Search results for "chanson"
showing 10 items of 32 documents
« La mémoire populaire dans les films de Pedro Almodóvar »
2005
International audience
Le mauvais goût : marginalités, ambiguïtés, paradoxes (XIXe-XXIe siècles)
2019
La journée d’études Le mauvais goût. Marginalités, ambiguïtés, paradoxes (XIXe-XXIe siècles) s’est tenue le 23 mai 2018 à la Maison de l’étudiant Marta Pan de l’Université de Versailles – Saint-Quentin-en-Yvelines, Guyancourt.; International audience; Du baroque au kitsch, du maniérisme à l'obscène, du camp au trash, du grossier au ringard, du populaire au pop, le mauvais goût a connu bien des déclinaisons à travers les âges. En dépit des anathèmes régulièrement lancés contre lui, le mauvais goût n'a pourtant de cesse de se renouveler et peut parfois même être érigé au rang de modèle esthétique : ainsi, dans le Gai Savoir, Nietzsche réclamait que le « mauvais goût [ait] son droit autant que…
Stéréophonie et littérature : résonnance et reverbération dans les chansons de gestes et romans des XIIe et XIIIe siècles
2016
The chansons de geste and chivalric romances from the 12th and 13th centuries are a faithful testimony of the reality of their time, and sensory perceptions are among these testimonies. The written word provides not only descriptive and objective information, but also the impressions perceived and conveyed by the author, which are the sensations the reader has to get acquainted with in order to make the story their own. Mentions to sound effects and the sound features of a particular space are remarkable, and a compilation of these references from various texts allows us to study the sounds, resonances, and spaces through which the sound event gains prominence in the narrative. These includ…
Yvettin glas
2017
Yvette Guilbert was a great singer and diseuse whose career spanned over almost 70 years. The article presents her artistic achievements, closely scrutinizes two of her famous songs and finally concentrates on her close relationship and correspondence with Sigmund Freud. Their correspondence from the early 1930s surprisingly focuses on the very nature of art, where the views of the two correspondents significantly differ. Yvette Guilbert's views, naive as they may seem, actually present a strong counterpoint to Freud's theoretical take on art. The paper presents the starting point of a more extensive book-length research into this unlikely and instructive exchange.
Il rigo musicale in fondo alla 'Bataille d'Annezin' e i dispositivi di chiusura della lassa epica
2015
The discovery, made by E. Langlois in 1910, of a notated musical staff at the end of a little-known parodic laisse probably written within the 13th century by an otherwise unknown Thomas de Bailleul (MS London, BL, Royal 20 A XVII) immediately raised the interest of medieval musicologists, who have debated its function and interpretation until recent times, whereas romance philologists haven’t payed due attention to this intriguing and unique musical evidence, undoubtedly related to an Old French chanson de geste. In this paper I shall defend G. Schläger’s forgotten hypothesis that the musical staff could well represent a vocal-ized ‘short line’ (petit vers), arguing that this question shou…
Modalità e tipologie dell’epica normanna tra Francia, Inghilterra e Italia meridionale
2017
Attraverso la presentazione e l’analisi – ovviamente parziali e circoscritte ad alcuni passi-campione, opportunamente scelti – di quattro testi variamente afferenti alla produzione epica di età normanna, in volgare e in latino, in Francia (la chanson di «Gormont et Isembart»), Inghilterra (il «Carmen de Hastingae proelio» attribuito a Guy d’Amiens) e Italia meridionale (i «Gesta Roberti Wiscardi» di Guglielmo il Pugliese e il «Liber ad honorem Augusti» di Pietro da Eboli), tra la seconda metà dell’XI secolo e l’ultimo scorcio del XII, si tenta di enucleare alcune delle modalità e delle tipologie distintive di tale produzione epica. Gli elementi costitutivi di tale produzione, a grandi linee…
‘Guilbert juge de Jean-Jacques’ ovvero Yvette interpreta Rousseau
2016
Nell'articolo vengono presi in esame i due arrangiamenti di arie di Jean-Jacques Rousseau che il musicista ginevrino Gustave Ferrari ha fatto per la cantante parigina Yvette Guilbert, nei primi anni dieci del Novecento. Nella prima parte viene presentata la personalità di Yvette Guilbert, e come questa sia pervenuta alle musiche di Rousseau. Nella seconda parte vengono proposte analisi comparate delle composizioni originali di Rousseau e degli arrangiamenti di Ferrari: in questi ultimi le melodie originali sono rispettate (pur con qualche manipolazione nella distribuzione dei testi fra le strofe) e invece sono modificati gli accompagnamenti, che rispettano un certo gusto dell'originale, riv…
Fautes musicales et fautes textuelles dans les lais lyriques transmis par les chansonniers du Roi (M) et de Noailles (T)
2020
In this contribution we shall present some anomalies in the musical notation of the anonymous lyric lais transmitted by French chansonniers M and T (i.e. Kievrefoil, Markiol and Nompar), which share the same source, and to which a recently discovered chansonnier fragment (Bo) can be added. The plural attestation of these heterostrophic texts allows to nuance the strict notion of musical error, advocated by John H. Marshall for this very corpus. Finally, we discuss an interesting case (Nompar, str. X) where musical notation can effectively help the reconstruction of a text corrupted in both witnesses.
De Dalida à Luz Casal. Analyse du processus de traduction
2019
En 2017, Luz Casal sort un nouvel album uniquement en France reprenant une partie du répertoire de Dalida. Sept sur onze chansons de cet album sont traduites, entièrement ou partiellement, en espagnol. Afin de mettre en lumière la démarche entreprise par les traducteurs, dont Luz Casal elle-même, et d’identifier les stratégies traductologiques appliquées lors du processus de traduction des chansons, nous allons analyser ce corpus sous une approche comparative. Nous cherchons à déterminer les critères qui ont guidé le processus d’« adaptation » et à vérifier, notamment, l’importance accordée par les traducteurs au respect des « lois de la poésie » (Lefevere, 1975 ; Raffel, 1988), et des « lo…
La science aux chansons : réflexions sur un objet médiatique-populaire en vulgarisation scientifique
2012
International audience