Search results for "devil"

showing 10 items of 20 documents

El macabro vodevil de Copenhague

2010

Sociedad civilEcologismoCAMBIO CLIMÁTICOVidal-Beneyto JoséExpertosCientíficos socialesReflexionesPolíticaDeuda bancariaProtocolo de KyotoPublicaciones: Obra periodística: Columnas y artículos de opiniónVodevilExcelenciaImpotenciaCaosLíderesMentiraRetóricaBushRazónEscritorManipulaciónDesidiaEstados UnidosFuerzaLiteraturizaciónCumbreMilitantesEsperanzaPoder mundialMostrenco academicismoCopenhaguePolíticosPensamientoAnálisisGeopolíticaViolenciaNaciones UnidasComunicaciónDiarios
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Carles Soldevila ironista: «Valentina»

2016

Resum: El present article té com a objectiu estudiar la importància de la ironia en Carles Soldevila mitjançant l’anàlisi de la novel·la Valentina, publicada l’any 1933. En primer lloc, hom descriu el concepte d’ironia que tenia l’autor i, després, hom passa a comprovar la utilització del recurs en la novel·la esmentada, mitjançant els apartats segu?ents: la ironia del narrador, la ironia de situació, la ironia verbal, la ironia gestual i la ironia hipertextual o paròdia. La ironia del narrador i la ironia verbal hi apareixen com les més decisives: la primera ens permet veure el joc de distanciament irònic del narrador envers els personatges; la segona mostra la gran bateria de recursos ret…

UNESCO::CIENCIAS DE LAS ARTES Y LAS LETRASLingüísticaFilologías:CIENCIAS DE LAS ARTES Y LAS LETRAS [UNESCO]ironia; paròdia; narratologia; història de la novel·la; Carles Soldevila
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Staging Rhetoric: Reading The White Devil’s Trial Scene

2014

the paper examines the trial scene in the White Devil within the context of rhetorical discourses of the period

Webster White Devil rhetoric
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Compte rendu de : "Elisa Capdevila, Culture, médias, pouvoirs, 1945-1991, Paris, La Documentation photographique, mai 2019"

2019

International audience

[SHS.HIST] Humanities and Social Sciences/HistorymédiasCulturepouvoirsElisa Capdevila[SHS.HIST]Humanities and Social Sciences/HistoryComputingMilieux_MISCELLANEOUS
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First Report of Botrytis Blight on Medinilla magnifica and Various Species of Mandevilla and Allamanda in Italy.

2019

Medinilla magnifica Lindl., Mandevilla splendens (Hook.) Woodson, the hybrid Mandevilla × amoena ‘Alice du Pont’ (pink allamanda), and various species of Allamanda, such as A. cathartica L. and A. blanchetii A. DC. (purple allamanda), are grown in Sicily as ornamentals. After a frost in early December 2001, a sudden wilt of container-grown cuttings of these tropical species was observed in a plastic-covered production greenhouse, with ≈30% of M. magnifica plants and 70% of Mandevilla and Allamanda plants affected. Medinilla plants (≈35 cm high) had been rooted in trays and transplanted individually in 30-cm-diameter pots. Allamanda (recently rooted cuttings) and Mandevilla (well-establishe…

biologyMandevilla splendensfungifood and beveragesPlant Sciencebiology.organism_classificationMedinillaCuttingAllamandaMandevillaBotanyBlightMedinilla magnificaAgronomy and Crop ScienceBotrytis cinereaPlant disease
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"…a počínal tušit, že s obrazy to tady nebude jednoduché." Ekfrastyczność (w) powieści "Cesta do pekel" Václava Vokolka

2019

The article analyses the novel Cesta do pekel written by Václav Vokolek – the Czech prose writer, poet and painter – through the usage of the intersemiotic translation strategies. The plot of the text can be characterized as the contamination of the physically plausible historic world (the construction of the railway in the middle of the 19th century) with the implausible one (the infernal story) according to Lubomír Doležel’s typology. Demonstrating the changes in the arts (the clash of romanticism with realism), the novelist sensitizes the reader to the drastic introversion into nature, as exemplifi ed by the urbanization processes in the north of the Czech Republic. At the same time, the…

devilCzech literatureekphrasis-ness19th century paintingintersemiotic translationrailwayVáclav VokolekSlavia. Casopis pro slovanskou filologii / Slavia. The Journal for Slavic Philology
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Le rire, clef de voûte du vaudeville

