Search results for "Nineteenth Century"

The national identity of Slavic Mitteleuropa is examined by means of a new approach to different cultural paradigms, namely the historical events out of which the popular canon in music flourished at the end of eighteenth-century Poland and in nineteenth-century Bohemia, Slovenia and Croatia. This phenomenon must be analysed within a framework in which cosmopolitism and nationalism co-existed in a mix of functional and autonomous music, superseding the boundaries of subordination, adaptation and autonomy.

Settore L-ART/07 - Musicologia E Storia Della MusicaParadigm Musical Canon Nineteenth century Slavic Mitteleuropa

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Cultural Paradigm and Popular Canon: The Discourse on Nation in Nineteenth-century Music of Slavic Mitteleuropa

2016

Nacionalna identiteta slovanske Srednje Evrope je v razpravi obravnavana z novim pristopom k različnim kulturnim paradigmam, takim, ki upošteva zgodovinske dogodke, preko katerih se je ob koncu 18. stoletja na Poljskem in v 19. stoletju na Češkem, Slovenskem in na Hrvaškem uveljavil splošno priznani glasbeni kanon. Pojav kanona je treba analizirati v okviru, v katerem sta kozmopolitizem in nacionalizem soobstajala v prepletu uporabne in avtonomne glasbe, kar presega zamejevanje v kategorije podrejenosti, prirejenosti in avtonomije. The national identity of Slavic Mitteleuropa is examined by means of a new approach to different cultural paradigms, namely the historical events out of which th…

Subordination (linguistics)Literaturebusiness.industrymedia_common.quotation_subjectCanonArtnational identity music eighteenth century nineteenth century Bohemia Slovenia CroatiaNationalismPhenomenonNational identitySettore L-ART/07 - Musicologia E Storia Della MusicaSlavic languagesbusinessMusicClassicsAutonomymedia_common

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La scoperta, sistemazione e conservazione della grande Iscrizione di Gortina, nell'isola di Creta (1884-1921): la protezione delle testimonianze e le…

2013

La scoperta e la conservazione della Grande Iscrizione di Gortina a Creta, da parte degli studiosi italiani, fra la fine del XIX sec. e i primi decenni del XX sec., rappresentò un grande riconoscimento scientifico-culturale per la giovane nazione italiana. Nel passato, l’isola di Creta era stata legata alla Repubblica di Venezia e anche questo rapporto favorì l’invio a Creta del giovane epigrafista F. Halbherr, il quale fra notevoli peripezie rinvenne, assieme all’epigrafista tedesco E. Fabricius, la famosa l’iscrizione nell’antica città di Gortina. L’iscrizione, fra le più antiche e complete finora conosciute in tutta Europa, conteneva le norme sulla famiglia, l’eredità e in generale i dir…

The discovery and preservation of the Great Inscription of Gortyna in Crete by Italian researchers in the late nineteenth century. and the first decades of the twentieth century. was an important cultural and scientific recognition for the young Italian nation. In the past the island of Crete had been tied to the Republic of Venice and this report also favored sending in Crete the young epigraphist F. Halbherr who among considerable vicissitudes came to together to the epigraphist german E. Fabricius the inclusion of the famous ancient city of Gortyna. The inscription among the oldest and most comprehensive so far known throughout Europe the rules contained on the family's legacy in general and the rights and duties of some of the people of the Minoan civilization (480-450 BC). The inscription was carved on blocks organic limestone a restored ancient building which later in Roman times was turned into odeon. The Laws of Gortyn were engraved on the remains of the wall forming the passageway in front of the steps of the odeon. The essay traces the events that led to the discovery and subsequent storage made by Halbherr especially with the help of archaeologist L. Pernier and finally with the help of architect E. Stefani who designed a modern cover on the top of the ambulatory of the segments containing the inscription. This coverage was made to perform during the First World War on the basis of the Italian project from the Greek Government in order to protect the membership from possible war damage but especially from vandalism. The roof brick clay of the Laws of Gortyna still serves its function and ensures the use of the monument bearing witness to the preservation of Italian culture in Greece and more generally in the world. But in Sicily in the remains of the Villa del Casale in Piazza Armerina (Enna) its elegant protection (built in 1957) is representative of a whole period of culture of the Italian restoration is removed and replaced because it has not been able to make a ongoing maintenance is due. A bad example of conservation and management of a UNESCO monument from which arise after the work for the construction of new roofs an equally insulting to the archaeological heritage and scenic Italian and world.Settore ICAR/19 - Restauro

