Search results for "Violence."
showing 10 items of 689 documents
Le son et le pouvoir en Bourgogne au XVe siècle
2000
Place: Paris Publisher: PUF
El camino hacia el reconocimiento legal de la violencia sexual contra la mujer en tiempos de guerra
2020
El objetivo de este trabajo es explorar el proceso de configuración de un Derecho Internacional que atienda al fenómeno de la violencia sexual contra las mujeres en contextos de conflictos armados, analizando el alcance del cambio de paradigma logrado en los años noventa con la tipificación y enjuiciamiento de la violencia sexual contra las mujeres en conflictos armados en el ámbito de la justicia penal internacional y, en última instancia, identificando posibles elementos sobre los que seguir avanzando hacia un Derecho Internacional que reconozca un estatus jurídico de las mujeres y huya de la imagen única de la mujer como víctima. © 2020 University of Valencia, Human Rights Institute. All…
Violenza, frustrazione, vanità. La visione pessimistica di Leonardo da Vinci nel «Bestiario» e nelle «Favole»
2019
Nel «Bestiario» e nelle «Favole» di Leonardo da Vinci compare a più riprese una visione della realtà e dei rapporti fra gli individui (qui ovviamente simboleggiati dagli animali e dalle piante) caratterizzata da violenza e sopraffazione: aspetti, questi, che provocano sovente un senso di frustrazione (o di impotenza) in chi li subisce, onde si giunge, da parte dello scrittore, a una conclusione pessimistica, improntata alla considerazione della ineluttabile vanità delle cose. Violence, frustration, vanity. The pessimistic vision of Leonardo da Vinci in the «Bestiary» and in the «Fables» · Leonardo da Vinci’s «Bestiary» and «Fables» often show a vision of reality and relationships between in…
La musique dans le Banquet du Faisan d'après Olivier de la Marche
2003
dir. Jean-Marie Cauchies; International audience
The unspeakable through the works of some contemporary Spanish composers
2016
The concept of unspeakable, as complex as it may be, can base itself on an experience of the sensitive, and find a common context in the events exceeding the limit and pointing a certain chaos. Those of the Spanish Civil War have constituted, by numerous aspects, examples of these unthinkable excesses. The impact of the environment on the creators has been heard in the thematic traces which are imperative in the works composed on the themes of death, violence or war: from the sound phenomena, some figures making sensitive the exceeding of the limit and chaotic connotation have been highlighted and echo what is beyond belief, as the destruction of man or the inaudibility of death. These figu…
Corpus-driven insights into the discourse of women survivors of Intimate Partner Violence
2018
Despite its ubiquity, Intimate Partner Violence (IPV) is still under-researched from a Critical Discourse Studies (CDS) perspective. Thus, this paper investigates the discourse of women survivors of IPV focusing on a corpus-driven examination of the data. This is done after applying the text-analysis software tool LIWC (Linguistic Inquiry and Word Count) to a 120,000-word corpus collected from an anonymised, public, online forum available to IPV survivors. I contrast a plethora of linguistic phenomena in three online communities embedded within this forum (‘Is it Abuse?’, ‘Getting out’ and ‘Life after abuse’) in the attempt to sketch out how the discursive output varies across these three s…
Domestic violence and public participation in the media
2013
Recent research suggests that as a social public problem, domestic violence is sustained in a number of social contexts that naturalize violence against women through gendered discourses and ideologies of male violence. This paper examines domestic violence vis-à-vis public participation in the media. In doing so, it seeks to explore the social public aspects of domestic violence and to investigate whether the gendered discourse of male violence is also sustained through the new electronic spaces of public participation. To this end, a corpus of unsolicited digital comments – a form of ‘citizen journalism’ – to a British online newspaper was compiled and analysed. This paper draws from rese…
Memoria y ficción en El material humano de Rodrigo Rey Rosa: la representación imposible de la violencia en Guatemala
2017
El presente artículo analiza la novela de Rodrigo Rey Rosa, El material humano (2009), y la representación de la violencia que propone en su investigación sobre la realidad histórica de Guatemala a lo largo del siglo xx. El protagonista inicia una labor de indagación sobre las causas de la violencia de su país, para intentar comprender el origen del conflicto. Sin embargo, esta labor terminará con un triple fracaso: el cognoscitivo, el expresivo y el deontológico, representativos de toda una serie de narraciones sobre la memoria histórica en América Latina y España. This paper analyzes Rodrigo Rosa’s novel El material humano (2009), especially its representation of violence as seen through …
Women, translation and censorship in the Franco Regime
2011
This article presents a descriptive study of the incidence of censorship in the translation into Spanish of Larry McMurtry’s opera prima Horseman, Pass By. The novel was translated during Fraga Iribarne’s term of office at the Ministry of Information and Tourism (1962-1969), a period when the incidence of censorship for the Western genre was at its lowest for the dictatorship. Framed within the temporal borders of the Franco’s dictatorship, the study investigates the translation techniques used by Ana M.ª de la Fuente when translating violence against women in the discourse of this contemporary Western. The use of violence was one of the censorship criteria followed by the government’s offi…
Leo Tolstoy’s and Joseph Conrad’s Relation to Music
2017
It is important to stress that Tolstoy’s and Conrad’s texts are to be understood to include not only literary, and thus verbal, texts but also elements of other media, such as music, theatre and visual arts. It should be noted that for Conrad music was also one of the arts that he greatly appreciated. Though Conrad’s main concern was to make us “see,” he was also concerned with making us “hear.” The use of music to accompany sexual desire, frustration and violence is a technique often used by the writer. Likewise, music had an enormous infl uence on Tolstoy. He was fascinated with its power, just as with the power of sexuality, beauty and war. His favourite composer was Chopin, but he also …