2018

Rire au théâtre. Théâtre comique. Quels sont les facteurs qui font que le texte théâtral soit comique ? Qu’est-ce que le rire ? Quels sont les éléments qui déclenchent cette réaction ? Henry Bergson (1859-1941) l’analyse minutieusement dans son œuvre Le rire (1922), ce qui permet de mieux comprendre certains mécanismes employés par les dramaturges au moment de créer leurs pièces. Une des questions qui se dégagent de l’étude de Bergson est la possibilité que les ingrédients de la recette pour faire rire varient en fonction de la nationalité de celui qui rit, autrement dit, serait-il possible que les bases du rire varient en fonction des différentes cultures ?

lcsh:Language and Literaturetraductionrirelcsh:PC1-5498vaudevillelcsh:Romanic languageshumour théâtrallcsh:PXIXe siècleadaptationSynergies Espagne
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Arti magiche, influenze diaboliche e malefici in Sicilia nei secoli XIV e XV

2020

I dati sulla magia nella Sicilia tardo-medievale sono scarsi, ma i documenti testimoniano la commistione tra magia, religione e medicina. Le presunte maghe sono spesso donne sole, prive di un cognome che le collochi in un contesto socio-familiare. Il maleficio operato dallo schiavo Giorgio ai danni del vecchio padrone apre uno spiraglio sui riti magici portati in Sicilia dagli schiavi. L’episodio segue gli schemi della magia tradizionale e la sua assoluzione pare legata all’intervento del nuovo padrone. La magia è un campo aperto senza confini spaziali e sociali, Giorgio comunica il suo sapere popolare a speziali e mercanti di Palermo che lo ascoltano, lo temono e ne seguono le indicazioni.…

magia Sicilia donne schiavi diavolo MedioevoSettore M-STO/01 - Storia Medievalemagic Sicily women slaves devil Middle Ages
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Edizione critica del teatro di Jacques-Antoine Révéroni Saint-Cyr (1793-1805)

La tesi propone l’edizione critica del teatro di Jacques-Antoine Révéroni Saint-Cyr (1767-1829), ingegnere militare e scrittore vissuto durante il periodo rivoluzionario e napoleonico. Dopo avere indagato l’universo drammatico di Révéroni in relazione alla vita teatrale del tempo, al rapporto con i compositori e alle tematiche sviluppate, questo lavoro presenta l’edizione critica delle opere redatte tra il 1793 e il 1805 – Le Club des Sans-souci, ou les Deux Pupilles; Héléna, ou les Miquelets; Le Délire, ou les Suites d’une erreur e Le Vaisseau amiral, ou Forbin et Delville – sulla base delle fonti documentarie reperite, delle edizioni a stampa disponibili e della stampa periodica del tempo…

rapporto tuteur-pupillesala Favartpièce à sauvetagesala Feydeauscrittore-militareedizione criticavita militareThéâtre de l’Opéra-Comiqueteatroopéradelirioopéra-comiqueStoriagioco d’azzardoSettore L-LIN/03 - Letteratura Francesecomédie mêlée de vaudevilleeffetti sceniciThéâtre des Amis de la Patrie
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Oppressive Faces of Whiteness in Walter Mosley’s "Devil in a Blue Dress"

2018

Walter Mosley’s Devil in a Blue Dress contributes significantly to the literary debate on the definition of whiteness. The socio-historical construction of whiteness emerging from the novel is amplified by white imagery dovetailing with the claims made about white people directly. For the African American first person narrator, Easy Rawlins, living in post-World War II Los Angeles, whiteness mostly spells terror. The oppressive faces of whiteness consist in the following trajectories: property relations, economic exploitation, labour relations, the legal system, different miens of oppressive white masculinity denigrating blackness, spatial dynamics of post-World War II Los Angeles and the w…

white imagerywhitenesswhite oppression"Devil in a Blue Dress"Walter MosleyText Matters: A Journal of Literature, Theory and Culture
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