Search results for "Paint"

showing 10 items of 605 documents

W sieci (obrazów, intryg i spisków) - na marginesie literackiej reprezentacji XIX wieku w prozie "Dominový efekt" Václava Vokolka

2023

The subject of this article is an analysis of the representation of the nineteenth century in Václav Vokolek’s multithreaded prose work Dominový efekt. The work can be regarded as a specific continuation of the work Cesta do pekel, especially if the pictorial perspective and the conviction that humanity is in a network of secret organisations, conspiracies and, nowadays, various systems are regarded as common points. In this text, the focus is mainly on the reconstruction of the figure of Ernst Gustav Doerell, a 19th- century landscape painter of Northern Bohemia, whose paintings reflected the changes taking place in the natural landscape of the region. Using the historical prototype in par…

conspiracyspisekmalarstwo XIX wiekuobraz19th century paintingefekt dominaimagedomino effectVáclav VokolekBohemistyka
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Malarstwo religijne we współczesnej katechezie w gimnazjum

2016

Pole badawcze przedstawionego artykułu obejmuje edukację religijną i estetyczną. Szeroka definicja malarstwa religijnego pozwala na odnalezienie wielu punktów stycznych między szkolną katechezą i wychowaniem plastycznym. Zasadniczy problem tekstu można wyrazić w pytaniu: Jakie obrazy są wykorzystywane we współczesnych materiałach do szkolnego nauczania religii na poziomie gimnazjalnym? Malarstwo religijne obecne jest w wielu szkolnych podręcznikach. W trzech analizowanych seriach najnowszych podręczników do gimnazjum z reguły sięgano po arcydzieła malarskie znanych mistrzów, choć autorzy i redaktorzy odwoływali się także do reprodukcji obrazów mniej znanych. Zdarzały się również odniesienia…

contemporary catechesisreligious paintingmalarstwo religijnewychowanie religijne i estetycznereligious and aesthetic educationwspółczesna katechezalower secondary schoolgimnazjumLiturgia Sacra : Liturgia - Musica - Ars : półrocznik Instytutu Liturgii, Muzyki i Sztuki Sakralnej Wydziału Teologicznego Uniwersytetu Opolskiego
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A propósito de la localización de una pintura sobre tabla de ?La Virgen de la Leche?, del siglo XIV, atribuida a Bernabé de Módena, que perteneció al…

2020

The castle's Hermitage of Yecla (Region of Murcia) constituted during the 13th to 16th centuries the first parish of the population, hosting a triptych-shaped altarpiece presided over by a tempera painting on wood of Our Lady of Humility or "Virgo Lactans", dated around 1370 and attributed to the painter Barnaba da Modena, which was the titular image of the mentioned temple under the title of Our Lady of the Incarnation, until at the end of the 18th century it changed ownership for the Conception of Our Lady. The table at averages of the eight hundred was placed in an a loft, appropriating it at the beginning of the 20th century by the retired military Pascual Spuche y Lacy, who sold it aro…

dated around 1370 and attributed to the painter Barnaba da Modenawith the purpose that the painting is transferred to the Yecla City Council as a museum piece. 41 62UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASFrancisco Javier The castle?s Hermitage of Yecla (Region of Murcia) constituted during the 13th to 16th centuries the first parish of the populationdeciding in 2019 after its restoration to put it on sale at the Fair TEFAF in New York through the Nicolás Cortés Art Gallery in Madrid. Currentlydel siglo XIVacquiring it by the dealer José Arnaldo de Weissberger Khan0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707976 A propósito de la localización de una pintura sobre tabla de ?La Virgen de la Leche?atribuida a Bernabé de Módenawhich was the titular image of the mentioned temple under the title of Our Lady of the Incarnation0211-5808 9678 Archivo de arte valenciano 564145 2020 101 7707976 A propósito de la localización de una pintura sobre tabla de "La Virgen de la Leche" del siglo XIV atribuida a Bernabé de Módena que perteneció al patrimonio artístico de Yecla (Murcia)appropriating it at the beginning of the 20th century by the retired military Pascual Spuche y Lacywho sold it around 1923/1924 in Madrid in the art marketuntil at the end of the 18th century it changed ownership for the Conception of Our Lady. The table at averages of the eight hundred was placed in an a loft:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]who had it in his possession right up until the 50s of the last century when it passed into the hands of another collector and whose heirs have kept the panel to this dayhosting a triptych-shaped altarpiece presided over by a tempera painting on wood of Our Lady of Humility or ?Virgo Lactans?its possible acquisition is being managed by the cultural services of the Government of the Region of Murciaque perteneció al patrimonio artístico de Yecla (Murcia) Delicado Martínez
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"…a počínal tušit, že s obrazy to tady nebude jednoduché." Ekfrastyczność (w) powieści "Cesta do pekel" Václava Vokolka

