinos Alberti Le Corbusier Carlo Aymonino Hans Hollein Alberto Campo Baeza Eduardo Chillida Francesco Venezia Peter Zumthor.Le CorbusierAlbertiEupalinosPalabras clave: Arquitectura subterránea arquitectura rupestre excavar suprimir cueva choza cari- beña Petra Gottfried Semper Eupalinos Alberti Le Corbusier Carlo Aymonino Hans Hollein Alberto Campo Baeza Eduardo Chillida Francesco Venezia Peter Zumthor.Gottfried SemperDigArquitectura rupestrePeter ZumthorUnderground architecture rock-cut architecture dig subtract cave cave hut Caribbean Petra Gottfried Semper Eupalinos Alberti Le Corbusier Carlo Aymonino Hans Hollein Alberto Campo Baeza Eduardo Chillida Francesco Venezia Peter Zumthor. [Keywords]Settore ICAR/14 - Composizione Architettonica E Urbanaarchitettura ipogea architettura rupestre scavare sottrarre caverna antro capanna caraibica Petra Gottfried Semper Eupalinos Alberti Le Corbusier Carlo Aymonino Hans Hollein Alberto Campo Baeza Eduardo Chillida Francesco Venezia Peter Zumthor.ExcavaciónFrancesco VeneziaArquitectura subterránea arquitectura rupestre excavar suprimir cueva choza cari- beña Petra Gottfried Semper Eupalinos Alberti Le Corbusier Carlo Aymonino Hans Hollein Alberto Campo Baeza Eduardo Chillida Francesco Venezia Peter Zumthor. [Palabras clave]Underground architectureRock-cut architectureHans HolleinAlberto Campo Baeza
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