Search results for "perception."

It's nice to learn English when one has a teacher like mine : learner perceptions of English teachers as motivators

2013

The Comparison of Self-Perception of the Use of Learning Strategies in Spanish and Lithuanian Secondary Students When Learning Science

2021

Improving students‘ learning strategies is important for them in order to learn successfully. This article compares the self-perception of the use of learning strategies in Spanish and Lithuanian secondary schools students when learning science and analyse the students understanding of these strategies to determine the sociocultural environment influence on this perception. Results emphasize the need to include support actions to improve the management of strategies in secondary school.

Spatial Cognition 2020/1: Book of abstracts : August 2-4, 2021, University of Latvia

2021

Spatial Cognition is concerned with the acquisition, development, representation, organization, and use of knowledge about spatial objects in real, virtual or hybrid environments and processed by human or artificial agents. Spatial Cognition includes research from different fields insofar as they are concerned with cognitive agents and space, such as cognitive and developmental psychology, linguistics, computer science, geography, cartography, philosophy, neuroscience, and education. Research issues in the field range from the investigation of human spatial cognition to mobile robot navigation, including topics such as wayfinding, spatial planning, spatial learning, internal and external re…

Treatment with a CO-releasing molecule (CORM-3) reduces joint inflammation and erosion in murine collagen-induced arthritis.

2008

Contains fulltext : 70589.pdf (Publisher’s version ) (Closed access) OBJECTIVE: CO-releasing molecules (CO-RMs) are a novel class of anti-inflammatory agents. We have examined the possible therapeutic effects of CORM-3 in collagen-induced arthritis (CIA). METHODS: Arthritis was induced in DBA-1/J mice by type II collagen. Animals were treated with CORM-3 (5 and 10 mg/kg/day, intraperitoneally) or the inactive compound iCORM-3 (10 mg/kg/day, intraperitoneally) unable to release CO, from days 22 to 31. Production of anti-type II collagen antibodies, cytokines and cartilage olimeric matrix protein (COMP) was evaluated by enzyme-linked immunosorbent assay, and prostaglandin E(2) (PGE(2)) by rad…

Écriture et perception des grandes formes en musique contemporaine et, en particulier, chez Roger Reynolds. « Le cristal et la flamme »

2003

This PhD addresses the issue of musical time and form in the second half of the XXth century with the joint perspective of composition and perception. The first chapter describes composer’s main conceptions of musical time, compositional strategies, functions and formal models, as well as the main musicological theories concerning musical form. The second chapter is devoted to the semiotic square of musical form (definition, typological and syntagmatic approach). The third chapter is dedicated to R. Reynolds’The Angel of Death, a work that allows us to compare writing and perception. The fourth chapter reviews the main studies and theories forged by psychology around this question, and pres…

50 ans de psychologie de la musique

2011

International audience; Il y a cinquante ans paraissait La perception de la musique, ouvrage majeur par lequel Robert Francès instituait une forme novatrice d’approche du fait musical. Son style, sa cohérence scientifique, joints à une assise culturelle et à des intuitions exceptionnelles, lui confèrent une place d’autorité inégalée. Cette oeuvre vaut toujours à Robert Francès un important capital de sympathie et de respect souvent résumé par le titre de « père de la psychologie de la musique française ». L’héritage de La perception de la musiquese doit d’être pensé, débattu et analysé, surtout lorsque cinquante années de recul nous le permettent. C’est là tout le projet de ce recueil. Il r…

The Effect of Expertise in Evaluating Emotions in Music

2013

This study investigates the role of expertise in the listener judgment of emotion in music. Previous studies suggest that the most important factors are mode and tempo, respectively influencing valence and arousal. The effect is stronger when the two parameters converge (major mode combined with fast tempo and vice versa), whereas tempo predominates when they do not converge. An open question is whether and how these judgments vary with the expertise of the listener. Our hypothesis is that non-experts will base their evaluation mainly on tempo, disregarding mode, which is more complex to be aware of. On the other hand, experts will take advantage of both sources of information. The experime…

How Important is the Reproduction Technique for the Perception of Spaciousness in Music?

2016

Sound fields are preferred when spaciousness is perceived. “Spaciousness means that auditory events, in a characteristic way, are themselves perceived as being spread out in an extended region of space”. The author’s former study (2012) investigated the perception of spaciousness of five musical genres. Participants evaluated spaciousness while listening to music with loudspeakers. Resulting, these genres allowed classifications of spatial features such as “big”, “wide” and “open”. A new idea of conducting listening tests has arisen using wave field synthesis instead of headphones. Firstly, this study aims to reveal the perceptional characteristics of spaciousness in music itself with headp…

Exploring Music Video Experiences and Their Influence on Music Perception

2022

Streaming music videos on the internet is an increasingly popular music listening activity that has remained virtually unexplored within music psychology. Studies of the role of music in film, as well as empirical research investigating the influence of audio-visual media and memory, have shown that visual information can have a profound effect on how music is perceived and remembered. The current study aimed to create a framework for understanding music video (MV) experiences by finding out when and why individuals choose to engage with this form of media, how these experiences contribute to the perception of musical meaning and influence affective outcomes, and whether these effects carr…

All Eyes on Me : Behaving as Soloist in Duo Performances Leads to Increased Body Movements and Attracts Observers’ Visual Attention

2020

Duo musicians exhibit a broad variety of bodily gestures, but it is unclear how soloists’ and accompanists’ movements differ and to what extent they attract observers’ visual attention. In Experiment 1, seven musical duos’ body movements were tracked while they performed two pieces in two different conditions. In a congruent condition, soloist and accompanist behaved according to their expected musical roles; in an incongruent condition, the soloist behaved as accompanist and vice versa. Results revealed that behaving as soloist, regardless of the condition, led to more, smoother, and faster head and shoulder movements over a larger area than behaving as accompanist. Moreover, accompanists …