2019

The article analyses the novel Cesta do pekel written by Václav Vokolek – the Czech prose writer, poet and painter – through the usage of the intersemiotic translation strategies. The plot of the text can be characterized as the contamination of the physically plausible historic world (the construction of the railway in the middle of the 19th century) with the implausible one (the infernal story) according to Lubomír Doležel’s typology. Demonstrating the changes in the arts (the clash of romanticism with realism), the novelist sensitizes the reader to the drastic introversion into nature, as exemplifi ed by the urbanization processes in the north of the Czech Republic. At the same time, the…

devilCzech literatureekphrasis-ness19th century paintingintersemiotic translationrailwayVáclav VokolekSlavia. Casopis pro slovanskou filologii / Slavia. The Journal for Slavic Philology
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Study of tin and gold halos in the medieval wall painting depicting Saints Luke the Evangelist and Gregory the Great in Palermo’s San Francesco d’Ass…

2022

Lo scopo di questo studio è quello di fornire un supporto al restauratore quando si trova ad affrontare un manufatto con doratura a foglia di stagno. Lo studio dei materiali originali ha fornito un quadro completo dei vari componenti coinvolti, organici e inorganici, e sono stati delineati i degradi più comuni, nonché i metodi di conservazione per questi materiali estremamente fragili e sensibili come le foglie metalliche The purpose of this study is to provide a support for the restorer when facing an artifact with tin leaf gilding. The study of the original materials gave a complete picture of the various components involved, organic and inorganic, and the most common degradations were ou…

doratura foglia di stagno arte medievale pittura muralegilding tin leaf medieval art wall paintingSettore L-ART/01 - Storia Dell'Arte Medievale
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Aproximación al higienismo en la arquitectura de Rafael Guastavino

2021

La obra de Rafael Guastavino Moreno (1842-1908) está vinculada habitualmente a la construcción con bóveda tabicada, un sistema constructivo tradicional originario del Levante peninsular que este arquitecto combinó con el mortero de cemento para erigir un gran número de edificios de muy diverso tipo tanto en Barcelona como posteriormente en Estados Unidos. Sin embargo, estos autores han defendido en otras ocasiones la versatilidad de Guastavino como arquitecto y hasta qué punto la bóveda tabicada no supuso en un principio el cuaderno de bitácora único ni principal para su trayectoria profesional. La bóveda tabicada representó una herramienta más en la panoplia de sus habilidades, entre las c…

eropinturaaeropaintingpalabras clave: futurismoVisual Arts and Performing Artsespiritualidadfascismofascism“UNESCO:HISTORIA”política. keywords: futurismpolitics.aéreaspiritualityaerial
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Enquête sur l’atelier : histoire, fonctions, transformations

2014

Une stylisation de l’histoire de l’atelier d’artiste fait dependre ses fonctions du degre d’individualisation du travail createur, des innovations esthetiques et de l’economie de la production artistique. La periodisation qui suit fournit une trame sommaire. Indistinction entre art et artisanat d’abord : les ateliers sont situes dans les monasteres, dans les demeures des mecenes de la cour ou se confondent avec le domicile ou avec la boutique d’artisan en ville. Variabilite croissante des emp...

