0000000000137813

AUTHOR

Rosario Perricone

showing 36 related works from this author

Introduzione ad Arte : Artworks, mimesis, agency

2021

Il volume raccoglie alcune delle relazioni tenute all’interno del ciclo di seminari Antropologia dell’arte, organizzato nel 2019 dall’Associazione per la conservazione delle tradizioni popolari in collaborazione con l’Accademia di Belle Arti di Palermo e curato da Rosario Perricone. Il seminario comprendeva diversi incontri durante i quali studiosi di diversi ambiti disciplinari hanno dibattuto su concetti, nozioni e oggetti che si pongono al crocevia tra le discipline dell’antropologia, della storia dell’arte, della semiotica, degli studi culturali, della visual culture, delineando talvolta fenomeni di ibridazione delle pratiche artistiche ed etnografiche e, talvolta, di dissolvenza delle …

Popular art in SicilyDolce &ampCanto flamencoFlamenco singingfotografiaPost-fotografiacontemporary artDolce&ampAlfred GelldonoArt Anthropology visual study Visual cultureArte popolare in SiciliaRituali Afro-CubaniSettore M-DEA/01 - Discipline DemoetnoantropologicheCampAfro-Cuban ritualtextumArte Antropologia visual study Visual cultureocchialicollezionismoagency mimesis creativity artworkselfieeyeglasseprehistoric artarte preistoricaphotographycollectingagency mimesis creatività artworkarte contemporaneaGabbanaPost-photographyNelson GoodmanLeviathangift
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L'oralità dell'immagine. Etnografia visiva nelle comunità rurali siciliane

2018

L’opposizione ipotizzata fra tradizioni orali e scritte, che prevale in antropologia, è ingannevole: in primis perché tende ad annullare l’orale nel contrario dello scritto, e non ne comprende il modo di funzionare specifico; in secondo luogo perché non contempla la possibilità che, tra gli estremi dell’orale puro e dello scritto puro, esistano molte situazioni intermedie. Paradossalmente oggi, nella nostra società così impregnata di immagini, l’oralità è ritornata ad assumere un ruolo centrale proprio per la produzione e la comprensione del codice visivo. Questa «oralità dell’immagine» è connaturata nei nostri comportamenti quotidiani e per questo motivo risulta difficile individuarla e an…

Foto di famiglia riti di passaggio Sicilia antropologia visualefamily photos Sicily Rites of passageSettore M-DEA/01 - Discipline Demoetnoantropologiche
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Sulla memoria, la rappresentazione, il simbolico. Ripensando lo “statuto inquieto” delle immagini

2020

Recensione del volume di Francesco Faeta "La passione secondo Cerveno. Arte, tempo, rito", Ledizioni, Milano 2019. Review of the volume by Francesco Faeta "Passion according to Cerveno. Art, time, ritual", Ledizioni, Milan 2019.

time ritualArt
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The Antonio Pasqualino International Puppet Museum

2018

The Antonio Pasqualino International Puppet Museum

Antonio Pasqualino International Puppet Museum Puppet MuseumSettore M-DEA/01 - Discipline Demoetnoantropologiche
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Il mangiare di san Giuseppe nel comprensorio delle Alte Madonie. Pietanze rituali e produzioni locali nel calendario festivo madonita

2014

La ricerca si incentra su una festa legata al solstizio di primavera, con mensa rituale, in un'area montana della Sicilia A study on a traditional feast, with ritual eating, celebrated in connection with springtime in Madonie mountains (Sicily)

festaSettore SPS/08 - Sociologia Dei Processi Culturali E Comunicativisan Giuseppemensa rituale
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Immagini devote del popolo indiano

2008

This volume, with the preface by Giovanni Filoramo, collects some of the sacred images of "Hinduism" of other religions born in India (Shikism, Buddhism), exhibited during the exhibition of the same name at the Antonio Pasqualino International Puppet Museum from November 22 to December 31. 2007. These cult images are venerated in temples, in private homes and on the streets throughout India. The central idea was to show the iconographic path that these paintings (or photographs) have had in the popular imagination. An informative caption corresponds to each "portrait".

