Search results for "Poetics"
showing 10 items of 67 documents
Kanoninen kumous : Pentti Saarikosken 1960-luvun lyriikan poliittinen runousoppi
2015
From Biology to Linguistics
2018
If we want to get to the bottom of the definition of ἄρθρον in the Poetics, in my opinion we have to work hard in several directions. First of all, it should be vigorously emphasized that the definitions of σύνδeσμος and ἄρθρον in the Poetics are aimed at the subsequent definition of λόγος [This is very aptly pointed out already in Bywater (1909, p. 270).]. This definition recognizes two types of λόγος: the λόγος that is unitary by itself and the λόγος that is unitary thanks to a connector (Poet. 1457 a 27-30: eἷς δέ ἐστι λόγος διχῶς, ἢ γὰρ ὁ ἐκ πλeιόνων συνδέσμῳ, οἷον ἡ Ἰλιὰς μὲν συνδέσμῳ eἷς, ὁ δὲ τοῦ ἀνθρώπου τῷ ἓν σημαίνeιν. See Met. Ζ 4, 1030 a 9, b 5-10; H6, 1045 a 12-14.). Now, if th…
La definzione di arthron nel XX capitolo della Poetica di Aristotele
2019
This paper deals with Aristotle's definiton of arthron in the XX chapter of the Poetics. This definition has always been considered as an unsolvable dilemma. Starting with a detailed analysis of the Greek text, and of the various attempts to make sense of it, the paper attempts to read it in an innovative way. The xx chapter of the Poetics is not a classification of parts of speech, as it is usually considered; we have to read it in light of Aristotle's biological program. Arthron (as well as syndesmos, syllabé) are biological terms. In linguistics as well as in biology arthron is thus a 'joint': it has nothing to do with the «article» in later grammatical sense. In this light, the book off…
The imaginary and the element of water in the baroque text (1580-1640) : Structures, patterns, roles and values
2017
The imbalance and the chaos in which Baroque man lived, changed his vision of his entourage and at the same time they excluded the gratuitousness of his actions. His fascinations are messages to be deciphered, his rejections and attachments represent revealing clues and testimonials. Our study tries to explain the reasons of the fascination of the baroque generation for the liquid element through the examination of the imaginary of its aspects in the baroque work. The imaginary or what Gilbert Durand calls "thought capital" of man is a hybrid organism, several factors participate in its structuring therefore its examination requires an interdisciplinary approach. Through cognitive science, …
Per la biopoetica che verrà ...
2019
Giunto alla settima edizione (la prima è del 2007), il convegno biennale: Le storie siamo noi è la prima iniziativa scientifica e divulgativa italiana dedicata interamente al rapporto tra scienze della narrazione e orientamento. Esperti di varie discipline e operatori della formazione, dell’istruzione, dell’orientamento e della comunicazione narrativa s’incontrano per fare il punto sui recenti sviluppi teorici e applicativi dell’approccio narrativo nella ricerca scientifica e nelle pratiche educative e comunicative. Now in its seventh edition (the first is in 2007), the biennial conference: The stories are us is the first Italian scientific and popular initiative entirely dedicated to the r…
Per una genealogia della biopoetica. Da Aristotele a Todorov
2021
Negli ultimi anni la teoria letteraria in Italia ha cominciato ad affrontare la questione del significato biologico della narrazione e della letteratura.1 Il presupposto di questo interesse sta nel riconoscimento che la narrazione può essere a pieno titolo considerata un “comportamento” tipico dell’Homo Sapiens, non foss’altro perché è un fenomeno che riguarda tutta la specie (a tutte le latitudini e a tutte le altezze cronologiche) e può essere studiata nel quadro delle attitudini cognitive che hanno permesso agli umani di costruire la loro specifica nicchia ecologica. In recent years, literary theory in Italy has begun to address the question of the biological meaning of narration and lit…
Les autotraduccions poètiques al castellà de Joan Fuster (Verbo, 1946-1949)
2017
Resum: Es preten posar en relleu la importancia de la poesia i la traduccio en el conjunt de l’obra literaria de Joan Fuster a partir de les autotraduccions poetiques en castella que publica, entre 1946 i 1949, en Verbo , revista literaria que funda i dirigi amb Jose Albi. Par- tint d’una contextualitzacio previa en que es justifica la presencia de l’autotraduccio en la historia de la literatura catalana, s’analitzen els motius pels quals Fuster hague de traduir un nombre considerable de poemes. En aquest sentit, hi intervenen dos factors basics que determinen l’orientacio de la nostra investigacio: el paper central de Fuster en la creacio de Verbo i els dubtes que generaren les autotrad…
Ilustración, cómic y compromiso social. Crónica de una exposición en movimiento
2017
[EN] This article describes an exhibition project that puts to value the relationship between graphic illustration, comics, and social commitment through numerous examples of commissions and personal works carried out by today’s Valencian authors. Divided into eleven thematic areas or social causes, the exhibition offers a wide array of styles and poetics, focused on acting as speaker of the claims of various invisible groups
Borges y Escher: el laberinto Barroco y las paradojas de la percepción del neo-Barroco
2016
En los laberintos barrocos se consuma el placer perverso de la complejidad artificiosa, el gusto por una arquitectura virtual que metaforice las infinitas trayectorias de un universo inextricable. Uno de los signos tangibles de la crisis neobarocca que aparece en la poética de Borges se puede encontrar sin lugar a dudas en la presencia de las metáforas geométricas del laberinto. También Escher, a través de sus representaciones gráficas del inestable equilibrio que existe entre ilusión y desilusión, entre descifración y duda ontológica, entre figuras posibles e imposibles, termina por inscribirse plenamente en el ámbito de la crisis neobarroca.
La identidad en juego: un acercamiento autoficcional a La casa en Mango Street
2020
Este artículo explica la construcción autoficcional de La casa en Mango Street, obra de la chicana Sandra Cisneros. Parte de la base teórica que considera la autoficción como un género no subordinado a otros, siguiendo la posición de Vera Toro, y elabora un estudio de las claves poéticas de la obra, así como de las condiciones sociohistóricas en que ha sido escrita. Analiza también cómo es el espacio el elemento narrativo fundamental que permite establecer una relación entre la creación literaria, la creación de identidad del pueblo chicano y la de la mujer-narradora de la obra. En este estudio no perdemos tampoco de vista el fuerte carácter crítico del texto: por un lado, observaremos la i…