familleconstructionHistoryworkshopfamilyVisual Arts and Performing Artsfemmeart market[SHS]Humanities and Social SciencesatelierworkcréationcreationprofessionComputingMilieux_MISCELLANEOUSsociabilitéeducationchantiermétierformation[SHS.ART]Humanities and Social Sciences/Art and art historymarchépeintureapprentissagepaintingsociabilitytravail[SHS.ART] Humanities and Social Sciences/Art and art historycorporationwomen
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Segunda Martínez, la profesionalización de una mujer en el XIX

2017

Este trabajo analiza la figura de Segunda Martínez de Robles, pintora, traductora y escritora de la novela Las españolas náufragas o Correspondencia de dos amigas (1831). La autora refiere en ese texto algunos hechos con claras referencias autobiográficas. La novela fue escrita en estilo epistolar, un género emergente en aquellos años, y en su prólogo Segunda deja oír su propia voz justificando la osadía de su escritura novel por una necesidad económica. Su caso nos ilustra sobre cómo fue la profesionalización de las mujeres artistas en el siglo XIX y su acceso a los circuitos; y sobre cómo se configuró el yo femenino emergente en aquellos años, indagando en la autorrepresentación de la muj…

female writers; female painters; female translators; carlismo; Duke of Osuna; epistolary styleescritoras; pintoras; traductoras; carlismo; duque de Osuna; escritura epistolarAsparkía: investigació feminista
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Identification by GC-FID and GC-MS of amino acids, fatty and bile acids in binding media used in works of art.

2001

GC-FID was used as single methodology for the identification and differentiation of proteins, lipids and ox bile from binders used in artistic paintings. The samples were hydrolyzed by HCl. Subsequently, the simultaneous formation of volatile derivatives of the amino, fatty and bile acids with ethyl chloroformate was performed quickly and safely in an aqueous medium. The derivatives were separated by capillary GC and characterized by GC-MS. The ageing of drying oils was studied, identifying pelargonic acid among other degradation products. Proteinaceous and lipoid binding media were characterized by means of the quotients between the areas of the peaks for each amino or fatty acid with resp…

food.ingredientChromatography Gasmedicine.drug_classFatty Acids NonesterifiedBiochemistryGas Chromatography-Mass SpectrometryPalmitic acidBile Acids and Saltschemistry.chemical_compoundHydrolysisfoodLinseed oilmedicineOrganic chemistryPlant OilsAmino Acidschemistry.chemical_classificationChromatographyBile acidChemistryFatty AcidsFatty acidAmino acidEthyl chloroformatePaintingsPolyunsaturated fatty acid
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Gas chromatography/mass spectrometry characterization of historical varnishes of ancient Italian lutes and violin

2007

The organic constituents of historical vanishes from two ancient Italian lutes and a Stradivari violin, kept in the Musée de la musique in Paris, have been characterized using gas chromatography-mass spectrometry. Results have been compared with the chromatograms and mass spectra of recent as well as old naturally aged reference materials. The three historical varnishes analyzed have been shown to be oil varnishes, probably mixtures of linseed oil with resins. Identification of diterpenoids and triterpenoids compounds, and of the resins that may have been ingredients of the varnishes, are discussed in this paper.

food.ingredientVarnishHistory 18th CenturyMass spectrometryBiochemistryGas Chromatography-Mass SpectrometryAnalytical ChemistryHistory 17th CenturyViolinfoodTriterpenoidLinseed oilPaintEnvironmental ChemistryOrganic ChemicalsSpectroscopyHistory 15th CenturyChromatographyChemistryHistory MedievalItalyVenice turpentineHistory 16th Centuryvisual_artvisual_art.visual_art_mediumGas chromatographyGas chromatography–mass spectrometryMusicAnalytica Chimica Acta
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