India ritual deity sacred imagesSettore M-DEA/01 - Discipline Demoetnoantropologiche
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Forma e linguaggi del teatro dei pupi

2012

The work of Sicilian puppets, not unlike the "total social facts" postulated by Marcel Mauss, is a "total" theatrical performance. It incorporates a series of collective representations able to account for the way Sicilian society was structured up to the second half of the twentieth century. In Sicily, the transmission of folklore knowledge was the result of constant interference between ancient and modern models, coexisting in different socio-cultural environments. This has given to the folkloristic practices (rites, techniques, expressive manifestations, etc.) a peculiar physiognomy, not reducible to clear oppositions between different social layers (hegemon / subaltern, rural / urban) o…

Settore M-DEA/01 - Discipline Demoetnoantropologichepuppets shadows
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Pasqualino Contemporaneo

2018

A Museum that tells stories. A Museum that houses ideas – not only things. A Museum that, going beyond the simple act of collecting, acquires a narrative dimension and turns into a meta-narrative, into an “Open Work”. This performance museum, which is the Antonio Pasqualino International Puppet Museum, focuses on narration and trans- forms itself into a mnestic image, becomes a tool for intercultural mediation through the use of different artistic languages. This long tradition of study and research is the frame of the Pasqualino Museum’s contemporary art projects realized in the past ten years.

Antonio Pasqualino International Puppet Museum Museum Open WorkSettore M-DEA/01 - Discipline Demoetnoantropologiche
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Artificazioni della performance: il caso del Museo Pasqualino

2020

This paper analyzes the process, dating back to the last 50 years, which has seen the work of art approaching everyday life, with critical perspectives increasingly focused on processuality and performance. Therefore, a notion such as that of artification – “process of processes”, according to Heinich and Shapiro – signals the paradox of the success of art at the time of its deconstruction. In this cultural climate, ethnographic museums reproduce, rework or draw on the languages of contemporary art, making them tools to overcome an essentialist notion of heritage but also to present multivocal interpretations and reflect on the processes that underlie “showing the difference”. The “Antonio …

artificazioneMuseo Internazionale delle Marionette “Antonio Pasqualino”; Performance; Artificazione; Opera d’artelcsh:Fine Artsmuseo internazionale delle marionette “antonio pasqualino”lcsh:NSettore M-DEA/01 - Discipline Demoetnoantropologicheopera d’arte“Antonio Pasqualino” International Puppet Museum Performance artificatio Opera d’arte.performance
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Bandi vivi

2014

The processes of institutionalization and objectification of post-agricultural can be made clearer by deconstructing and making the procedures triggered by the application of rules imposed by the transnational bureaucratic machine of the European Union problematic and conflicting. The construction of competitive narratives between local and global, which according to the dominant rhetoric would produce unequivocal locality, defined in its relational and contextual aspects, are the basis of the institutionalized development aid system which, just like in colonialism, becomes a field of cultural protest and construction of the neighborhood ethnorami.

post-agricultural intangible heritage European Union
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L’alto e puro Maestro. Giuseppe Pitrè vs Lamberto Loria: tre lettere inedite

2017

This paper explores the relationship, contradictory and of intense scientific rivalry, between Giuseppe Pitrè and Lamberto Loria. I will analyze the studies conducted on the subject from Giuseppe Cocchiara up to Sandra Puccini, through the funds of the Historical Archives of the "Giuseppe Pitrè" Ethnographic Museum in Palermo and the National Museum of Popular Arts and Traditions in Rome

Settore M-DEA/01 - Discipline DemoetnoantropologicheGiuseppe Pitrè Lamberto Loria
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LORIA, PITRÈ, VILLARI: IMPERTINENZE, RESISTENZE, CORRISPONDENZE

2019

This work explores the contradictory relationship of intense scientific rivalry between Giuseppe Pitré and Lamberto Loria. To do this, the author analyzes the correspondence collections of the Historical Archives of the “Giuseppe Pitrè” Ethnographic Museum of Palermo and of the National Museum of Popular Arts and Traditions in Rome, crossing them with other sources already analyzed in previous studies.

Loria Pitrè VillariSettore M-DEA/01 - Discipline Demoetnoantropologiche
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Giuseppe Cocchiara, il fascismo e il razzismo

