Search results for "MuSICA"

showing 10 items of 1344 documents

Individual Decisions and Perceived Form in Collective Free Improvisation

2015

International audience; This paper proposes a first attempt to study quantitatively Collective Free Improvisation (CFI). We report an experiment designed to study the relationship between the improvisers’ individual high-level decisions and the improvisation’s form perceived by external auditors. We recorded 16 trios in which the improvisers used a MIDI-pedal to indicate in real-time a significant change in their own musical production. Expert listeners were later asked to segment each improvisation so that we obtained their perception of the structure. By analysing the correlations between musicians’ individual decisions and listeners’ segmentation points, we discuss how the improvisation’…

Structure (mathematical logic)Improvisation[SHS.MUSIQ]Humanities and Social Sciences/Musicology and performing artsVisual Arts and Performing Artsimprovisationmedia_common.quotation_subject05 social sciencessegmentation[SHS.PSY]Humanities and Social Sciences/Psychology06 humanities and the artsMusicalinteractionsExternal auditor050105 experimental psychology060404 musicempirical musicologyPerceptionemergence0501 psychology and cognitive sciencesPsychology0604 artsMusicSimulationmedia_commonCognitive psychology
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Investigating cognitive mechanisms of social interaction through musical joint action

2016

Contagion, Empathy and Theory of Mind (ToM) are important social cognitive mechanisms that develop gradually in human ontogeny, enabling humans to interact with other human beings in a complex manner. However, the development of cognitive mechanisms for early social interaction is still underexplored. Therefore, the aim of the current paper is to investigate these mechanisms in a broader range from a theoretical as well as empirical perspective. In particular, we propose a musiccentered approach, which allows us to investigate cognitive mechanisms of social interaction independently of children’s language skills in a musical joint action setting. In our theoretical part, we delineate the so…

Structured observationDevelopmentMusical joint actionSocial cognition
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TEATRO MUSICAL Y PERSPECTIVA DE GÉNERO: LA OBRA SICALÍPTICA DE VICENTE LLEÓ DURANTE SU ETAPA EN EL TEATRO ESLAVA DE MADRID (1907-1912)

2020

A principios del siglo XX surgió un nuevo modelo de teatro bufo denominado género sicalíptico caracterizado por sus altas dosis de frivolidad y erotismo que hizo furor en la escena madrileña. Vicente Lleó Balbastre (1870-1922) fue el máximo exponente del género en el teatro musical. Bajo su dirección, como empresario y compositor, el Teatro Eslava se convirtió en el templo de la sicalipsis. En este artículo se estudia el nacimiento y eclosión del género, se recopilan todas las obras sicalípticas de Vicente Lleó en la época dorada de la sicalipsis en el teatro musical y se analizan las principales características de su estilo compositivo.

Style (visual arts)media_common.quotation_subjectEroticismHigh dosesArtMusicalHumanitiesMusicmedia_commonRevista Música Hodie
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The influence of task-irrelevant music on language processing: syntactic and semantic structures.

2011

Recent research has suggested that music and language processing share neural resources, leading to new hypotheses about interference in the simultaneous processing of these two structures. The present study investigated the effect of a musical chord's tonal function on syntactic processing (Experiment 1) and semantic processing (Experiment 2) using a cross-modal paradigm and controlling for acoustic differences. Participants read sentences and performed a lexical decision task on the last word, which was, syntactically or semantically, expected or unexpected. The simultaneously presented (task-irrelevant) musical sequences ended on either an expected tonic or a less-expected subdominant ch…

SubdominantDeep linguistic processingComputer sciencelcsh:BF1-990structural integrationMusicalcomputer.software_genremusical expectancy050105 experimental psychology03 medical and health sciences0302 clinical medicineLexical decision taskSemantic memoryPsychology0501 psychology and cognitive sciencesGeneral PsychologyOriginal Researchbusiness.industryMusical syntax05 social sciencessemantic expectancySyntaxsyntactic expectancylcsh:PsychologyChord (music)Artificial intelligencecross-modal interactionsbusinesscomputer030217 neurology & neurosurgeryNatural language processingFrontiers in psychology
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Visualization in comparative music research

2007

Computational analysis of large musical corpora provides an approach that overcomes some of the limitations of manual analysis related to small sample sizes and subjectivity. The present paper aims to provide an overview of the computational approach to music research. It discusses the issues of music representation, musical feature extraction, digital music collections, and data mining techniques. Moreover, it provides examples of visualization of large musical collections.

