Search results for "Cathars"
showing 10 items of 16 documents
Le temps de la commémoration ou la tentative impossible du partage de la souffrance. Exemple de la commémoration des 20 ans du génocide de Srebrenica…
2017
National audience
Entre la realidad y la ficción, la razón y la locura: el drama coral como terapia individual y social
2017
Desde la función política de la tragedia griega, las diferentes formas dramáticas occidentales han asumido de manera más o menos explícita unas funciones del espectáculo dramático que integran bajo distintas acepciones la pretendida kátharsis aristotélica, en ocasiones para rechazarla y evitarla, que incluso van más allá del prodesse et delectare horaciano, tendiendo hacia una función terapéutica individual y social en unas formas dramáticas de elevado trasfondo coral en las que los límites entre realidad y ficción, entre cordura y locura se difuminan hasta llegar a confundirse, en las que la llamada “cuarta pared” deja de existir. El objeto de este trabajo es realizar un breve recorrido po…
“Never shake thy gory locks at me” (Macbeth, III.iv.50-51): Objecting to Gestures in Macbeth
2018
International audience; Shakespeare's Macbeth displays a pattern of characters objecting to gestures, be it others' or their own. This includes Macbeth refusing to shake hands with his opponent before the battle, his words to Banquo's ghost quoted in the title above, Banquo's own puzzlement at the weird sisters' placing a finger over their lips, the doctor's suspicions at Lady Macbeth's rubbing her hands and sleepwalking, as well as Malcom's request that Macduff not pull his hat over his eyes. In many of these cases, gesture is pitted against speech, which seems to undermine the classically-derived ideal of "suit[ing] the word to the action, the action to the word" (Hamlet, 3.2.16-18). This…
Catarsi ed Ethos. La musica tra formazione del carattere e cura dei mali nella Grecia antica
2022
Nella Grecia antica la musica è presenza costante e riguarda tutti gli aspetti del sapere. L’idea di un influsso esercitato sull’uomo, e persino sulla sua salute, trova espressione nella nozione di catarsi e nella dottrina dell’ethos, secondo cui la musica esplica un’azione psicagogica in base alle harmoníai («scale musicali») seguite dalle composizioni, e agli strumenti usati. A partire dai riti, la catarsi entra nella riflessione di Platone e di Aristotele. Nel De musica di Aristide Quintiliano, l’analisi della capacità della musica di influire sull’anima si affianca alla speculazione sulle harmoníai e apre la strada alla comprensione del suo influsso sull’indagine medica, definendo nel c…
Tra incantamento e phobos. Alcuni esempi sugli effetti dell'aulos nei dialoghi di Platone e nella catarsi tragica.
2008
Il potere dell‟aulos e i suoi effetti sull‟animo erano così emblematici per i Greci da far loro trasformare lo strumento e le sue sonorità in una metafora di persuasione, come si riscontra in alcuni dialoghi di Platone. Da un altro punto di vista, però, l‟aulos fu anche uno strumento „perturbante‟, come appare ad esempio nella tragedia. In tale contesto esso sembra operare sulle paure (phobos) e le insicurezze dei personaggi tragici, e talora addirittura condurre agli sviluppi conclusivi della performance teatrale. Per quel che riguarda invece l'uditorio in teatro, l‟aulos può aver giocato un ruolo nello sviluppo della catarsi, in quanto gli spettatori potevano essere in grado di collegare …
On Angels and Demons. Analysis of a sequence in the iconographic programme of the encyclopedic moralization of fin´amors in Matfré Ermengaud´s Brevia…
2017
En el present treball parem esment a 3 il·luminacions del Breviari d’Amor de Matfré Ermengaut que són ben eloqüents –valga la sinestèsia: imatges que són eloqüents— de la vocació d’Ermengaut en pro de la cristianització de la fin’amors. A més, estableixen una mena de seqüència en el concert de diàleg entre història natural, història sagrada i atenció a l’amor, als amadors, a fi i efecte que estableix qui és el receptor concret de l’obra, qui el model a seguir (els àngels) i qui a defugir (el dimoni), i quin és l’àmbit d’actuació del «maligne» : la societat cortés, ecosistema de la fin’amor. This paper analyzes three illuminations of Matfré Ermengaud´s Breviari d´Amor which represent the aut…
Correcting ēthos and Purifying the Body. Musical Therapy in Iamblichus’ De vita pythagorica
2015
The tradition relating to the Pythagoreans and music therapy is most widely attested in two Neoplatonic works, Porphyry’s The Life of Pythagoras, and Iamblichus’ On the Pythagorean Way of Life. Although the chronological distance from the early Pythagoreans makes their accounts controversial, they offer interesting evidence on the beneficial effects of music. Iamblichus, whose work will be focused on in this paper, describes the effects of music on health through the notion of catharsis, which he often links with musical ēthos. The latter is not in fact attested before Plato, but Iamblichus, presenting Pythagoras in Platonic terms, emphasizes the importance he gives to the improvement of th…
Phobos, incantamento e catarsi. Alcune riflessioni su ascolto dell’aulos e tragedia.
2009
The power of the aulos and its therapeutic effects on the soul are so emblematic for the Greeks that, on the one hand, they made this instrument and its sounds into a metaphor of persuasion and, on the other, they emphasized its upsetting effects, as happens for instance in some tragedies. The aulos sometimes contributes to the development of a drama, and may play a role in the development of tragic catharsis by reminding the audience of the cathartic Dionysiac rites. In this way, tragedy seems to have performed a meaningful ‘therapeutic’ effect on the emotions of the theatre audience.
Music and Medicine
2020
The relationship between music and medicine involves the notions of affinity between the human body and musical structures, relief, catharsis and therapy. The Homeric poems attest to the use of healing songs (paeans) and spells (epaoidai). The early Pythagoreans used musical catharsis for both the soul and the body. The doctrine of musical ēthos (whose main source is Plato) presupposes a relationship between music and character based on mimēsis, also establishing a link between therapy and ēthos. According to Aristotle, melodies performed in the rites are able to arou-se the emotions and purify from their excesses (the same dynamics appear in Theophrastus). The musical notions first detecta…
La musicoterapia nella Grecia antica
2007
Music in ancient Greece was believed to heal both the soul and the body, and especially to soothe wrath and low spirits. According to the ethos theory, music has a prominent role in the education of the young people. With both its medical and magic connotations, the notion of musical catharsis is involved in the performance of music and dance in the Dionysiac rites. The medical thought on music therapy is mainly linked with theories concerning the pulse, where musicology and medicine share a common ground.