2021

In questo saggio viene ricostruito il rapporto tra Giuseppe Cocchiara e il fascismo. L’antropologo visse in pieno la sua formazione culturale all'interno del regime al quale aderì con convinzione e slancio, militando sempre nelle sue fazioni più radicali, condividendone fedelmente le scelte più tragiche come la guerra d’Etiopia, sottoscrivendo le leggi razziali, impegnandosi nella seconda guerra mondiale con le armi culturali dell’antisemitismo e della lotta senza tregua contro la democrazia. Così quando, come in un «mondo alla rovescia», sconfitto il fascismo sotto il peso di un’umiliante e sanguinosa disfatta, saranno proprio gli odiati inglesi a valorizzarne la statura intellettuale e la…

regime to which he adhered with conviction and enthusiasm always militating in its most radical factions faithfully sharing the most tragic choices such as the war in Ethiopia signing the racial laws engaging in the Second World War with the cultural weapons of anti-Semitism and struggle relentlessly against democracy. Yes when as in a "world upside down" having defeated fascism under the weight of a humiliating and bloody defeat it will be precisely the hated English who will enhance his intellectual stature and the new democratic Italy to allow him to have an irresistible academic rise and scientific.Settore M-STO/04 - Storia ContemporaneaSettore M-DEA/01 - Discipline DemoetnoantropologicheIn this essay the relationship between Giuseppe Cocchiara and fascism is reconstructed. The anthropologist lived his cultural training to the full
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Recuerdos figurados. "Fotos de familia" en Sicilia

2020

“Life is not what you have lived, but what you remember and how you remem- ber it to tell”. Taking cue from the words of Gabriel García Márquez, the essay analyzes a gallery of photographic images portraying “family photos”, made in Sicily between the end of the 19th century and the first decades of the 20th century, which are placed in an inter- mediate space between oral and written traditions becoming “biographical object”. The analysis of the photographic corpus searches for the connections between the different events that the image has gone through (production, transmission, fruition). It is in his “life story”, in his passage from one generation to the other, from one type of represe…

fotografía familia ritos memoria fiesta de los muertos boda entierro.Settore M-DEA/01 - Discipline Demoetnoantropologichephotography family photography ritual memory party of dead marriage funerals.
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Death and Rebirth: Images of Death in Sicily

2015

Photographs were often taken during funerary ceremonies in Sicily. Local photographers were commissioned to document funerals as if they were christenings, communions or wedding ceremonies; and it is no mere coincidence that in funeral portraits the relatives arranged around the coffin assumed postures similar to those seen in photos of festivities. This tradition of taking photos during such “mixed occasions” gives the images a profound significance and highlights the archaic roots of the popular ideology of death as a continuum of life.

Cultural StudiesPortraitContinuum (measurement)Anthropologymedia_common.quotation_subjectCoffinIdeologySociologySettore M-DEA/01 - Discipline DemoetnoantropologichePhotographs funerary Sicilymedia_commonVisual arts
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Il Museo Pasqualino. Museo internazionale delle marionette

2018

The volume consists of an anthology of texts intended to provide an introduction to the various aspects of traditional culture in Sicily, trying to combine clarity, conciseness and scientific rigor. The selected contributions present in fact a popular tone, with a writing accessible to anyone, without particular technicalities.

traditional culture in Sicily museum puppetSettore M-DEA/01 - Discipline Demoetnoantropologiche
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La ricerca sul campo come extraordinary experience. Una proposta di ricerca multidisciplinare

2010

Reflexive criticism focused its attention on writing texts, neglecting the experience of observation, on which the practice of field research is built, and it rarely paid attention to the experience of researchers. The triple relationship established between the anthropologist, the world and the “other” reveals the deep interrelation between the three levels of this “complex isotopy”. This essay addresses the problem of how a person can interact with another within the ethnographic practice. Ethnographic research doesn’t consist only in dialogues but also in bodily experiences that have a key role in the production of ethnographic representations. Experiential anthropologists believe that w…

informantethnographic fieldworkincorporationSettore M-DEA/01 - Discipline Demoetnoantropologichetheory of knowledgemirror neurons
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I ricordi figurati: «foto di famiglia» in Sicilia

2006

Today we are witnessing the increasingly insistent formation of visual stereotypes. The continuous repetition of these modules, used in similar situations, makes it easier to interpret them, so much so that they can now be considered elements of a common language: a figurative language to be investigated in the context of the anthropology of visual communication. The Sicilian family photos collected in this essay belong to this category of cultural products and allow us to reflect on the different articulations of cultural phenomena.

