Search results for "spectator"
showing 10 items of 28 documents
A covariant constituent-quark formalism for mesons
2014
Using the framework of the Covariant Spectator Theory (CST) [1] we are developing a covariant model formulated in Minkowski space to study mesonic structure and spectra. Treating mesons as effective $q\bar{q}$ states, we focused in [2] on the nonrelativistic bound-state problem in momentum space with a linear confining potential. Although integrable, this kernel has singularities which are difficult to handle numerically. In [2] we reformulate it into a form in which all singularities are explicitely removed. The resulting equations are then easier to solve and yield accurate and stable solutions. In the present work, the same method is applied to the relativistic case, improving upon the r…
Electromagnetic structure of few-nucleon ground states
2015
Experimental form factors of the hydrogen and helium isotopes, extracted from an up-to-date global analysis of cross sections and polarization observables measured in elastic electron scattering from these systems, are compared to predictions obtained in three different theoretical approaches: the first is based on realistic interactions and currents, including relativistic corrections (labeled as the conventional approach); the second relies on a chiral effective field theory description of the strong and electromagnetic interactions in nuclei (labeled $\chi$EFT); the third utilizes a fully relativistic treatment of nuclear dynamics as implemented in the covariant spectator theory (labeled…
«Noi sediamo sulle rive del Po, lamentando la cattività del nostro paese»: gli ebrei nell’esilio babilonese come iconografia politica del Risorgimento
2018
Quella degli Ebrei nell’esilio babilonese è un’iconografia romantica ben conosciuta in Germania e Francia che, varcata i confini del Bel paese, assume la valenza di una metafora delle condizioni d’Italia dopo le fallite insurrezioni del 1848. A spianare la strada per l’uso massiccio di metafore bibliche da parte dei patrioti risorgimentali è soprattutto l’ampia circolazione di versioni poetiche che propongono dei salmi un’interpretazione laica invisa agli ambienti clericali, ma dal forte impatto sulla comunicazione dei volontari. Queste componenti letterarie e culturali generano un contesto ricettivo carico di ambivalenza politica che viene sfruttato dagli artisti rivelandosi, però, ineffic…
Francesco, Franz, Ritter Franz von Hayez: Zur Rezeption des Romanticismo Storico in der deutschsprachigen Publizistik
2021
After Canova’s death (1822), Italian contemporary art, especially painting, suffered from the widespread topos that Italy as “terre des morts” had frozen in historical self-reflection and therefore did not meet the demands of modern “romantic” art. One of the few internationally recognized exceptions was Francesco Hayez (1791–1882), whose history painting virtuosically combined modern literary subjects with elements derived from the Venetian tradition, such as the gestures of Canova and the colorfulness of Venetian Quattro and Cinquecento painting. His images, which are relevant from a historical, literary but also political point of view, have achieved great success at the regular exhibiti…
Les groupes de supporters ultras à Marseille: Des modes de gestion identitaire différents?
2007
Cet article propose une etude des modes de gestion identitaire chez deux groupes de supporters ultras francais, les South Winners (SW) et le Commando Ultra (CU), qui soutiennent la meme equipe de Marseille. La Theorie de l'identite sociale et celle de l'auto categorisation constituent notre cadre d'analyse. Nous avons degage les caracteristiques socio-structurelles de statut, de legitimite et de stabilite des SW et du CU a partir d'informations socio-historiques. Quarante recits de matchs entre 1997 et 2003 diffuses dans les fanzines des deux groupes ont ete analyses a l'aide de la psychologie sociale du langage. Les resultats obtenus nous ont permis de mettre en evidence des strategies de …
Meeting Apart: Woody Allen's Characters, Films and Spectators
2007
An analysis of the relationships between Woody Allen's films (from "Take the Money and Run", 1969, to "Anything Else", 2003) and their spectators, starting frim a definition of the public image of the filmmaker then focusing on the film persona and the way the films represent authorial figures and the paradoxical meeting between film and spectator(s).
Spectators'identification with French sports teams: a French adaptation of the sport spectator identification scale
2007
International audience
Performing arts and mediation technology in the period of lockdown
2021
Advancements in digital technologies have become novel ways to enrich communication, expression, and transmission of arts knowledge. Technology is increasingly implemented in the performance space, as a source of inspiration for artists. Especially in this period of lockdown, mediation technology has turned out to be an essential tool for different aspects of social life, as in performing arts. With venues, schools and artistic activities closed, performers, students and spectators have been obliged to keep connecting in remote conditions. This article wants to retrace the aesthetic impact of mediation technology in performing arts during this period of lockdown by focusing on the aspects t…
Sport and Quality of Life
2022
Negli ultimi trent’anni lo sport ha assunto un significato molto rilevante nella vita delle persone e, seppure con notevoli differenze, sia nei paesi a sviluppo economico avanzato, sia in quelli in via di sviluppo. A livello individuale, esso ha costituito un’area di investimento identitario quando ha assunto la forma di sport spettacolo del quale fruire, alimentando la pratica del tifo e il fandom o costituendo il modello di uno stile di vita vincente; ma anche quando ha assunto la forma di pratica del tempo libero attraverso la quale tenersi in forma, facendo crescere, in questo caso, la diffusione di una cultura della salute e del benessere. Si tratta di due modalità di approcciare al co…
Kurioza w polskim teatrze współczesnym
2016
Współczesny polski teatr opiera się na zmianie kierunku relacji: od komunikacji z tradycją ku komunikacji z odbiorcą. Katarzyna Fazan widzi jej początki w inscenizacji Iwony, księżniczki Burgunda Grzegorza Jarzyny z 1997 r. Dalsze działania są konsekwencją m.in. wprowadzenia kategorii kuriozum. Rozpatrywane jest ono na dwóch polach: w obrębie sceny i poza nią. Dla Mai Kleczewskiej kurioza są krzywym zwierciadłem dla zbiorowości i widzów, ustanawiającym granicę między „swoim” a „obcym”. Radosław Rychcik rozumie kuriozum dosłownie, nawiązując do postaci z amerykańskiego kina. Natomiast Krzysztof Garbaczewski inscenizuje zachowania i reakcje widzów; jego eksperymenty oscylują wokół kategorii t…