Search results for "the Renaissance"
showing 10 items of 66 documents
Humanismo y Germanías: la decoración del palacio condal de Oliva1
2019
En visperas de la conmemoracion de la revuelta o guerra de las Germanias (1519–22) y la de las Comunidades (1520–22) en Espana, contamos con solidos estudios historicos, pero con escaso analisis so...
Rhetoric of academic applications : Perspectives from Quentin Skinner’s Forensic Shakespeare
2019
The tools of classical and Renaissance rhetoric that Quentin Skinner uses in his Forensic Shakespeare (2014) are here applied to a contemporary context. Skinner’s discussion might have a fairly direct value for a genre of writing that most academics today must master, namely the rhetoric of applications. They have been seldom discussed from a rhetorical perspective, although knowledge of rhetoric is highly valuable for applicants, evaluators and those deciding between applications. Skinner’s book contains both advices for applicants and discussions on both the criteria of application and the possibilities of their revisions in case of innovative applications. peerReviewed
« Condamnés à mort » : les mots français de Walter Pater
2013
Cet article traite de l’utilisation des mots, expressions et citations françaises dans The Renaissance de Walter Pater (1873). L’usage érudit des langues étrangères par Pater se rattache à la stylistique décadente, mais sa précision et les effets d’éclaircissement et de masquage de sources ou de thèmes qu’il en tire sont propres à l’auteur. Si les mots expriment l’altérité de toute langue et le processus de traduction qu’implique l’utilisation de la langue selon lui, les mots français de ce texte désignent plus particulièrement l’altérité de la mort. This article focuses on the use of French words, expressions and citations in Walter Pater’s The Renaissance (1873), be they translated or not…
La portada de la iglesia de las Escuelas Pías de Gandía. Su proceso constructivo y modulación arquitectónico-musical
2020
The facade of the church of the Pious Schools of Gandia has not attracted the attention of researchers. However, its conception has a great architectural culture and constitutes an essential work to understand its context, fundamentally, that of the theoretical treatises of the Renaissance. From this study it is wanted to value its architecture and that it is considered as an outstanding ingredient to know its period of construction in general and jesuit architecture in particular. For its understanding, its interpretation in the culture of contemporary architecture treaties and, especially, in the architectural-musical theory of Leon Battista Alberti will be necessary.. La portada de la ig…
Between Atoms and Humours. Lucretius' Didactic Poetry as a Model of Integrated and Bifocal Physiology
2012
Lucretius has often been regarded as one of the fathers of modern science, and also in recent years several studies have explored his influence far beyond a merely literary perspective. In this paper I analyse specifically the importance of the poet's 'eclectic' attitude in physiology from the point of view of his 'Fortleben' in early modern thought. I suggest that the typical eclectic combination of physics and biology, atomism and macroscopy, which the 'De rerum natura' shows in its didactic structure both through its images and even more through its conscious scientific reflection, built an attractive basis for attempts in the modern period at harmonising corpuscularian theories and qual…
Monstrous Hybrids in Shakespeare’s King Lear
2017
ABSTRACT: This article seeks to present the different languages (emblems, Renaissance translations of classical myths, biblical exegesis) that inform the images of monsters which, as hybrid creatures blending human and animal characteristics, serve a dramatic function in Shakespeare’s King Lear . It means to question the ways in which the play links filial ingratitude with female monstrosity and Lear’s madness. Tracing the classical and medieval lineage of the monstrous bestiary (serpent, tiger, vulture) in King Lear and connecting it to emblematic readings of Shakespeare’s time, it explores how Shakespeare provides a dynamic characterisation of Goneril and Regan through their bestialisatio…
Graphic proposal for the great hall of the Palace of the Counts of Oliva
2021
[EN] The now-demolished Palace of the Counts of Oliva, in the province of Valencia (Spain), was an outstanding example of late Gothic and early Renaissance architecture and art. Its great hall was particularly impressive, with rich, complex decoration that constituted a cultural milestone linked recently to the ‘Germanías’, or Brotherhoods. Through research conducted in image and document collections, a graphic reproduction of the room has been produced, with special emphasis on its frieze. The procedures and techniques used in this process are examined here, before a final contemplation of the possible uses for these results.
Renaissance of Electrosynthetic Methods for the Construction of Complex Molecules
2014
Current affairs: Efficient N,N dimerization by using an electric current is a recent powerful example of preparative electrosynthesis where conventional reagents fail. The general and practical nature of this method as well as other applications will breathe new life into the electroorganic synthesis of complex molecules.
Anne d’Alençon y Margherita Paleologo: Mujeres gobernantes entre la esfera pública y la privada. / Anne d’Alençon and MargheritaPaleologo: governing …
2014
Resumen: Las damas de las cortes del Renacimiento ademas de cumplir sus obligaciones como hijas, esposas y madres, participaban activamente en la vida politica y cultural de sus tierras y algunas, en ausencia del marido, tuvieron que hacerse cargo de la regencia de las mismas. Su participacion activa en los asuntos de gobierno a la par que sus emociones quedan plasmadas en la correspondencia que mantuvieron con diversas autoridades. Las cartas de Anned’Alencon y de su hija, Margherita Paleologo, con Antonio Perrenot de Granvela, secretario de Estado del emperador Carlos V, nos permiten estudiar como se mezclan el aspecto privado y el aspecto publico en su correspondencia y como la escritura…