Settore M-DEA/01 - Discipline Demoetnoantropologichefamily photo Sicily Rites of passage
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Immagini fuori posto. Nodi e intrecci iconografici

2019

The essay summarizes a field research work started in 1998 in Calamonaci (AG). Through the discovery of the diversity and alterity of the endotic, between the known and the familiar, continuously discovered and enriched, the author develops a careful analysis of family images that become the premise and purpose of the research. This field research involved about 300 families and then became a photographic exhibition, with a catalog, experienced, shared and participated by the community. In this work, the author has adopted a participatory research method trying to understand how the photographic image, almost always thought of as the referent of the reality represented, with each new vision…

Settore M-DEA/01 - Discipline DemoetnoantropologichePhotography iconography memory photo of the deceased
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Etnografie del contemporaneo. Una introduzione siciliana

2016

The metalessic manipulation of space / time and its chronological relationships, the construction of competitive narratives between local and global, that according to the dominant rhetoric would produce unequivocal locality, defined in its relational and contextual aspects, are at the base of the "neo modern" society "Which becomes a field of cultural contestation and construction of the ethnorami of the neighborhood. The locality is a historical product and "the stories through which the localities emerge are eventually subject to the dynamics of the global" 9.

folklore Tradition contemporary ethnographies of the Work Ethnography of the migrations Ethnography of the disasters and Religious Etnography.Settore M-DEA/01 - Discipline Demoetnoantropologiche
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Opra i pupi siciliana: Masterpiece of the Oral and Intangible Heritage of Humanity

2014

In the first decades of the nineteenth century a form of puppet theater was established in Sicily, specialized in the staging of epic-chivalrous events: the opra î pupi (work of the puppets), which has since enjoyed enormous success among the working classes Sicilians. The work of the pupi has the merit of imploding an articulated complex of traditionally formalized competences (from the material to the expressive level) and at the same time reflecting the socio-symbolic values ​​on which until recently the Sicilian popular culture was founded. For this reason, in 2001, the title of "Masterpiece of the oral and intangible heritage of humanity" was recognized by UNESCO. The central role attr…

Sicilian Puppet Theatre Intangible Cultural HeritageSettore M-DEA/01 - Discipline Demoetnoantropologiche
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Editoriale

2018

Ethnographies of the contemporary is the name chosen for this new magazine, in which we will try to explain phenomena of permanence and change through the priority recourse to ethnographic practice. The magazine takes up some of the talks held on the occasion of the permanent Ethnographies of the contemporary seminar, conceived and coordinated by the writer, which is based at the Antonio Pasqualino International Puppet Museum in Palermo. The Permanent Seminar was established on the occasion of the fiftieth anniversary of the foundation of the Association for the Conservation of Popular Traditions, responding to one of the main wishes of its founders: that the Museum could become a place and…

ethnografic turnerSettore M-DEA/01 - Discipline Demoetnoantropologiche
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Introduzione

2019

Are the traditional Sicilian funerary uses therefore comparable with that of ancient Rome? If so, what role has the long duration of the "conflict" between the Catholic Church and pre-Christian and / or "popular" funeral rites played and still does, a moment that is also unavoidable for comparative purposes "? The attitudes assumed by the Churches regarding the expressions of the so-called "popular piety" have not been from time to time, from place to place, neither homogeneous nor constant.

Sicilian funerary CiancianaSettore M-DEA/01 - Discipline Demoetnoantropologiche
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L’immaginario custodito. Catalogo delle raccolte 1-2-3 dell’Archivio etnofonico del Folkstudio

2009

The essay contains the catalog of sound recordings relating to field surveys conducted from 1966 to 1970, constituting the first collections of the Ethnophonic Archive of the Folkstudio of Palermo, formed thanks to the initial donation of Elsa Guggino and implemented with the researches of his students.

Ethnophonic Archive Folkstudio of Palermo Elsa Guggino
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Post-fotografia etnografica

2021

È evidente come la nostra società tecnologica sia legata senza alcun dubbio alla diffusione delle immagini. Autori come Gottfried Boehm, John Mitchell, Hans Belting hanno indagato la natura dell'immagine ponendo le basi, negli anni Novanta, per l'idea di un pictorial turn, di una cultura totalmente dominata dalle immagini che è diventata adesso una possibilità tecnica reale su scala globale. Un nuovo statuto dell'immagine che si usa raccogliere sotto l'etichetta di iconic turner inserito nel più vasto campo visual culture studies. L'uso del termine cultura accanto a quello di visuale è indicativo dell'ampiezza del campo d'indagine che visual culture studies si prefiggono di ricercare: essi …

