Search results for "Spectacle"

Dożynki w Polsce. Od obrzędu do widowiska

2017

Today the traditional beliefs, customs and rites relating to the harvest time are very limited as their contemporary functions and dimension have changed. The authoress is interested in the transformation process of a harvest festival that is typical of the old rural communities. The harvest festival still crowns the labours of farming and is a form of solemn thanksgiving for harvested crops but today's celebration is not accompanied with any magical practices that would bring a good harvest next year. Ritual songs are becoming obsolete and the harvesting women, if any, no longer need any orations addressed to a landlord. The customs of baking bread and making crown-shaped wreaths have surv…

Positioning the Supply of Live Performance: Innovative Managerial Practices Relating to the Interaction of Spectator, Performance and Venue

2006

Because of the abundance of offerings, the question of positioning with regard to live performances is becoming increasingly crucial for managers in the cultural sector. The authors address this issue by proposing original means of differentiation that managers can use in order to reinforce the identity of their offerings. The authors point to the need for analysis of the relationship between the public and the spectacle (central focus of positioning), highlighting the various facets that structure this positioning. They then examine the interaction between the public and the cultural venue (peripheral focus of positioning). Such a framework of consumption experiences offers promising solut…

Compte rendu de : Olivier Goetz, Le geste Belle Époque, Strasbourg, ELiPHi, 2018, 410 p.

2020

International audience

Terrorism as Spectacle. Media Logic and Terror in Italy from Brigate Rosse to Emotional Reporting

2015

L'articolo analizza le strategie comunicative del terrorismo contemporaneo, focalizzando l'attenzione sulla relazione tra il terrore e la logica dei media audiovisivi The article analyzes the communication strategies of contemporary terrorism, focusing attention on the relationship between terror and the logic of audiovisual media

Máquinas y aviadores. La experiencia de la guerra en los foto-libros del joven Jünger

2013

[spa] El modo en que el Jünger de los años 30 recuerda y describe la guerra en sus foto-libros concibe la misma principalmente desde la contemplación estética como un espectáculo de la naturaleza, en detrimento de su cruel dimensión moral y personal. Ello, que en buena medida es posibilitado por la conciencia técnica, capaz de objetivar a las personas y concebirlas fuera de la esfera del dolor, permite al soldado vivir el combate como una experiencia interior en la que se encuentra cara a cara con lo absoluto y mediante la que puede sentir la vida y la libertad como nunca antes. La guerra se convierte en el espacio idóneo para la realización de un nuevo tipo de hombre duro, noble y viril, e…

Le rôle du lieu dans l'expérience de consommation : une approche par le concept de valeur. Application au cas du spectacle vivant

2004

National audience; L'objectif de cet article est de proposer une réflexion sur le rôle du lieu dans lequel se déroule une expérience de consommation que ce soit un point de vente, un lieu de service, une salle de spectacle...Pour développer cette réflexion, nous distinguons deux niveaux d'analyse. Le premier niveau concerne l'expérience proposée par l'entreprise. Le but est de comprendre comment une entreprise peut utiliser l'environnement physique compris comme cadre de l'expérience en l'intégrant dans une offre d'expérience. Ce premier niveau d'analyse étant néanmoins insuffisant, nous avons développé parallèlement une réflexion concernant l'expérience vécue par le consommateur qui consti…

L'Expérience de Consommation de Spectacles Vivants : de Nouvelles Perspectives de Recherche

2002

Positioning the supply of live performances. Innovative managerial practices relating to the interaction of audience, performance and venue

2006

Because of an abundant offer of shows, the question of the cultural products positioning becomes increasingly crucial for the professionals of this sector. This article proposes to answer this strategic question by identifying original ways of differentiation in order to reinforce the identity of their offer. First of all, we insist on the need for analyzing the relation between the public and the spectacle (central road of positioning). We wish to highlight the various facets that structure this positioning. Then, we examine the interaction between the public and the cultural place (peripheral road of positioning). This tangible framework of consumption experiment can offer promising solut…

L'interaction lieu – objet comme modélisation de l'expérience culturelle vécue : définition, mesure et validation empirique dans le cas du spectacle …

2006

This article proposes to reconsider the concept of lived cultural experience. In a first part, we explore the track of value. We try to justify of its interest to apprehend the experience. We also seek to improve the conceptualization of the experience by defining it as an interaction place - object. Then, in a second part, we present an empirical test of this conceptualization in the field of lives performance. This test is followed of a discussion about the results.

Arts de la rue. La Faute à Rousseau

2007

Analyse de l'évolution du secteur des arts et du théâtre de rue. Plus largement une réflexion sur le spectacle vivant.