Search results for "lcsh:America"
showing 10 items of 11 documents
Framing Issues in The Specialised Discourse Of Diplomacy: A Quantitative and Qualitative Approach
2017
Relevant international issues, such as terrorism, immigration, climate change, human security, cybersecurity and so on, imply the construction of complex ideological and axiological discursive positions, which stem from a web of unavoidably superimposed emotional and moral evaluations, often interwoven with logical observations (Spinzi 2016). All transactions whether promoting ideologies and values or selling products are a way of profiting from the general representation of a nation, and strategic communication contributes to this by increasing appreciation and influencing people’s behaviour. Embracing the perspective that transformations in social life are led by discourse (Fairclough, 20…
Communicating Medical Information Online: The Case of Adolescent Health Websites
2020
In recent times, our understanding and practice of public health has been increasingly guided by technological advances generally based on governmental decisions (Green et al. 2009). Not only does the growth of a public system for protecting health hinge upon scientific discovery and dissemination of medical knowledge, but also the World Wide Web has considerably changed the health communication environment. This paper considers the online health information addressed to adolescents. Given that young people have difficulty accessing traditional health services, in theory, the Internet might offer them a more confidential and convenient access to an unprecedented level of information about a…
John Edgar Wideman, lecteur-archiviste de Frantz Fanon
2017
This article intends to read Fanon, a Novel, written in 2008 by John Edgar Wideman, as an attempt to decolonize the archive, more specifically the Fanonian archive. Rather than trying to exhume the legacy of the Martiniquan thinker, the novel proposes to set Fanon’s thought in motion, allowing it to unfold before the reader’s eyes. Thus summoned up, the archive assumes an eminently political role. No longer an origin in a teleological narrative, it can only be apprehended by a text that deliberately practices generic blurring and intermingling as a mode of writing. In Fanon, a Novel, the intersection between fiction and the archive serves as a productive space where national and colonial gr…
Romain D. Huret, American Tax Resisters
2014
À l’occasion d’un dîner privé organisé pour financer sa campagne présidentielle de 2012, le candidat du Parti républicain, Mitt Romney, prononça un discours, enregistré à son insu, au cours duquel il expliquait candidement à son auditoire que « 47 % des gens voteront pour le président [Obama] quoi qu’il arrive. Ces 47 % qui le soutiennent sont des assistés. Ils se voient comme des victimes, ils pensent que le gouvernement est responsable de leur bien-être […] Ce sont des gens qui ne sont pas ...
L’archive : horizons de la création contemporaine
2017
… archival art is as much preproduction as it is postproduction: concerned less with absolute origins than with obscure traces (perhaps “anarchival impulse” is the more appropriate phrase), these artists are often drawn to unfulfilled beginnings or incomplete projects—in art and in history alike—that might offer points of departure again. (Foster 5) L’archive dans la création contemporaine est l’objet d’une fascination qui, à chaque nouvelle rencontre, suscite la glose de la critique, des lec...
L'écart et l'entre-deux : traduire la culture
2011
Comparative linguistics seems to suggest that the gap between two languages can be filled by grammar. But mapping the structural gaps between languages hardly makes for the more fundamental gap that is created by the writing of a new text, a supposedly identical addendum to the first. Writing that new text entails questions about the nature of texts, their intentions, their interpretations. Translation must therefore develop a hermeneutical approach. This critical stance is about sorting out what belongs to the languages and what belongs to the text as a specific unit, as a cultural and authorial unit. Because of its cultural nature, translation questions the way one can carry meaning acros…
USA on the road: da The Americans di Robert Frank ad American Surfaces di Stephen Shore
2018
Robert Frank’s and Stephen Shore’s photographic reportages and their travels document an identity of the United States different from the conventional representations that usually show a successful country, able to enforce its social, economic, political, and aesthetics models. These reportages represent an other America, far from the stereotypes and full of contradictions: the places of common experience (almost non-places), the characters disillusioned and frustrated by the American dream, the banality of the situations represented, the commonplace, show that besides a winner’s imagery (like, recently, the one represented by Trump but also by Pete Souza, official photographer of Barack Ob…
Serial Production, Serial Photography, and the Writing of History in Three Farmers on Their Way to a Dance.
2010
Three Farmers on their Way to a Dance, titre d’une photographie qu’August Sander prit en 1914, hante le roman éponyme de Richard Powers. Cette photographie faisait partie d’un projet plus vaste, intitulé « Hommes du vingtième siècle » par Sander qui entendait dresser un inventaire des habitants de sa province natale, le Westerwald. Sander composa ainsi un catalogue de plus de 600 photos d’Allemands de tous types, dont il fit plus tard paraître une partie sous le nom de Visage de notre temps. Dans le roman de Richard Powers, le motif de la série se déploie entre les pôles incarnés par Henry Ford et August Sander, dont les séries de voitures et de photographies deviennent la métaphore du mode…
De l’avoir lieu à l’être-lieu : parcours dans l’œuvre de Dorothy Cross
2019
Les installations et performances de Dorothy Cross, artiste contemporaine irlandaise, reposent sur un profond respect de la nature et visent à remettre en cause, de manière poétique, l’anthropocentrisme des sociétés occidentales. En mettant en scène le surgissement inattendu d’une bestialité archaïque symbolisée par le requin, la méduse ou les serpents, animaux sauvages mais culturellement marqués, et en s’immergeant dans des milieux et biotopes sauvages, l’artiste opère des renversements spatiaux : l’espace culturel devient un espace ensauvagé. Les procédés d’inscription, d’incrustation ou de projection de motifs évoquant une nature non domestiquée opèrent une symbiose entre l’homme et l’é…
“From Savage to Sublime (And Partway Back): Indians and Antiquity in Early Nineteenth-Century American Literature”
2016
This article examines the comparisons made between Indians and Antiquity in early nineteenth-century American literature (notably in the works of Washington Irving and James Fenimore Cooper); to do so, it begins by reaching back to references in European and American writings of the eighteenth century. One of the main motivations behind the associations between Native Americans and the Ancient World made in the early decades of the nineteenth century was to “elevate” Indians in order to transform them into worthy symbols of the recently established United States. Such associations also rendered them suitable subjects for treatment by authors inspired to a large extent by the Romantic Moveme…