It is evident that our technological society is undoubtedly linked to the diffusion of images. Authors such as Gottfried Boehm John Mitchell Hans Belting investigated the nature of the image by laying the foundations in the 1990s for the idea of ​​a pictorial turn of a culture totally dominated by images that has now become a real technical possibility on global scale. A new statute of the image that is used to collect under the label of iconic turner inserted in the wider field of visual culture studies. The use of the term culture alongside that of visual is indicative of the breadth of the field of investigation that visual culture studies aim to seek: they do not want to limit themselves to ascertaining the predominance of the visual in contemporary society and an evaluation of its aesthetic component. but they want to proceed towards an anthropological research in which visual culture is analyzed as a particular lifestyle that expresses certain meanings and values ​​not only in art and high culture but also in institutions and daily behavior. We will try to apply this new paradigm to photographs: instead of asking ourselves what the images mean let's try to ask ourselves what they want.
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Epifanie dell’alterità, strumenti politici, totem identitari. Forme e funzioni dei simulacri e dei fantocci animati nelle feste siciliane

2016

A survey of the choreutic-dramatic actions with statues and / or puppets present in the Sicilian festivals. These are puppets representing "giants" (saints or founding heroes), "animals" (camel, snake, horse) and "wild men" or statues of the Crucifix and the Madonna with the articulated arms that are used during the festive rituals in Sicilia. These animated figures represent a unique cultural model that combines play, theater, parties and religion.

Phantoms folk festivals ritual dancesSettore M-DEA/01 - Discipline Demoetnoantropologiche
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Ierogamie, euritmie e ierotopie mariane in Sicilia. Il "case study" della Madonna dei Miracoli di Caltabellotta (Ag)

2021

Qual’è immagine venerata che resta come traccia mestica nella mente dei fedeli? Quella che tutto l’anno si può osservare sull’altare della chiesa o quella che solo una volta l’anno si può vedere durante la festa patronale? Partendo da queste domande in questo saggio si tracciano le origini di alcune raffigurazioni mariane siciliane, e in particolare del simulacro della Madonna del Soccorso o dei Miracoli di Caltabellotta (AG). È una ricerca ancora in nuce che propone una chiave di lettura dell’iconografia mariana inedita che partendo dall’analisi morfologica e iconografica, passando per la biologia delle immagini di warburghiana memoria, approda all’animismo e alla performance rituali. What…

Madonna dei Miracoli Madonna del Soccorso Madonne nere ierogamie euritmie ierotopie SiciliaMadonna dei Miracoli Madonna del Soccorso black Madonnas hierogamy eurythmy hierotopies SicilySettore M-DEA/01 - Discipline Demoetnoantropologiche
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Garibaldi popolare. Politiche novecentesche dell’icona risorgimentale

2019

«Hero of the People». Political uses of Garibaldi’s image in the XXth century · Garibaldi epitomizes Italian Risorgimento also on an iconographical level. With particular reference to Sicily in the XXth century, the article aims at analyzing first some aspects of an often thaumaturgic Garibaldi’s figure within subaltern culture, chiefly through handcratfs, political tattoos, painted scenes pertaining to traditional puppet theatre as well as to ornate carts. All these contexts show a dense circulation between ‘high’ and ‘low’ culture. The elections for the regional parliament in 1947 are characterized by the massive use of Garibaldi in the frame of Communist propaganda; we try to shed light …

Giuseppe Garibaldi ex votos political tattoos puppet theatre ornate carts Italian Communist Party 1947 Sicilian elections Renato Guttuso.Settore M-DEA/01 - Discipline Demoetnoantropologiche
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I ferri dell'Opra. Il teatro delle marionette siciliane

2013

Abstract – IT L'Opera dei pupi siciliana costituisce una preziosa testimonianza dell'intricata eredità storico-culturale della Sicilia. Le proclamazioni dell'Unesco e l'attenzione rivolta alle modalità di patrimonializzazione delle pratiche tradizionali, hanno favorito lo sviluppo di un'analisi, sia di tipo diacronico che sincronico, con una prospettiva antropologica tesa ad indagare le strategie di invenzione e costruzione della tradizione e della sua problematizzazione con particolare riferimento al concetto di “memoria culturale”. È con queste premesse che il presente lavoro si pone come obbiettivo di analizzare le strutture fondamentali, la grammatica e la sintassi dello spettacolo di O…

lcsh:GN1-890opera dei pupi Sicily marionetteslcsh:Anthropologyopera dei pupi sicilia marionettelcsh:PN2000-3307lcsh:Dramatic representation. The theater
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L’Opera dei pupi

2018

The volume consists of an anthology of texts intended to provide an introduction to the various aspects of traditional culture in Sicily, trying to combine clarity, conciseness and scientific rigor. The selected contributions present in fact a popular tone, with a writing accessible to anyone, without particular technicalities.

puppet
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Editoriale

2019

Editorial of the second issue of the magazine Ethnographies of the contemporary

EditorialSettore M-DEA/01 - Discipline Demoetnoantropologiche
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“Se aveste dovuto trottare, non aveste avuto il ghiribizzo di marcarvi come cavalli!”. Francesco Bertè e del “Tatuaggio di Sicilia ...”