SubjectivityInformationSystems_INFORMATIONINTERFACESANDPRESENTATION(e.g.HCI)Computer sciencebusiness.industryFeature extractionRepresentation (systemics)Small sampleMusicalcomputer.software_genreVisualizationComputational musicologyArtificial intelligencebusinesscomputerNatural language processingDigital audio
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Cultural Paradigm and Popular Canon: The Discourse on Nation in Nineteenth-century Music of Slavic Mitteleuropa

2016

Nacionalna identiteta slovanske Srednje Evrope je v razpravi obravnavana z novim pristopom k različnim kulturnim paradigmam, takim, ki upošteva zgodovinske dogodke, preko katerih se je ob koncu 18. stoletja na Poljskem in v 19. stoletju na Češkem, Slovenskem in na Hrvaškem uveljavil splošno priznani glasbeni kanon. Pojav kanona je treba analizirati v okviru, v katerem sta kozmopolitizem in nacionalizem soobstajala v prepletu uporabne in avtonomne glasbe, kar presega zamejevanje v kategorije podrejenosti, prirejenosti in avtonomije. The national identity of Slavic Mitteleuropa is examined by means of a new approach to different cultural paradigms, namely the historical events out of which th…

Subordination (linguistics)Literaturebusiness.industrymedia_common.quotation_subjectCanonArtnational identity music eighteenth century nineteenth century Bohemia Slovenia CroatiaNationalismPhenomenonNational identitySettore L-ART/07 - Musicologia E Storia Della MusicaSlavic languagesbusinessMusicClassicsAutonomymedia_common
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Holistic Architecture for Music Education: A research design for carrying out empiric and interdisciplinary studies in didactics of music

2019

Los temas estéticos de la música son relevantes en la investigación de la educación musical, pero otros elementos vinculados a las ciencias sociales también desempeñan un papel central, como las relaciones entre compañeros de clase, las interacciones diádicas entre estudiantes y profesores, el impacto del capital cultural en situaciones de clase, etc. En este sentido, el diseño de una investigación para la educación musical debe proponer una interacción iterativa entre los fundamentos teóricos y las situaciones complejas del mundo real, para que los educadores e investigadores puedan emprender actividades educativas fundamentadas teóricamente, contrastadas empíricamente y reproducibles. En …

System designMusical bildungInterdisciplinary approachMusic educationEnfoque interdisciplinarioDesign-based researchInvestigación basada en diseño:PEDAGOGÍA [UNESCO]ArteMúsica musical|Educación musicalUNESCO::PEDAGOGÍADiseño de sistemasMúsica
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Considerations Concerning a Methodology for Musical Robotics and Human-Robot Interaction

2009

Robot technology is increasingly employed in artistic (musical) applications and as modeling tool for the investigation of general cognitive abilities and music related behavior in particular. Apart from the specifications of required system behavior and technological aspects of system design/implementation, problems occur concerning the evaluation of the systems. In recent approaches, techniques such as collecting informal reports, perceptual tests, video-based observational studies, or rating scales have been employed. Questions arise, however, as to the reliability and validity of these measures, and the lack of standardization diminishes the comparability of different studies. To attack…

Systematic ObservationMusical RoboticsHuman-Robot Interaction
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Innovation and music teaching for the 21st century teaching in higher education

2017

La presente propuesta está enmarcada en el proyecto de Innovación Educativa Ieducarts (interdisciplinariedad en la educación artística) de la Universitat de València y en los proyectos de Innovación Docente Del aula a la escena y las TICs: creación de nuevas estrategias para la docencia teórico-práctica de la música (ID2014/0099), y Del folklore a los videojuegos a través de videotutoriales (ID2015/0150) de la Universidad de Salamanca. Consiste en trabajar la innovación docente desde el enfoque interdisciplinar y globalizador, aplicando nuevas estrategias metodológicas, a través de las TICS. Concretamente se trabajan la técnica del grupo puzle de Aronson, Pechakucha (ペチャクチャ) y Usal-Media. A…

TICMusical educationEducation (General)educación superiorInnovative teachingEducació InvestigacióInnovación docenteinnovación docenteICTEducación superiorAZ20-999Didáctica musicalTICSHigher educationHistory of scholarship and learning. The humanitiesL7-991didáctica musicalMúsica EnsenyamentDEDiCA
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Musicales traducidos y censurados en los escenarios españoles (1955-1985)

2015

[EN] The TRACEmu catalogue (Censored translations of musical productions,1955-1985) compiled from Spanish censorship archives will serve as a starting point to analize the most representative cases of the period: Man of La Mancha (1966), Godspell (1974), Hair and Jesus Christ Superstar (1975). [ES] Esta contribución analiza, a partir del análisis del catálogo de espectáculos musicales traducidos (censurados) y representados en los escenarios españoles (TRACEmu, 1955-1985), recopilado en los archivos de censura, los casos más representativos del periodo: El hombre de la Mancha (1966), Godspell (1974), Hair y Jesucristo Superstar (1975). Universidad del País Vasco, UPV/EHU. Grupo de Investiga…

TRACE projectLinguistics and LanguageUNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLiterature and Literary TheoryTRACE censored translationstranslation and censorshipLanguage and LinguisticsmusicalesMan of la Manchastage musicals:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]Godspell musicalHair musicalJesus Christ SuperstarTRACEmuEl hombre de la Manchatraducción y censurateatro español
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