Search results for "lcsh:BH1-301"
showing 10 items of 20 documents
Erweiterung des Kantismus, Umgestaltung der Metaphysik. Il giovane Viktor von Weizsäcker lettore di Kant
2015
This paper aims to examine the relationships between the research of young Viktor von Weizsäcker and Kant’s critical thinking. Starting from the criticism of Driesch’s Neovitalism, here are considered some of the major contributions of Weizsacker in the years 1911-1926, in order to show its path between criticism of knowledge, metaphysics, construction of a biology and a medical anthropology.
Post memory and cinematic affect in The Midwife
2017
The Second World War has proved a rich source of inspiration for fiction films worldwide. The Finnish fiction film The Midwife (Kätilö, Antti J. Jokinen, 2015) is aimed at an international audience with a story that takes place in the context of the Lapland War in Finland in 1944. The film tells of a romantic relationship between a local woman and a member of the German army, in a highly affective manner. This article argues that the film downplays elements that might have interested the national, or local, audience, and that it privileges affect over knowledge. To bring out the film’s transnational character, the article begins by analysing it in the context of national, or local, and glob…
Showing and Saying. An Aesthetic Difference
2013
Wittgenstein’s distinction between saying and showing and the associated thesis, what can be shown cannot be said, were crucial to his first philosophy, persisted throughout the evolution of his whole thought and played a key role in his views on aesthetics. The objective of art is access to the mystical, forcing us to become aware of the uniqueness of our own experience and life. When art is good is a perfect expression and the work of art becomes like a tautology. An important consequence of this understanding of art is the irreducibility of the aesthetic to the scientific perspective.
La costruzione del concetto di omologia e i vincoli materiali della forma
2016
Il concetto di omologia riveste un ruolo centrale nella biologia teoretica contemporanea perché attorno ad esso e per suo tramite trovano articolazione numerosi progetti di ricerca miranti a ripensare la centralità dell’organismo, i suoi percorsi evolutivi e il significato della sua interazione con la realtà ambientale. La rete di omologie che tesse l’organismo permette di strutturarne e canalizzarne le innovazioni morfologiche e funzionali. Appunto questa componente sistemica rende dunque l’omologia un concetto fondamentale per una considerazione dinamica della forma vivente, come quella cui mira un’estetica che non intenda limitarsi a indagare sull’atteggiamento estetico e sulle produzion…
«Evo-devo meets the Mind». La questione dell’esperienza estetica e l’evoluzionismo contemporaneo, dall’ipotesi degli adattamenti modulari all’interpr…
2013
Is it achievable to read aesthetic experience as a modular adaptation, and what would be its implication on the image of man, on aesthetics and on evolutionary theory itself? An alternative path is offered by evolutionary morphology, starting from the elaboration of a biologic concept of organism and from the notion of homology of function as a system of interconnections organized in a hierarchy. We deduce the possibility of thinking the peculiar innovation of aesthetic experience in an evolutionary way.
Neuroestetica e fenomenologia della percezione pittorica e musicale
2008
Neuroaesthetics aims at working out a neurobiological theory of aesthetic experience that accounts for neural invariants of perceptual properties fo artworks. In this paper, arguments are proposed that deal with the specification of the intended domain of application, its implications for neurobiological evidence that qualifies as explanans, the contribution that a rigorous phenomenological explanation of the perceptual variety in visual and musical arts can give to an evolutionary account of the cognitive skills underlying arts.
Fenomenologia teorica e sperimentale e scienza della visione
2015
In this theoretical paper, the claim is defended that phenomenology of perception can be integrated into vision science. Different versions of theoretical and experimental phenomenology are presented to specify a minimal set of commitments. It is claimed that the phenomenological research into perception, be it delivered in the form of conceptual analysis or of experimental research, satisfies the epistemological and methodological substantive features of these commitments. As an empirical case for the contribution that the integration of phenomenology into vision science could bring about, the paper presents a received view in the visual neurosciences and the objections against its element…
La flessibilità dell’organizzazione biologica. Strutture e funzioni alla luce di un modello gerarchico e pluralista dell’omologia
2016
Ciò che si intende mettere in evidenza nel presente saggio è come l’assunzione di un paradigma gerarchico dell’organizzazione biologica consentirebbe di fornire una nuova formulazione del concetto di omologia e conseguentemente dell’unità dell’evoluzione. Si vedrà, infatti, come i concetti di omologia, analogia, omoplasia, convergenza e parallelismo possano essere considerati al di fuori delle opposizioni omologia vs. analogia, omogenia vs. omoplasia, parallelismo vs. convergenza. Piuttosto tali concetti si riferiscono a piani e livelli biologici che sono diversi, ma in relazione l’uno con l’altro nel mondo complesso dell’evoluzione, poichè il mondo biologico è esso stesso gerarchico, ossia…
En deça de la sublimation. L'ego alter
2012
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Herder e la questione dell’Einfühlung. Estetica e teoria della conoscenza fra Mitfühlen e Familiengefühl
2011
Herder is usually considered to be one of the mayor sources of the aesthetics of empaty. The present contribution aims at offering a brief rewiew of some main places in Herder aesthetical theory and at reconstructing the genesis of the family of concepts including fühlen, Gefühl, Mitfühlen, Familiengefühl, in order to understand their relationship with regard to the theory of knowledge, the aesthetics, the politics.