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L'intonaco Li Vigni nell'architettura del XX secolo a Palermo. Nuove conoscenze e applicazioni diagnostiche per la manutenzione

2013

Il saggio presenta lo studio degli intonaci formulati per imitare le pietre e i marmi naturali che si diffondono in Sicilia all’inizio del XX secolo ed evidenzia che le prime applicazioni e la diffusione delle nuove malte, anche nel resto dell’Italia, risentono delle sperimentazioni condotte in tutta l’Europa. Il contributo riassume i risultati di una rigorosa e capillare ricognizione tra i brevetti conservati presso l’Archivio Centrale dello Stato a Roma inerenti alle malte per il confezionamento dell’intonaco a “finta pietra”, ne analizza i contenuti in modo critico e pone in risalto i contatti culturali con le sperimentazioni dei materiali in atto nell’ambito dei grandi cantieri di resta…

The paper presents the study of the plaster formulated to imitate the natural stones and marbles that are popular in Sicily in the early twentieth century and points out that the first applications and the dissemination of new mortars also in the rest of Italy feels the influence of the experiments conducted throughout Europe . The contribution summarizes the results of a rigorous and thorough reconnaissance of patents kept in the Archivio Centrale dello Stato in Rome relating to mortars for plastering an artificial stone critically analyzes the content and emphasizes cultural contacts with the experiments on large-scale restoration projects in Italy and France in the late nineteenth century. The analysis of the architectural surfaces is developed with instrumental tests: the levels of adhesion of finishing surface are characterized in particular through a campaign of thermographic investigations and diagnosis is drawn to show that the consolidation of the layers and reintegration are interventions to be introduced within the restoration project and maintenance program.Settore ICAR/19 - Restauro

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The Italian Method of la drammatica: its Legacy and Reception

2014

The volume The Italian Method of la drammatica: its Legacy and Reception includes the long and complex investigation to identify the Italian acting-code system of the drammatica used by nineteenth-century Italian actors such as Adelaide Ristori Giovanni Grasso Tommaso Salvini Eleonora Duse. In particular their acting inspired Stanislavky who reformed twentieth-century stage. The declamatory code of the drammatica was composed by symbols for notation of voice and gesture which Italian actors marked in their prompt-books. The discovery of the drammatica’s code sheds new light on nineteenth-century acting. Having deciphered the phonetic symbols of the code Anna Sica has given birth an investigation with a group of outstanding scholars in an attempt to explore the drammatica’s legacy and its reception in Europe as well as in Asia. At this stage new evidence has emerged proving that for instance the symbol used by the drammatica actors to sign the colorito vocale was known to English actors in the second half of the nineteenth century. By noting how Adelaide Ristori passed on her art to Irving’s actress Genevieve Ward and how Stanislavsky almost aflame moulded his system from Duse’s acting an unexplored variety in the reception of the drammatica’s legacy is revealed.Settore L-ART/05 - Discipline Dello Spettacolo

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Tra antichità e medioevo: viaggiatori, architetti e intellettuali in Sicilia fra gli anni venti e trenta dell’Ottocento

2016

Quando Eugène Emmanuel Viollet-le-Duc raggiunge la Sicilia nell’aprile del 1836 è un giovanissimo professore dell’Ecole de dessin de Paris in procinto di compiere quello che per numerosissimi suoi precursori era diventato, ormai da diversi decenni, una tappa obbligata del Grand Tour in Italia. Frotte di rampolli dell’aristocrazia europea, ma soprattutto artisti e cultori di antichità avevano attraversato negli anni precedenti le strade talvolta perigliose dell’isola alla ricerca delle vestigia di mitiche città come Agrigento, Siracusa, Selinunte ecc., spesso tenendo insieme passione ar- cheologica e gusto del pittoresco, come può testimoniare il vastissimo repertorio iconogra co che abbiamo…

Viollet le Duc Sicily Nineteenth Century Travelers Medieval ArchitectureViollet le Duc Sicilia XIX secolo Viaggiatori Architettura medievaleSettore ICAR/18 - Storia Dell'Architettura

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