Search results for "Politics"
showing 10 items of 2266 documents
Focal Points in Collective Free Improvisation
2013
OLLECTIVE FREE IMPROVISATION (herein abbreviated as CFI), while not a recent phenomenon in music (free jazz’s first experiments date from the late 1950s), remains under-studied. The extant literature either deals with political aspects (Carles and Comolli 2000) or tries to analyze the resulting music, using musicological tools (Jost 1994) or new concepts drawn from the complexity sciences (Borgo 2005). My research on CFI focuses on a cognitive approach, in order to understand the process of collective improvisation: 1 how a group of improvisers who do not know each other and are not using a common referent 2 (Pressing 1988) can answer the challenge of making music together. This paper deals…
Ville et agriculture : radiographie libre des instruments du partage de l’espace
2016
Textes issus du colloque éponyme organisé par la Faculté de Poitiers les 19 et 20 mars 2015 à Poitiers; National audience; Historiquement perçues comme éloignées l'une de l'autre, l'agriculture et la ville sont en voie de constant rapprochement. L'étalement physique des agglomérations, avec leurs zones périurbaines, conjugué à la mobilité accrue des citadins comme des ruraux, réduisent les distances entre les mondes rural et urbain. Si le phénomène provoque, entre l'agriculture et la ville, des rapports d'opposition, il fait aussi naître des rapports de séduction se concluant par des projets agri-urbains. Reste à les concevoir et les organiser juridiquement, enjeu qui n'a jamais été véritab…
Artistic and Literary Commitments (1880-1950)
2016
International audience; Recueil d'articles sur l'engagement politique des écrivains et des artistes britanniques et américains entre 1880 et 1850.
(De)constructing "America": the Case of Emir Kusturica's Arizona Dream (1993)
2010
International audience; By means of an analysis of Kusturica's only film about America, Arizona Dream, this article argues that while the United States offers a vision of a united society founded on diversity, it also represses, altering in the process both society and the landscape. National unity is consequently a dream – a dream the film suggests that has often been dreamed up by un-Americans. Filtered through Kusturica's own perceptions of America – and his position on the Balkan War (1991-2001) – the film seems to suggest sadness at the loss of a multi-ethnic, multi-cultural perspective. Through its representations of geography and ethnic diversity, and its dense network of filmic cita…
Introduction: Satire in/and politics in/and 2018
2018
International audience
Remaking Horror According to the Feminists Or How to Have your Cake and Eat It, Too
2017
International audience
"More or Less American: Sergio Leone's Vision of America in 'Once Upon a Time in the West' (1968)"
2012
This article focuses on the representation of the American West in Sergio Leone's fourth Western, which is the first to include several scenes that have been shot on location in the U.S. The author argues that Once Upon a Time in the West offers a critique not only of the classical Hollywood Westerns Leone adored, but also of his own brand of Italian Western, which may, in part, explain why members of the counter-culture were so enthused by the film at its release. The first section examines the way the use of American locations foregrounds the artificiality of Leone's spatial construction. The second explores the political implications of the inclusion of various minority groups, thereby r…
Hugh MacDiarmid’s Poetics of Commitment: the Modern Stigmata of Bereavement
2016
In the 1930s, the lingering absence of God and of a stable reality engulfed the work of the poet Hugh MacDiarmid, leader of the Scottish Renaissance Movement. To counter this void, like many others at the time, MacDiarmid found refuge in communism and nationalism and started to write political and idealist poetry. In his poems, his political idealism comes into being in the association of reality and ideal, symbolised first by Jean and Sophia, the characters of A Drunk Man Looks at the Thistle (1926), and duplicated later in the fantasised image of Lenin, perfect blending of idea and action. Rejecting Sartre’s denial of the political effect poetry can have, the violence of MacDiarmid’s work…
The Politics of Utopia: Walter Pater’s “Lacedaemon”
2016
Walter Pater is not usually considered as a politically committed writer, neither is Aestheticism of which he was the gifted theoretician with The Renaissance (1873). Although the political commitments of the Aesthetic movement have been questioned over the last two decades, both by including women aesthetes, and by re-evaluating the movement’s dissemination among the middle classes, discussion of Pater’s political ideas is almost non-existent. His Plato and Platonism (1893) is however not so remote from politics since it discusses Plato’s political philosophy. In particular, “Lacedaemon”, the chapter devoted to Sparta, enables Pater to intervene in the political debate from an original sta…
Spatialité des frontières : géophilosophie d'après Michel Foucault et Gilles Deleuze
2012
The issue of borders is currently borne by political, economic and social emergency, which accounts for reverting to space-related questions, especially in the form of questioning limits, in social sciences, geopolitics and philosophy. The development of what is commonly known as globalization brings forth the idea that they might disappear in the mid- or short-term. It is therefore necessary to set up a concept and a typology of borders and their relation to space in order to decide on the possible reality of their disappearance.The first item goes thus : despite the apparently obvious homogeneity we get from immediate experience, space is a heterogeneous construction among whose elements …