Search results for "Hollywood."

showing 10 items of 28 documents

El discurso transgresor del cine de Rowland Brown (1931-1933): Una breve carrera en el Hollywood pre-code / The transgressive discourse of Rowland Br…

2016

El presente artículo consiste en el análisis de la obra y trayectoria fílmica del cineasta Rowland Brown, uno de los primeros (si no el primero) directores-guionistas de Hollywood. Desarrolló su carrera en el periodo Pre-Code y tan solo realizó tres idiosincráticas películas vinculadas al género gangster: Quick Millions (1931), Hell’s Highway (1932) y Blood Money (1933). Numerosas razones contribuyeron a que fuera expulsado de Hollywood y no se le permitiera volver a dirigir, entre ellas el discurso enormemente transgresor y crítico de su cine. A pesar de la singularidad y originalidad de su corpus fílmico, en la actualidad Brown es una figura olvidada, tan solo reconocido por un prestigios…

LiteratureHollywoodbusiness.industrymedia_common.quotation_subjectArt historyArtCode (semiotics)Movie theaterOriginalityTransgressivebusinessHistory of filmBrevemedia_commonRevista de Comunicación de la SEECI
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The Hays Office and the Two Updated Film Versions of Madeleine Smith’s Case: Letty Lynton (1932) and Dishonored Lady (1947)

2016

The celebrated case of Madeleine Smith, the Glasgow poisoner, who was tried for murder (and absolved) in 1857, has resulted in many novels, plays, films and television series. Hollywood, during its classical period, made two updated versions of the incident: Letty Lynton (Clarence Brown, 1932) and Dishonored Lady (Robert Stevenson, 1947). Even though the two films are separated by more than a decade, the self-censorship introduced by the studios themselves – MPPDA, commonly known as the Hays Office – exercised so much control over the two pictures that they can hardly be taken as equivalent. This article proposes a comparative analysis of the two films and how censorship acted as a constrai…

LiteratureLinguistics and LanguageHollywoodbusiness.industrymedia_common.quotation_subjectCommunicationTelevision seriesCensorshipArtClassical periodPerformance artbusinessComunicaciónHumanitiesSocial Sciences (miscellaneous)Studiomedia_common
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"Le Train pour Hollywood de Radoslaw Piwowarski" (1987) ou comment devenir une star à l'image de Marilyn Monroe

2019

Our analysis focuses on the symbolism of Marilyn Monroe in the context of the Polish cinema of the end of communism and the desires and fantasies it arouses. Drawing on the Polish representation of Hollywood's star in the Polish film Train to Hollywood, directed by Radoslaw Piwowarski in 1987, we propose here a reflection on the femininity, but also the theatrical and subversive dimension of Eros.

Marilyn Monroe[SHS] Humanities and Social Sciencespolish cinemaRadoslaw PiwowarskiKatarzyna FiguraTrain to Hollywood[SHS]Humanities and Social Sciences
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Book Review: General Politics: Hollywood and the CIA: Cinema, Defence, and Subversion

2014

Media managementHollywoodSociology and Political Sciencebusiness.industrymedia_common.quotation_subjectMedia studiesArt historyFront lineArtNegotiationMovie theaterPolitical Science and International RelationsSubversionbusinessmedia_commonPolitical Studies Review
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Sospeso fra due mondi. Appunti per ina biografia di Erich Wolfgang Korngold

2011

Il saggio traccia un breve profilo biografico di E.W. Korngold (1897-1957), con particolare riferimento alle opere del "periodo americano" e alla sua 'attività nell'ambito del cinema hollywoodiano.

Musica Novecento Vienna HollywoodE. W. Korngold nazismo Musica degenerata.Settore L-ART/07 - Musicologia E Storia Della MusicaMusic XX Century Wien Hollywood E.W. Kornogold nazism Degenerate Music.
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"Cinquant'anni sono un po' troppi per un bambino prodigio". Appunti per una lettura della "Città morta" di Erich Wolfgang Korngold

2009

Erich Wolfgang Korngold (1897-1957), bambino prodigio nel crepuscolo dell'Impero asburgico e genio in fuga dall'Europa nazista, ottiene il suo più grande successo teatrale con l'opera in tre quadri "Die tote Stadt" (La città morta, 1920). Il saggio traccia un breve profilo biografico dell'autore - anche in rapporto con le opere del periodo americano e con le musiche destinate al cinema di Hollywood - analizzando la genesi, la drammaturgia e i caratteri musicali della "Città morta".

