Search results for "Modernisme"

showing 10 items of 42 documents

Le réalisme social américain à l'ère postmoderne : (Russell Banks, Raymond Carver, Richard Ford)

2012

His study focuses on the works of Russell Banks, Raymond Carver and Richard Ford. They started writing during the 1960s and 1970s, at a time when the self-reflexivity and metafictional play of postmodernist writers were drawing a lot of critical attention in academic circles. However, they consider themselves to be realist writers. In “A Few Words about Minimalism,” John Barth suggested that the return to realist fiction in the mid-1970s could be both a reaction against so-called “postmodernist” fiction and a symptom of the social and economic unease of the period. Indeed, Cathedral, Continental Drift and The Sportswriter describe in accurate detail the everyday lives of ordinary American m…

Raymond CarverLittérature américaineAmerican literature20th centuryRealismCriticism and interpretationPostmodernismeRéalismeLiterary conventionsConventions littéraires[SHS]Humanities and Social Sciences[SHS.LITT] Humanities and Social Sciences/LiteratureRichard FordCritique et interprétation20ème sièclePostmodernismArtifice[SHS] Humanities and Social SciencesRussell BanksComputingMilieux_MISCELLANEOUS
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Problematics of Bonds in Hugh MacDiarmid's Poetry

2012

Hugh MacDiarmid is considered the most important Scottish poet of the 20th century. He is mostly celebrated for the Scots lyrics he wrote in the 1920s and his long poem A Drunk Man Looks at the Thistle, published in 1926. Because of their fragmentation, the poems of the Thirties, most of which were part of the unpublished project Mature Art, and In Memoriam James Joyce (1955), have not attracted the same critical attention. However, they represent the culmination of a very complex stylistic crisis that this study offers to analyse thanks to the question of bonds, especially problematic bonds. The poetry portrays humanity torn by social division, treason and death, but it deals with loss too…

RupturePoésie écossaiseSécularisation[SHS.LITT]Humanities and Social Sciences/LiteraturePartageDivineSharingOtherness[ SHS.LITT ] Humanities and Social Sciences/LiteratureAltéritébond[SHS.LANGUE] Humanities and Social Sciences/LinguisticsDeathDivin[SHS.LITT] Humanities and Social Sciences/LiteratureModernismSecularisationLienHugh MacDiarmidModernismeMortScottish poetryComputingMilieux_MISCELLANEOUS
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Repensando nuestros posicionamientos como profesoras de arte dentro de un escenario de cambios

2017

Resumen: Este articulo intenta rescatar algunas de las ideas que para nosotras como profesoras de artes visuales son relevantes al momento de afrontar la ensenanza de las artes en la educacion chilena actual. Estas ideas emergen de algunas contribuciones obtenidas durante el seminario “Dialogos entre la educacion artistica y los desafios del siglo XXI”, que se desarrollo en Santiago de Chile durante el ano 2014. Este encuentro nos permitio dialogar y reflexionar, a partir de los relatos y experiencias de los(as) academicos(as) que participaron con sus ponencias, en torno a como la educacion artistica se ha visto influenciada por los desafios sociales, culturales, politicos y economicos que …

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASEnsenyament de l'art:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]PostmodernismPostmodernismeArt educationeari. educación artística. revista de investigación
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‘Without form, how can there be beauty?' (A Passage to India) : dernières inversions de l'écriture devant la forme impossible du décor chez E. M. For…

2008

International audience; L'ensemble de l'œuvre romanesque de E. M. Forster pose la question du statut de l'écriture, encore victorienne ou bien déjà moderniste, entre le visible et l'invisible, le commentaire et le non-dit, et met au jour les ambivalences de l'ancrage du texte littéraire dans l'espace. Cette œuvre s'achève en 1924 avec A Passage to India. Dans ce roman, il n'est pas que le propos idéaliste de l'auteur qui se fasse plus lisible ; l'écriture ose également emprunter de nouvelles formes, en particulier pour permettre à l'espace, au décor, de surgir avec force aux yeux du lecteur, jusqu'alors habitué à lire l'invisible et à deviner ce que le texte ne disait pas. Le décor renvoie …

[SHS.LITT] Humanities and Social Sciences/LiteratureE. M. Forsterdécor[SHS.LITT]Humanities and Social Sciences/Literaturemodernisme[ SHS.LITT ] Humanities and Social Sciences/LiteratureA Passage to India
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H.D.: Trilogy

2014

[SHS.LITT] Humanities and Social Sciences/LiteratureModernisme (littérature) ― États-UnisLittérature américaineFemmes écrivains20e siècle
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- Rosamond Lehmann, Porte-parole d’une génération sans visage

2013

International audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/LiteratureModernisme[ SHS.LITT ] Humanities and Social Sciences/LiteratureComputingMilieux_MISCELLANEOUS
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« This is my Last Testament : Writing from the World of Shades »

2011

International audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/LiteratureModernisme[ SHS.LITT ] Humanities and Social Sciences/LiteratureComputingMilieux_MISCELLANEOUS
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« John Lehmann’s New Writing in Wartime : A Foreword to Post Modernism ? »

2011

International audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/LiteratureModernisme[ SHS.LITT ] Humanities and Social Sciences/LiteratureComputingMilieux_MISCELLANEOUS
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« ‘L’attente dans des chaines de brumes’ : Quelques paroles d’écrivains britanniques pendant la Seconde Guerre mondiale »

2014

International audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/LiteratureModernisme[ SHS.LITT ] Humanities and Social Sciences/LiteratureComputingMilieux_MISCELLANEOUS
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« Un post scriptim oublié : ‘The Leaning Tower’ et son ombre »

2014

International audience

[SHS.LITT] Humanities and Social Sciences/Literature[SHS.LITT]Humanities and Social Sciences/LiteratureModernisme[ SHS.LITT ] Humanities and Social Sciences/LiteratureComputingMilieux_MISCELLANEOUS
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