Search results for "Oralité"

"Le traitement pictural du temps dans la poétique d'Erri De Luca"

2007

International audience

Scientific communication in museums through presential mediation : Case study le Pavillon des Sciences

2014

In science museums and science centers, "presential" mediation positioning a mediator and the public in the co-presence of objects within a dedicated environment, remains relatively unknown. From a Communication Science perspective, analyzing actual situations transcends the simple provision of information, and focuses on the significance of third party forms within the construction of meaning. Presential communication is transient and centered on the words and gestures of an embodied third party. It provides a greater potential for interactions around practical situations, unlike other media (i.e. an exhibition). The purpose of this research is to question the rightful place of these speci…

Corps et temporalité dans l’expérience du handicap physique. Dialogue avec Marcel Nuss

2016

National audience; Les personnes atteintes par la dépendance, notamment physique, renvoient des Limages de lenteur, d’impouvoir, de limitation. Mais au-delà de cette apparence, il convient de s’interroger sur le style temporel propre à chacun, sur le dynamisme psychique qui ne cadre pas toujours avec le rythme ralenti ou l’immobilité du corps visible, mais en revanche s’exprime dans le vécu du corps et dans l’image inconsciente du corps. Nous verrons comment l’expérience originale du corps atteint par le handicap peut permettre de développer une autonomie particulière dans le rapport à soi et à la sensorialité, sans condamner le rapport à l’avenir et à ses possibles, l’attention au temps de…

Orality in the literature of Africa's Horn : oral traditions, forms and pastoral mythologies literature, marks of orality in the literature

2012

The Horn of Africa has a traditional oral literature which is rich and varied as the rest of the continent, starting from pastoral mythology to poetry, legend and storytelling. But with the social upheaval which occurred with the arrival of European settlers and the introduction of writing, the chain of transmission of the oral tradition is threatened. Many Europeans have sought to describe the habits and customs of these people. Whereas on the other hand, the writers from the Horn of Africa are often inspired by giving it (orality) and a new way of doing it. The following research work strives to reflect traditional forms of orality and their impact on modern literature.

La ville et le crime : espaces et temporalités. L'exemple de Paris (XIXe-XXe siècles)

2007

I 'Contes de la nuit': dal 'Maitre de la parole' all'écrivain

2015

La cultura della regione che comprende le Piccole Antille francesi è il risultato dell’incontro di successive ondate migratorie di individui arrivati dai quattro angoli del Pianeta e, in particolare, nel corso del processo di colonizzazione : Amerindi, Africani, Europei, Indiani. Il patrimonio culturale della popolazione di questo spazio composito è stato salvaguardato e trasmesso, di generazione in generazione, grazie alla memoria e alla volontà di resistenza che ha condotto allo sviluppo di numerose stratégie di sopravvivenza nei confronti della volontà annientatrice dei coloni. È in questo contesto che nasce il conteur creolo o maître de la parole, un personaggio ritenuto saggio, che ha …

Valores del mar en la obra de Pedro Ferrer Calatayud

2010

This paper seeks to offer an interpretation of the seascape work of Valencian painter Pedro Ferrer Calatayud (1860-1944). Starting from his artistic context, two essential values of the seascape aesthetics can be found in Ferrer's paintings: firstly depth, which is linked to the abyss and represented by the shipwreck, and then temporality, linked to eternity and the cyclical time and rendered through the relationship of the sea with other elements in nature. Our analysis proves that the sea in this painter, far from being merely a subject, was also a means of searching new ideological values and technical ways which would eventually lead to fresh artistic trends in the early 20th century.

Prevention of occupational injuries moral hazard and complex agency relationship

2001

This paper exploits the results of agency theory with the aim of contributing a new viewpoint and a form for analysis of the current functioning of the occupational injury and disease section of the Social Security system in its mission of providing incentives for prevention. After outlining the organization and specific features of insurance against occupational risks, an initial level of analysis highlights the presence of moral hazard in relations between insurer and company and between company and employee. A second level of analysis and resort to complex agency relationship models, multitask model and third-party model, is necessary to take into account the consequences for occupationa…

Représenter les dynamiques urbaines de Tours antique et médiéval

2012

ToToPI, for Topography of Tours Pre-Industrial, is a GIS for studying of the city of Tours (France) in large time span. The aim of this paper is to explain how GIS is used for historical data processing to understand time-space dynamics. The proposed principle for understanding the urban dynamic is based on considering the town as a set of complex objects, taking a systemic approach. The town system used to study the urban fabric over large time spans is composed of three sub-systems relating to historical objects from the level of the excavation to that of the former urban space: function (social use), space (location, surface area and morphology) and time (dating, duration and chronology)…

Translating culture: Charles Mungoshi's Waiting for the Rain

2008

In Waiting for the Rain Charles Mungoshi chose a western form, the novel, and a western language, English, to try and convey the deep changes at work in Zimbabwean society at the time. This paper focuses on both aspects: first, the adaptation of the novelistic genre to Zimbabwean culture, and second, the defamiliarization of the English language, which is not Mungoshi's mother tongue. What is questioned is whether the incorporation of essentially oral elements, belonging to and borrowed from a specific culture and language, which are initially peripheral and foreign to the dominant "English" culture, can transform both Zimbabwean culture and English culture – in other words, Waiting for the…