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RESEARCH PRODUCT

The imaginary and the element of water in the baroque text (1580-1640) : Structures, patterns, roles and values

subject

description

The imbalance and the chaos in which Baroque man lived, changed his vision of his entourage and at the same time they excluded the gratuitousness of his actions. His fascinations are messages to be deciphered, his rejections and attachments represent revealing clues and testimonials. Our study tries to explain the reasons of the fascination of the baroque generation for the liquid element through the examination of the imaginary of its aspects in the baroque work. The imaginary or what Gilbert Durand calls "thought capital" of man is a hybrid organism, several factors participate in its structuring therefore its examination requires an interdisciplinary approach. Through cognitive science, that represent the future of research on the imagination according to Philippe Walter, this study tries to illuminate the Baroque Imagination through the examination of the value the element of water in the works published between 1580 and 1640. Our work uses four of the six cognitive sciences which are designated by Georges A. Miller and which establish interdisciplinary fields through their correlations. To explore the representations of this element with the Anthropology, philosophy, psychology, and linguistics are indispensable to the objective of offering them causal explanations. The baroque imagination is reconstituted in our work by combining these sciences with the disciplines of the history of art, literary criticism, folklore, ethnology, mythology, sociology, and the history of religions. Our work examines one of the aspects of nature in the baroque work. Through our analyzes we try to trace the being and the existence of baroque man through the manifestations of one of their components in the work of the latter. The element of water which is this component and it represents one of the aspects of nature. The problematic in our work is composed of a component that deals with the value of the element of water in the baroque work. The second part aims to prove that the 7 examination of the imaginary represents a tool that helps to identify the reliefs of a baroque text and a text with a similar structure with the latter, that is to say an incoherent structure and complex. Our research proposes a reading for the imaginary of the material in the literary text. Our study would like to demonstrate that distant and interactive examination of human acts and his works serves to identify their explanations; and that the examination of the imaginary of a work which represents an act of the imaginary of man serves to identify its implicit and the reasons for its creation, and the psychology that dominated the circumstances of its production.