NovecentoAustria Vienna Erich Wolfgang KorngoldErich Wolfgang KorngoldThe Death CityHollywood.operaHollywoodopera liricanazismo musica degenerata musica per filmAustriadegenerate musicSettore L-ART/07 - Musicologia E Storia Della MusicaViennaLa città mortaXX Centurymusicnazismfilm musicmusicaDie tote Stadt
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Polish Jokes about Americans

2004

The objective of the present paper is to analyze the character of Polish jokes about Americans and to find out what these jokes say about Poles. The latter question results from the assumption that stereotypes reveal more about those who propagate them than about those who allegedly represent particular traits. The popularity of Americans is a certain novelty in contemporary Polish jokes and this fact could be interpreted as another element in the processes of so-called McDonaldization. The texts are presented by the chronology of events they refer to. Americans are perceived by Poles as the enemies of the Russians, and so as a positive protagonist, a symbol of the high standard of living a…

PoliticsHollywoodSymbolHistorymedia_common.quotation_subjectMedia studiesNoveltyCharacter (symbol)Element (criminal law)DreamPopularitymedia_commonInvestigationes Linguisticae
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Media and Newspaper Representations

2006

In recent years there has been a large expansion of European scholarship on the representation of men and masculinities in a wide variety of media, including film, television, video, magazines, painting, fine art, music, dance, Internet, photography and advertising (for example, Middleton, 1992; Pedersen et al., 1996; Edwards, 1997; Nixon, 1997; Sterr, 1997; Penttila, 1999; Jokinen, 2000). However, relatively little attention has been given to the mundane medium of daily newspapers. When studying men, the daily press appears to have been frequently taken-for-granted, unlike, say, Hollywood film. Newspapers are literally everyday phenomena; their very ordinariness may mean that they are not …

ScholarshipHollywoodPaintingDancebusiness.industryMedia studiesThe InternetSociologySocial sciencebusinessFine artNewspaperRepresentation (politics)
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El universo melodramático de Tennessee Williams y de Luchino Visconti : Senso, un encuentro fílmico

2017

El melodrama es uno de los géneros más cultivados por el dramaturgo norteamericano Tennessee Williams y el cineasta italiano Luchino Visconti. El escritor acababa de tener un rotundo éxito en Broadway con Un tranvía llamado deseo (1947) cuando se trasladó a Italia, donde el director había llevado a escena su primera gran obra, El zoo de cristal. La tendencia por crear unos personajes de profunda naturaleza dramática, incidir en el conflicto emocional y social, y exhibir un notable sentido estético, indica el paralelismo existente entre ambos. Así se pone de relieve en Senso (1954), una película marcada por la dicotomía entre el deber y el placer, el poder de la pasión y la crisis de la aris…

SensoUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASMelodramaTennessee WilliamsHollywood:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Luchino Visconti
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En alas de la danza: Miami Vice y el relato terminal

1989

La televisión ha logrado en Miami Vice (aunque esta solución probablemente será compaginada con otras muchas) realizar un sueño y una paradoja cruel: un relato que no es itinerario, vacío de trayecto, un relato que avanza tanto más frenéticamente cuanto que no se dirige a ningún sitio, porque su punto de llegada está en cada explosión, en cada unidad, idealmente tan pequeña, tan minúscula como los microchips de que se compone la tecnología punta. No es casual -y vale la pena exagerar un poco- que la metáfora del cosmos en formación aflore en algún episodio de la serie. Una galaxia en formación que recuerda vagamente aquellos Lone Drivers de los últimos spots publicitarios de automóviles. "T…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASHollywooddiseño y publicidad:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Miami Vicepostmodernidadseries televisivasamerican cinematelefilm
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