2018

This text focuses on Francesco Bertè's essay Tattoo of Sicily in relation to psychic resistance, published in 1892 in the Archives for Anthropology and Ethnology, organ of the Italian Society of Anthropology, Ethnology, founded and directed by Paolo Mantegazza.

Settore M-DEA/01 - Discipline DemoetnoantropologicheTattoo Sicily Francesco Bertè Pitrè Lombroso
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LIMINARY IMAGES. THE RITES OF PASSAGE IN THE PHOTOGRAPHIC ALBUMS OF THE SICILIAN FAMILIES OF THE XX SEC.

2017

“Life is not what you have lived, but what you remember and how you remember it to tell“. Taking cue from the words of Gabriel Garcia Marquez, the essay analyzes a gallery of photographic images portraying «family photos», made in Sicily between the end of the 19th century and the first decades of the 20th century, which are placed in an intermediate space between oral and written traditions becoming «biographical object». The analysis of the photographic corpus searches for the connections between the different events that the image has gone through (production, transmission, fruition). It is in his «life story», in his passage from one generation to the other, from one type of representat…

photography - family photography - ritual - memory - party of dead - marriage - funerals.Settore M-DEA/01 - Discipline Demoetnoantropologiche
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Una sonora improvvisata. Dalla disputa sui canti di carcere di Pitrè e Lombroso all’oralità contemporanea

2022

In questo articolo illustreremo alcuni esempi di canti di carcere riportati da Giuseppe Pitrè e Cesare Lombroso che diedero spunto a una polemica scientifica tra i due studiosi. L’analisi delle varianti che stanno alla base della disputa scientifica dei due fondatori della Demopsicologia e dell’Antropologia criminale, momento fondamentale della storia degli studi antropologici italiani dell’Ottocento, ci permetterà di comprendere come la trasmissione orale della cultura sia ancora oggi permeata dalle stesse modalità performativa che affondano le loro radici nei racconti dei miti.

ContemporaryLombrosoCanti di carcereContemporaneoPitrè Lombroso songs of prison orality contemporarySongs of prisonSettore M-DEA/01 - Discipline DemoetnoantropologichePitrè Lombroso canti di carcere oralità contemporaneoOralitàPitrè
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Per un museo dei mondi possibili

2021

Recensione del volume di Vito Lattanzi "Musei e Antropologia. Storia, esperienze, prospettive" (Carocci, 2021)

Review of the volume by Vito Lattanzi "Museums and Anthropology. History experiences perspectives" (Carocci 2021)
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Etnografie ad arte : agency, mimesis, creatività e pratica degli artworks

2021

Il volume raccoglie alcune delle relazioni tenute all’interno del ciclo di seminari Antropologia dell’arte, organizzato nel 2019 dall’Associazione per la conservazione delle tradizioni popolari in collaborazione con l’Accademia di Belle Arti di Palermo e curato da Rosario Perricone. Il seminario comprendeva diversi incontri durante i quali studiosi di diversi ambiti disciplinari hanno dibattuto su concetti, nozioni e oggetti che si pongono al crocevia tra le discipline dell’antropologia, della storia dell’arte, della semiotica, degli studi culturali, della visual culture, delineando talvolta fenomeni di ibridazione delle pratiche artistiche ed etnografiche e, talvolta, di dissolvenza delle …

Popular art in SicilyDolce &ampCanto flamencoFlamenco singingfotografiaPost-fotografiacontemporary artDolce&ampAlfred GelldonoArt Anthropology visual study Visual cultureArte popolare in SiciliaRituali Afro-CubaniSettore M-DEA/01 - Discipline DemoetnoantropologicheCampAfro-Cuban ritualtextumArte Antropologia visual study Visual cultureocchialicollezionismoagency mimesis creativity artworkselfieeyeglasseprehistoric artarte preistoricaphotographycollectingagency mimesis creatività artworkarte contemporaneaGabbanaPost-photographyNelson GoodmanLeviathangift
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