Search results for "imaginaire"
showing 10 items of 57 documents
Architectures en vertige et « topographie » du personnage chez Julien Green
2018
L’architettura è senza dubbio uno degli assi fondamentali attorno al quale si dispiega l’immaginario di Julien Green, la cui opera è ricca di dimore, castelli, camere, biblioteche, spazi urbani. Attraverso l’analisi di tre romanzi (Mont-Cinère, Adrienne Mesurat, Minuit), l’articolo si propone di mostrare, per mezzo del riferimento metodologico ai Séminaires e agli Écrits di Lacan, che gli spazi architettonici rappresentati assumono nello scrittore una dimensione trascendente che realizza lo slittamento dagli spazi reali alla topologia soggettiva dei personaggi. Architecture is undeniably one of the fundamental axes around which the imagery of Julien Green unfolds, whose work is full of hous…
Towards a poïetic of are or the stakes of a new interpretation of the being : the possibilities and the limits of the renewal of the Metaphysics from…
2012
The “being” remains still and always today an extremely mysterious and polemic object for the philosophers as for the individual who we are. Face to the perpetual reappearance of this object in the form of a fundamental interrogation, the question is to know if we are confronted to an insoluble problem for the reason or if it is a methodological problem which it is advisable to raise. Beyond of a new attempt at destruction of Metaphysics in all its forms and its dimensions by the postmoderns, we must try to reflect today on the true positivity of the questioning of the “being”. From Kant to Bachelard, we are seeing a gradual opening during the history through the way of another practice whi…
The imaginary and the element of water in the baroque text (1580-1640) : Structures, patterns, roles and values
2017
The imbalance and the chaos in which Baroque man lived, changed his vision of his entourage and at the same time they excluded the gratuitousness of his actions. His fascinations are messages to be deciphered, his rejections and attachments represent revealing clues and testimonials. Our study tries to explain the reasons of the fascination of the baroque generation for the liquid element through the examination of the imaginary of its aspects in the baroque work. The imaginary or what Gilbert Durand calls "thought capital" of man is a hybrid organism, several factors participate in its structuring therefore its examination requires an interdisciplinary approach. Through cognitive science, …
Peindre à Auxerre aux IXe-XIVe siècles. 10 ans de recherche à l'abbaye Saint-Germain d'Auxerre et à la cathédrale Saint-étienne d'Auxerre
1999
International audience
"Mettre le soleil en bouteille" : les appareils de Mouchot et l'imaginaire solaire au début de la troisième République
2010
International audience; Dans l’imaginaire commun, le XIXe siècle reste associé au charbon. Le mineur incarne la figure du prolétaire et la machine à vapeur symbolise la révolution industrielle. Pourtant, on sait que cette prépondérance du charbon ne fut jamais totale, l’énergie hydraulique subsiste durablement et de multiples autres trajectoires technologiques et énergétiques ont été expérimentées. Au début de la Troisième République, alors que le régime s’appuie sur la science et la technique, un bref moment d’exaltation de l’énergie solaire et de ses possibilités d’avenir voit ainsi le jour. Devant la crainte de l’épuisement des gisements de houille, face à l’expansion impériale et aux né…
La Guerre au loin. Expériences et imaginaires des guerres coloniales (1830-1930)
2015
International audience
Fonctions de la dystopie en contexte postcolonial
2023
Cette conférence visait à démontrer le caractère politique de la dystopie en s'appuyant sur la notion de "présentisme" (Hartog), de "littérature d'intervention" (Gefen) et sur l'idée qu'il y a une "repolitisation" de la littérature contemporaine (Besson, Gefen). Après une exploration du caractère éminemment réaliste du genre, quelques exemples ont été abordés: la trilogie "Maddaddam" de Margaret Atwood; quelques dystopies sud-africaines: "Moxyland" (L. Beukes), "Green Valley" (L. Greenberg) et le diptyque "North" et "South" de F. Owen.
Genesis and destiny : for a dynamogenic’s conception of the myths
2012
If the myth has become today an unavoidable fact to understand the human soul and its different forms of expression, it remains, however, ambiguous and hardly conceptualizing. Indeed, the myth is at once understood as a fictitious narrative which isn’t based on any in-depth reality, but also as a real and highly significant discourse. In order to underline the philosophical meaning of our work, we have begun by assert the myth problem such as it evolves in the European thought. The myth is badly affected by a too long history; it has been divided between rationalism and romanticism. Then, we have questioned other civilizations – Fon from Dahomey, Benin – for whose myth represents all the hu…
Sur l'indien et sa progéniture. La construction identitaire depuis le champ de la publicité au Mexique.
2013
International audience; A lo largo de la Historia, las imágenes codificadas han desempeñado un papel irremplazable en la creación de mitos y relatos para justificar lacohesión de las sociedades en torno a un patrimonio. en cada época, los grupos dominantes han plasmado a través de las imágenes su idea deDios, lo bello, la bondad, la existencia, la naturaleza y el amor, dando lugar a íconos que se impusieron como legítimos y se convirtieron en ejesde fundación para civilizaciones enteras. también la raza, la libertad, la riqueza y la patria se tradujeron en símbolos que movieron a las multitudes en los grandes capítulos históricos.El triunfo militar de los españoles posibilitó las instauraci…
Poetics of the "savage" : practice of tattooing in the modern world
2012
Ancient as it may be the popularity for tattoo does not seem to wane in the West. Indeed, we can find a great number of tattoo studios, exhibitions or magazines in our cities. The iconography of the brand seems to be the result of an amazing syncretism of which the "wild" imagery is an important part. Maori tattoos, Arabic calligraphy, dragons and wild animals, not from Western culture, are indeed very popular patterns. True mode of expressions of the skin, the ethnic tattoo indicates a certain view of the world, a view of the Other, as the path one chooses to follow in order to search for a "sense of self". Since the cabinets of curiosities of the sixteenth century, the Western world colle…